Vienna International Dance Festival - Frédéric Gies & Weld Company France / Sweden
←
→
Transkription von Seiteninhalten
Wenn Ihr Browser die Seite nicht korrekt rendert, bitte, lesen Sie den Inhalt der Seite unten
Vienna International Dance Festival
Frédéric Gies & Weld Company
France / Sweden
Tribute
110
Break au Jeux Olympiques : le hip-hop vise l’or de rue
À Perpignan, un maire RN à l’assaut de la culture
Résister au capitalisme en s’alliant à des balbuzards
Wang Bing, filmer la Chine avant que tout ne disparaisse
Kathy Acker, écrivaine punk, star par plagiat
MAI - JUIN 2021
FRANCE 7,50 € - SUISSE 12 CHF
L 14944 - 110 - F: 7,50 € - RD
Mouvement
LE MAGAZINE CULTUREL INDISCIPLINAIRE
ABONNEMENT.MOUVEMENT.NET
TRIBUTE
Frédéric Gies & Weld Company
21. Juli 2021, 22:30
22. Juli, 2021 21:00
23. Juli 2021, 21:00
Odeon
Österreichische Erstaufführung
FRÉDÉRIC GIES ELIZABETH WARD SYBRIG DOKTER
bei ImPulsTanz bei ImPulsTanz bei ImPulsTanz
Performances: Performances: Workshops:
2019 2019 2015 body in question
walk + talk DD Dorvillier / Human
(Choreographer, Performer) Future Dance Corps
No Change, or „freedom is
2019 a psycho-kinetic Skill“ (2005)
Good Girls Go To Heaven, (Performer)
Bad Girls Go Everywhere
(Choreographer, Dancer) 2018
Michikazu Matsune
2008 All together (Performer)
Alice Chauchat & Frédéric
Gies / Isabelle Schad
Breast Piece Workshops:
(Choreographer)
2021
Phototropism and
Workshops: the Lampenfieber
2021 2019
Technosomatics Phototropism and
The Lampenfieber
2019
Technosomatics 2018
Techno Witch Ballet
danceWEB: 2012
Rock n Roll Ballet
2021
danceWEB Mentor
4
TRIBUTE
Choreografie Frédéric Gies
Lichtdesign Thomas Zamolo
DJ Fiedel
Kostüm Kleid von Grzegorz Matlag / Maldoror
Tanz Anna Westberg, Sybrig Dokter, Per
Sacklén, Disa Krosness, Andreas Haglund,
Andrea Svensson, Adam Seid Tahir, Brittanie
Brown, Elizabeth Ward
Weld Company wird initiiert und konzipiert
von Weld
Weld wird unterstützt von Stockholms stad,
dem Schwedische Kunstrat und der Region
Stockholm.
Dauer 77 Min.
5
ÜBER ABOUT
TRIBUTE
Seine Tänze ebnen Hierarchien ein und His dances level out hierarchies and make
lassen gewohnte Umgebungen verblassen. familiar surroundings fade away. French-
Der aus Frankreich stammende schwedische born Swedish choreographer Frédéric Gies
Choreograf Frédéric Gies arbeitet in diesem has co-created this gripping piece with the
packenden Stück mit der 2013 gegründeten Weld Company from Stockholm, founded in
Stockholmer Weld Company zusammen, 2013 as a contemporary artistic experiment
einem zeitgenössischen künstlerischen on a collective basis. They frequently invite
Experiment auf Kollektivbasis. Immer wieder collaboration partners to join them on their
werden Kooperationspartner*innen zu ge- adventures, including the likes of Yvonne
meinsamen Abenteuern eingeladen, so waren Rainer, Samuel Feldhandler and Georgia
etwa Yvonne Rainer, Samuel Feldhandler und Vardarou. Gies’ musical partner in crime for
Georgia Vardarou schon dabei. Gies hat bei Tribute is Berghain DJ Fiedel, who supplies
Tribute mit Fiedel einen Berghain-DJ an seiner the nine dancers from different generations
Seite, der den neun Tänzer*innen verschie- and their audience with the proper techno
denster Generationen und ihrem Publikum sound. The choreographer has opened the
den richtigen Techno-Sound verabreicht. Für extensive archive of his own memories for
die Weld Company hat der Choreograf das the Weld Company to jointly translate dances
große Archiv seiner eigenen Erinnerungen into this piece because: “A dance is always
geöffnet, um mit der Gruppe Tänze in dieses the product of other dances as well as an
Stück zu übersetzen, denn: „Ein Tanz ist incentive for future ones.” In line with this
immer das Produkt anderer Tänze sowie der motto, Frédéric Gies and the Weld Company
Anreiz für künftige.“ Diesem Leitsatz folgend, have created a physical, powerful dance
haben Frédéric Gies und die Weld Company that takes both communality and individual
einen körperbetonten, kraftvollen Tanz ge- characteristics into account.
schaffen, in dem Gemeinschaft ebenso zählt
wie individuelle Besonderheiten.
6Als ich mir vorzustellen anfing, was für ein
Tanzstück ich für eine Kompanie machen
würde, die „die alte Institution der Tanzkompanie
neu entdecken und -bewerten will“, kamen
persönliche Erinnerungen an Tänze, die ich
miterlebt hatte, wieder hoch. Jeder von ihnen
ist eng mit einem*einer Tänzer*in verbunden,
den*die ich in der Dunkelheit der Tanzfläche
oder von meinem Platz im Theater aus gesehen
habe. Diese Erinnerungen, mehr als nur Bilder,
haben sich meinem Körper eingeschrieben.
Sie sind auch konstitutiv für meine Tänze.
Sie sind meine Bibliothek. / Frédéric Gies
As I started to imagine what could be the
dance piece I would make for a dance company
that is “aiming to rediscover and revaluate
the old institution of Dance Company”,
personal memories of dances I witnessed
came flooding back. Each of them is closely
tied to a dancer whom I saw in the darkness
of the dance floor or from my seat at the
theatre. These memories, more than mere
images, reappear as an imprint in my body.
They are also constitutive of my dances.
They are my library. / Frédéric Gies
7ÜBER
WELD COMPANY
AUSZÜGE AUS DEN wieder neu-ordnet und offen bleibt für das,
BÜCHERN NO TALKING, was er sein und erreichen kann – ist politisch.
NO PROPS Die Kompanie ist ein Vorschlag, von der
kleinsten physischen Geste zu der größeren
Aus der Notwendigkeit einer dauerhaften un- einer Gruppe, die sich in der Welt bewegt. Sie
abhängigen Forschung im Weld (Stockholm) ist aus Liebe erbaut und will ihr Feld berühren
entstand die Kompanie als Möglichkeit für und ermächtigen. Es geht ihr außerdem um
Tänzer*innen und Choreograf*innen, ihre Kunst, die im Werden ist, und um Bewegungen,
Praktiken zu vertiefen und zu erweitern. Sie die uns sowohl mit der Geschichte verbinden,
möchte Raum bieten, in dem Tanz stattfinden als auch herausfordern, weiter zu gehen.
kann, um praktische, körperliche Forschung
Anna Koch (Künstlerische Direktorin von Weld)
in den Mittelpunkt zu stellen und Bedeutungen,
Spuren und Konventionen innerhalb einer
kollaborativen Struktur zu untersuchen und
umzugestalten. Darüber hinaus bietet sie ein- TANZ-KOMPANIE,
geladenen Künstler*innen eine Möglichkeit, TANZ-COMMUNITY,
von administrativen und finanziellen Verantwor- TANZ-KOOPERATIVE,
tungen gelöst zu arbeiten. Eingeladene Choreo- TANZ-GEMEINSCHAFT
graf*innen haben die Freiheit, ältere Arbeiten
wiederaufzugreifen, etwas Neues zu probieren, Was kann eine Tanzkompanie potentiell sein
oder zu teilen, was sie gerade beschäftigt. und wie kann sie funktionieren? Welche Verhal-
Die Kompanie ist eine erweiterte Choreografie tensweisen kann sie unterstützen? Wie inklusiv
mit Weld als ihrem Rückgrat. kann sie sein? Was kann eine Tanzkompanie für
Neben künstlerischen Erkundungen dreht den Tanz und für die Choreografie tun?
sich ihre Arbeit um die ethischen Aspekte des
Zusammenseins und -arbeitens und besteht Wenn Kompanien und Institutionen als
auf Sanftheit als Qualität. Ein Raum, in dem Sammlungen von Ressourcen in Erscheinung
jede involvierte Person an gemeinschaftlichen treten, die zur Zeit mehr oder weniger ex-
Prozessen des (Ver-)Handelns, Zuhörens und klusiv einer bestimmten Personengruppe an
Vorschläge-Einbringens teilnimmt. Dieser Kon- einem bestimmten Ort zur Verfügung stehen
text – der sich mit den Teilnehmenden immer – was sind sie anderes als Bibliotheken?
8Was, wenn sie mehr wie Wikipedia wären, gleichmäßiger zu verteilen? Was für Organi-
oder wie frische Luft? sationsweisen sind denkbar, um zu anderen
Verhaltens- und Funktionsweisen – weniger
Was, wenn „community“ nicht Exklusivität egoistisch, weniger auf Eigenwerbung bedacht
bedeuten würde, sondern das Gegenteil, – zu ermutigen? Was für Strategien sind vor-
Inklusivität und Gemeinschaft? Was könnte stellbar, um Situationen zu schaffen, in denen
eine Tanzkompanie dann sein? Und was könnte radikal unterschiedliche kreative Produktions-
sie für Tanz und Choeografie bedeuten? weisen nebeneinander existieren? Welche
Dieser Frage liegt die Annahme zu Grunde, Art, das Leben zu organisieren, würde nicht
dass künstlerische Erzeugnisse, Menschen, nur Selbstverbesserung, sondern auch radikal
die im künstlerischen Feld aktiv sind, genau andere Arten des Seins, Denkens, Arbeitens
wie Stil, Geschmack, Verhaltensweisen und und der Imagination unterstützen? Ist es über-
Normen konditioniert und vom ökonomischen haupt möglich, innerhalb des Kapitalismus
System, der herrschenden Ideologie und den radikal andere Produktionsweisen zu denken?
soziopolitischen Umständen beeinflusst sind. Und was braucht es, um das Scheitern und
Zu fragen wäre, in welchem Ausmaß Tanz und den Verlust der Zugehörigkeit zu riskieren,
Choreografie Opfer ihrer Umstände werden, was zur Innovation von Nöten sein kann?
im Kapitalismus vom Markt abhängig oder in
anderer Weise negativ von Gatekeeping, von Weld Company ist eine interessante Initiative
Ideologie und Geschichte beeinflusst sind. wegen der Art, auf die sie versucht, die
Bedingungen und Umstände, unter denen
Zu fragen, was eine Tanzkompanie sein oder Tanz und Choreografie entstehen, zu beein-
tun kann, ist eine Frage ihrer Organisation. flussen, um die Qualität zu erneuern und das
Für mich bedeutet das, Autor*innenschaft Feld proaktiv zu verändern. Sie kann als
und Besitzansprüche in Frage zu stellen Versuch verstanden werden, der Gegenwart
und Ressourcen und Produktionsweisen frei eine Form zu geben, statt sich nur von ihr
zugänglich zu machen. Ressourcen können formen zu lassen. Als Versuch, die Apparaturen
Ausbildung sein, Studios, Probenräume, zu verwandeln, die eine bestimmte Idee von
aber auch Wissen, Auftrittsgelegenheiten, Qualität erzeugen und bestimmte Verhaltens-,
Administration und viel mehr. Die Frage der Identifikationsweisen und Ästhetiken begünstigen.
Zugänglichkeit zu stellen bedeutet auch, sich Und sie ist interessant, weil sie den sozialen
zu fragen, welche Körper miteinbezogen und kollektiven Aspekt von Tanz und Choreo-
werden und wie „Professionalität“ sozio- grafie so ausdrücklich in den Vordergrund stellt.
ökonomisch definiert wird. Welche Voraus-
Ellen Söderhult (Tänzerin, Choreografin, Autorin)
setzungen braucht es, um jetzige Privilegien
9ABOUT
WELD COMPANY
EXCERPTS FROM THE open in what it can be and do—is political.
BOOK SERIES NO The company is a proposal, ranging from the
TALKING, NO PROPS smallest physical gesture to the larger gesture
of a group moving into the world. It is built
Arising from the need for ongoing independ- out of love, aiming to affect and empower the
ent research activity at Weld (Stockholm), the field. It is also about art in the becoming and
company was initiated to create a possibility about movements that both connect us to
for dancers and choreographers to further history and dare us to go further.
deepen and expand their practices. It intends
Anna Koch (Artistic Director of Weld)
to give space for dance to happen, to focus
on practical embodied research, and to inves-
tigate and reconfigure meanings, traces, and
conventions within the structure of collabo- DANCE COMPANY,
ration. Additionally, it offers the possibility to DANCE COMMUNITY,
explore art making from a position where the DANCE COOPERATIVE,
invited artists are relieved from any admin- DANCE COMMON
istrative/financial responsibilities. Invited
choreographers are free to revisit older What could a dance company potentially
works, try something new, or share what they be or how could it function? What behav-
are busy with now. iors could it promote? How inclusive could
The company is an extended choreography it be? What could a dance company do
that is wrapped around the spine of Weld. for dance and choreography?
Besides its artistic explorations, the work
deals with the ethical aspects of being/ If companies and institutions are seen as
working together, insisting on softness as a accumulations of resources that at the mo-
value. A space where each and every person ment are offered more or less exclusively to
involved partakes in a common action of a certain group and for a specific place, what
negotiating, acting, listening, and proposing. if they in some way were more like librar-
This context—which reformulates itself to- ies? What if they were more like Wikipedia or
gether with the people involved and remains clean air?
10that encourage other forms of behavior
What if “community” wasn‘t about being and function – less egoistic, less self-pro-
exclusive but rather about the opposite: moting, less imperial? What strategies can
inclusiveness and commoning? What could a be imagined to create a situation in which
dance company then be? And what could it radically different forms, methods and modes
do for dance and choreography? of production can co-exist? What forms of
Under that question lies a presumption organization of life would promote not only
that artistic products, the people active with- aligned improvement but also radically other
in the field, as well as style, taste, behavior ways of being, thinking, making and imag-
and norms, are conditioned or influenced ining? Is it even possible to think about rad-
by the larger economic system, ruling ideol- ically different modes of production within
ogy and socio-political circumstances. The capitalism? And what does it take to dare
underlying question would be to what to risk failure and losing belonging, without
extent the field of dance and choreography which innovation is difficult?
is a victim of circumstances, affected by the
capitalist market or in other ways negatively Weld Company is an interesting initiative
dependent on and directed by gatekeep- for two major reasons: first, because of the
ers, ideology or history. way it attempts to influence the conditions
and circumstances under which dance and
Posing the question as to what a dance choreography are made, as an attempt to
company can be or do connects to behaviors innovate quality and pro-actively influence
and ideology promoted by a specific way of the field. It can be understood as an attempt
organizing. To me this would include ques- to give shape to, instead of only being shaped
tioning authorship, ownership, delimitation by, the current conditions. It can be under-
of resources and mode of production. Re- stood as an attempt to transform the appara-
sources can be education, studios but tuses that produce a certain notion of quality
also knowledge, opportunities to perform, as well as promoting specific forms of behav-
administration and much more. The question ior, identifications and aesthetics. Secondly,
of delimitation could also include considering because of how it explicitly brings into focus
what bodies are included in what is so- the social or collective aspect of dance and
cio-economically defined as professionalism. choreography.
What circumstances are needed to provide
Ellen Söderhult (dancer, choreographer, writer)
for a more even distribution of privilege?
What forms of organization are thinkable
11BIOGRAPHIES
FRÉDÉRIC GIES WELD COMPANY
Frédéric Gies is an artist in the field of Weld Company, initiated by Weld in 2013,
experimental dance, based in Sweden. works with choreographers and dancers
His work originates from rigorous move- representing different generations, working
ment research processes, which are in- methods and expressions. Weld Company
formed by his experience in the field of moves unrestrained through larger and
somatic practices as well as in specific smaller formats, further developing the idea
forms of contemporary dance, his former of a dance company and what it can be and
training in ballet and his participation in do today. Weld Company’s previous collabo-
techno clubs and raves. The dances he rations include Yvonne Rainer, Frédéric Gies
creates collapse in various ways the hier- (2018) Matthias Sperling, Georgia Vardarou,
archies and distinctions between different Andros Zins Browne, Litó Walkey (2017),
dance forms. He presents his work and Rebecka Stillman (Phoenix for Dansens Hus,
teaches internationally. Stockholm, 2016), Shannon Cooney, Rebecka
Chentinell, Alice Chauchat (2015), Rebecka
Stillman, Julian Weber, Margareta Åsberg,
FIEDEL Litó Walkey (2014), Rebecka Stillman, Efva
Lilja, Michael Kliën, Litó Walkey (2013).
Fiedels first DJ gigs in Berlin can be traced
back to the early 90‘s when he started
spinning records at Subversiv‘s weekly WELD
Monday events. MMM, a collaboration with
his friend Errorsmith, was initiated shortly Weld is an independent platform for exper-
after he moved to Berlin. Fiedel‘s residency imental processes and knowledge produc-
at OstGut began in 2000 and was carried on tion in Stockholm. We gather impulses and
to his current home base - Berghain. Further ideas; we combine and break them down;
projects include an ongoing collaboration we re-think them – while aspiring to define
with choreographer Frederic Gies. ourselves as something not quite tangible.
Making use of critical ideas and open ways
of thinking, we aim to share our physical
12and virtual space with people active within Hofesh Shechter, Emanuel Gat, Alexander
different disciplines in arts and science to Ekman, Thomas Hauert, Olivier Dubois,
discover alternatives, new paths. Our primary Michael Keegan Dolan, Louise Mochia, Pal-
focus is on dance and we strive towards the oma Madrid and Pontus Pettersson. Adam’s
creation of contexts and situations that both work encompasses dancing, performing,
deepen and expand the art form. Weld is choreographing, writing, coding and creating
intended to serve the needs of contemporary work for physical platforms and cyberspace.
artists experimenting with scenic and spatial They have also contributed to the writing of a
forms of expression; for artists who utilise the book on treating autoimmune illness with food.
body as a point of departure for their creative
discourse; for those who seek new forms of
space for action – a place and an organisation SYBRIG DOKTER
promoting development and renewal, run by
artists, taking risks. is a choreographer and performer in the
Choreographer and dancer Anna Koch is the field of contemporary dance, visual arts and
founder and the Artistic Director of Weld. contemporary theatre. Sybrig was educated
at Codarts, Rotterdam. After moving to
Stockholm 1995 she initiated international
ANDREA SVENSSON projects in Eastern European countries and
founded Lava-Dansproduktion with Benno
got her professional education at Ballet Voorham in 1997. Sybrig has collaborated and
Academy, Stockholm and has worked as worked with Peter Stamer, Aitana Cordero
a freelance dancer since 1992. She has since Vico, Anna Koch, Litó Walkey, Marie Fahlin,
the beginning worked in a lot of different Frédéric Gies, Pontus Pettersson and Matthias
genres and with a broad spectrum but lately Sperling. Sybrig has been a member of Weld
been focusing on performances for the young since 2013.
audience and work with contemporary
choreographers. Aja has been a part of
Weld Company since 2015 and has danced ANNA WESTBERG
in works such as Frédéric Gies Tribute and
Yvonne Rainer´s Again? What now?. Recently is a dancemaker from Gothenburg Sweden,
she has worked with Frédéric Gies, Warriors: now based in Stockholm. Her dancing is
Chiron in Aries, Recital #1, Malin Arnell and informed by a classical ballet background,
Mar Fjell (IEOC), Jacqueline Hoàng Nguyễn later reformulated by extensive somatic
Untitled(Entitled), Anna Pehrsson´s Pres- studies and the practice of improvisation.
sure Fields and will be a part of Dalija Acin She enjoys making work in which she can
Thelanders upcoming work. fuse her interest in storytelling with a fascina-
tion for the narratives of the body itself.
Anna has been a member of Weld Company
ADAM SEID TAHIR since 2014 and particularly appreciates the
possibility to explore a culture of negotiating
is an Eritrean-Swedish dancer, choreographer collective aims and individuality through
and web developer based in Stockholm. a company body.
They have trained at the Royal Swedish Ballet
School and Ballet Junior de Geneve in Swit-
zerland. They have performed and worked
with choreographers such as Sharon Eyal,
13© Thomas Zamolo
1415
BRITTANIE BROWN DISA KROSNESS
Brittanie received her B.F.A. in Dance from is educated at The Danish National School
The Juilliard School in May 2011. She began of Performing Arts 2005-2009 and works
her formal dance training at the age of 12 at as a freelance dancer, choreographer and
Central Pennsylvania Youth Ballet. Graduating producer, based in Stockholm. This year she
from Booker T. Washington High School for is busy with performing multi reality work
the Performing and Visual Arts in Dallas, with choreographer Noah Hellwig, dancing
Texas - by 2007, Brittanie was a Silver Award for children with Jelnek Dance Co and
2007 YoungArts winner in modern dance performing work by Frederic Gies, amongst
and a Texas Young Master recognized by the other things. Disa Krosness has been part of
Texas Commission on the Arts. Throughout Weld Co since 2015. Disa works actively, both
the years, she has performed original works politically and artistically, to make way for
by Alexander Ekman, Sidi Larbi Cherkaoui, contemporary dance at new performing plat-
William Forsythe, Ohad Naharin, Stijn Celis forms and by unconventional collaborations.
and Victor Quijada. Brittanie has been honored
to work with companies such as Company
XIV (Austin McCormick), Abraham.In.Motion ELIZABETH WARD
(Kyle Abraham), Skånes Dansteater and the
GöteborgsOperans DansKompani. is an american choreographer and performer
currently living in Vienna. Her work explores
the collective histories of dance lineages
PER SACKLÉN embedded in a dancer’s muscle memory
as a living archaeological terrain. In 2020
has worked professionally as a dancer since her latest work Dancing’s Demons, a dance
1984. He lives and works in Stockholm as dealing with hauntings and the complicated
a dancer, choreographer and occasional political histories of early Modern dance
teacher. The fundament of his training is developed alongside visual artist Julia Zastava
classical ballet which has led him to join and musician Ana Threat, with premiere at
repertoar companies in Stockholm, Pittsburgh Tanzquartier’s Halle G. Her project Anti-Fas-
and Toronto. In the mid 90’s his focus started cist Ballet School, made in collaboration
to shift towards more contemporary dancing with Magdalena Chowaniec, was presented
and has since then also worked as a freelancer by Wiener Festwochen, wien woche, and at
with choreographers Per Jonsson, Örjan Der Blöde Dritte Mittwoch. She has worked
Andersson, Cristina Caprioli among others. with electronic music producer AC/Boy on
Around that time Per also started choreo- a techno ballet project presented interna-
graphing.1997 he co-founded the dance tionally. As a performer she has participated
collective Räserbyrån. Being a member at in the works of Cathy Weis, Frédéric Gies,
Fylkingen, where most of Räserbyråns work DD Dorvillier, Anne Juren, Jennifer Lacey,
has been shown, a lot of his work revolves Heather Kravas, Manuel Pelmus, and Miguel
around improvisation in connection to Gutierrez amongst others.
improvised music.
16ANDREAS HAGLUND
Andreas Haglund (Pronouns: He/They)
works as a freelance dancer, performer and
choreographer around Copenhagen and
Stockholm. He is educated in Contemporary
Dance & Choreography from The Danish
National School of Performing Arts (2015-
2019), including an exchange semester at
The Academy of Dramatic Arts in Zagreb,
Croatia (2017).
They are a member of Dance Cooperative;
(@dance.cooperative) a platform, dance
studio and venue for intersectional practices
and performance art organised by 16 artists
in Copenhagen. Through this framework
they have facilitated several performance
events, presenting both their own works and
collaborations as well as hosting other artists
and their works
17SPIELPLAN
SCHEDULE
DO, 15. JULI Alexandra Bachzetsis Meg Stuart /
Private Song Damaged Goods
Dieter Blum 22:00, Odeon, Kat E CASCADE
Erinnerungen an Ismael Ivo 21:00, Volkstheater, Kat A
Vernissage SO, 18. JULI
19:00, Odeon Foyer, Kat Z [8:tension]
Geöffnet an allen Spieltagen Workshop Petar Sarjanović
im Odeon, 16:30 – 18:30 Opening Lecture Everything I don’t know,
«impressions’21» I’ve stolen
Alexandra Bachzetsis 16:00, Arsenal, Kat Z 21:00, Kasino am
Private Song Schwarzenbergplatz, Kat L
20:00, Odeon, Kat E Trajal Harrell
Maggie The Cat Trajal Harrell
FR, 16. JULI 19:30, Akademietheater Dancer of the Year
Kat B 22:00, Odeon, Kat H
[8:tension]
Sophia Rodríguez Trajal Harrell DI, 20. JULI
Ostentation Project Friend of a Friend
19:00, Schauspielhaus 21:00, mumok kino Alias Cie /
Kat L Film Guilherme Botelho
Sideways Rain
Trajal Harrell [8:tension] 21:00, Akademietheater
Maggie The Cat Sophia Rodríguez Kat B
21:00, Akademietheater Ostentation Project
Kat B 23:00, Schauspielhaus, Kat L MI, 21. JULI
SA, 17. JULI MO, 19. JULI Alias Cie /
Guilherme Botelho
Ian Kaler Trajal Harrell Normal.
POINTS OF DEPARTURE Dancer of the Year 19:30, Akademietheater
Hyphen 19:00, Odeon, Kat H Kat B
20:00, WUK, Kat J
Ian Kaler Voetvolk /
Meg Stuart / Damaged POINTS OF DEPARTURE Lisbeth Gruwez &
Goods Hyphen Claire Chevallier
CASCADE 19:00, WUK, Kat J Piano Works Debussy
21:00, Volkstheater, Kat A 21:00, MuTh, Kat C[8:tension] Voetvolk / Neopost Foofwa -
Petar Sarjanović Lisbeth Gruwez & Foofwa d’Imobilité
Everything I don’t know, Claire Chevallier Dancewalk –
I’ve stolen Piano Works Debussy Retroperspectives
21:00, Kasino am 21:00, MuTh, Kat C 23:00, Schauspielhaus, Kat H
Schwarzenbergplatz, Kat L
[8:tension] [8:tension]
Frédéric Gies & Astrit Ismaili Astrit Ismaili
Weld Company MISS MISS
Tribute 23:00, Kasino am 23:00, Kasino am
22:30, Odeon, Kat D Schwarzenbergplatz, Kat L Schwarzenbergplatz, Kat L
Raja Feather Kelly SA, 24. JULI MO, 26. JULI
UGLY (Black Queer Zoo)
23:00, Schauspielhaus, Kat H Peter Jarolin im KURIER- Performance Situation
Gespräch mit Maguy Marin Room: Showing
DO, 22. JULI 19:00, Volkstheater, Kat Z On the Road to Nowhere
19:00, Leopold Museum
Alias Cie / Kat N
Guilherme Botelho Performance Situation
Sideways Rain Room: Showing Meg Stuart /
19:00, Akademietheater On the Road to Nowhere Damaged Goods
Kat B 19:30, Leopold Museum VIOLET
Kat N 21:00, Volkstheater, Kat A
Frédéric Gies &
Weld Company [ImPulsTanz Classic] DI, 27. JULI
Tribute Compagnie Maguy Marin
21:00, Odeon, Kat D Umwelt Maria Tembe &
21:00, Volkstheater, Kat A Panaibra Gabriel Canda
[ImPulsTanz Classic] Solo for Maria
Compagnie Maguy Marin SO, 25. JULI 19:00, Odeon, Kat E
Umwelt
21:00, Volkstheater, Kat B Deen, Haager, Illnar, Neopost Foofwa -
Kartmann, Kraft, Omer, Foofwa d’Imobilité
FR, 23. JULI Schaller, Senk Dancewalk –
Kosmos Wiener Tanzmoderne Retroperspectives
Raja Feather Kelly 19:00, MuTh, Kat C 19:00, Schauspielhaus, Kat H
UGLY (Black Queer Zoo)
19:00, Schauspielhaus, Kat H Maria Tembe & ZOO / Thomas Hauert
Panaibra Gabriel Canda How to proceed
Frédéric Gies & Solo for Maria 21:00, Akademietheater
Weld Company 21:00, Odeon, Kat E Kat B
Tribute
21:00, Odeon, Kat D ZOO / Thomas Hauert [8:tension]
How to proceed Lau Lukkarila
21:00, Akademietheater NYXXX
Kat B 23:00, Kasino am
Schwarzenbergplatz, Kat LMI, 28 . JULI FR, 30. JULI Dada Masilo /
The Dance Factory
Jérôme Bel Klangforum Wien THE SACRIFICE
Isadora Duncan Stanislaw Lem 2021 Concert 21:00, Volkstheater, Kat A
19:00, MuTh, Kat F 100 Years Science of Fiction
20:00, Odeon, Kat G Louise Lecavalier
Dada Masilo / Stations
The Dance Factory Dada Masilo / 21:00, Akademietheater
THE SACRIFICE The Dance Factory Kat B
21:00, Volkstheater, Kat A THE SACRIFICE
21:00, Volkstheater, Kat A [8:tension]
DO, 29. JULI Idio Chichava, Converge+
The matter lab Sentido Unico
[8:tension] a project initiated by Meg Stuart 21:00, Schauspielhaus, Kat L
Idio Chichava, Converge+ in conversation with Moriah
Sentido Unico Evans, Mieko Suzuki, Varinia Raja Feather Kelly
19:00, Schauspielhaus, Kat L Canto Vila, Edna Jaime & Guests Hysteria (Ugly Part 2)
showing I 21:00, Kasino am
Malika Fankha / Karol 23:00, WUK, Kat N Schwarzenbergplatz, Kat H
Tyminski / Klangforum Wien
Stanislaw Lem Turns 100: SA, 31. JULI The matter lab
Performance and Music a project initiated by Meg Stuart
move Outerspace. Malika Fankha / Karol in conversation with Moriah
19:00, Ehemaliges Gustinus- Tyminski / Klangforum Wien Evans, Mieko Suzuki, Varinia
Ambrosi-Museum, Kat G Stanislaw Lem Turns 100: Canto Vila, Edna Jaime & Guests
Performance and Music showing II
Louise Lecavalier move Outerspace. 23:00, WUK, Kat N
Stations 14:00, Ehemaliges Gustinus-
21:00, Akademietheater Ambrosi-Museum, Kat G Ivo Dimchev
Kat B Halal
Anna Huber Solo-Konzert
ZOO / Thomas Hauert unsichtbarst² 23:00, Odeon, Kat H
(sweet) (bitter) 17:00, Leopold Museum
21:00, Odeon, Kat L Kat K SO, 1. AUGUST
[8:tension] Eva-Maria Schaller In Memoriam Ismael Ivo
Lau Lukkarila Recalling Her Dance 20:00, Volkstheater, Kat Z
NYXXX a choreographic encounter
21:00, Kasino am with Hanna Berger MO, 2. AUGUST
Schwarzenbergplatz, Kat L 19:00, MuTh, Kat I
Anna Huber
Cristina Caprioli / ccap Malika Fankha / Karol unsichtbarst²
Scary solo Tyminski / Klangforum Wien 17:00, Leopold Museum
22:00, Odeon, Kat L Stanislaw Lem Turns 100: Kat K
Performance and Music
move Outerspace.
19:00, Ehemaliges Gustinus-
Ambrosi-Museum, Kat G[ImPulsTanz Classic] [ImPulsTanz Classic] MONUMENT
*Melk Prod. / *Melk Prod. / 16:00, mumok kino, Kat M
Marco Berrettini Marco Berrettini Leja Jurišić, Bara Kolenc,
No Paraderan No Paraderan Peter Kutin, Patrik Lechner,
21:00, Akademietheater 21:00, Akademietheater Mathias Lenz
Kat B Kat B BRINA – A KINAESTHETIC
MONUMENT
Raja Feather Kelly [8:tension] 18:00, mumok kino, Kat M
Hysteria (Ugly Part 2) Madeleine Fournier /
23:00, Kasino am O D ETTA Willi Dorner
Schwarzenbergplatz, Kat H Labourer figure
21:00, Kasino am 19:30, WUK, Kat J
DI, 3. AUGUST Schwarzenbergplatz, Kat L
PLASTIC PARTY VIENNA
Kaori Ito & Théo Touvet / DO, 5. AUGUST Happy Birthday Mr. Beuys!
Himé Company 20:00, MQ Libelle, Kat G
Fire me up -–Spoken and Lenio Kaklea
danced confidences Ballad [8:tension]
19:00, Odeon, Kat E 19:00, MuTh, Kat F Madeleine Fournier /
O D ETTA
Ultima Vez / Deborah Hazler / Angry Labourer
Wim Vandekeybus Agnes Productions 21:00, Kasino am
TRACES The Rant and Rave Schwarzenbergplatz, Kat L
21:00, Volkstheater, Kat A 19:30, Schauspielhaus, Kat L
SA, 7. AUGUST
Deborah Hazler / Angry Marc Oosterhoff –
Agnes Productions Cie Moost [ImPulsTanz Classic]
The Rant and Rave Take Care Of Yourself Frank Van Laecke, Alain
21:00, Schauspielhaus, Kat L 20:30, Schauspielhaus, Kat L Platel, Steven Prengels -
NTGent & les ballets C
Marc Oosterhoff – Ultima Vez / de la B
Cie Moost Wim Vandekeybus Gardenia - 10 years later
Take Care Of Yourself TRACES 21:00, Volkstheater, Kat A
22:00, Schauspielhaus, Kat L 21:00, Volkstheater, Kat A
SO, 8. AUGUST
MI, 4. AUGUST Kaori Ito & Théo Touvet /
Himé Company Leja Jurišić, Bara Kolenc,
Willi Dorner Fire me up -– Spoken and Peter Kutin, Patrik Lechner,
figure danced confidences Mathias Lenz
19:00, WUK, Kat J 23:00, Odeon, Kat E BRINA – A KINAESTHETIC
MONUMENT
PLASTIC PARTY VIENNA FR, 6. AUGUST 15:30, mumok kino, Kat M
Happy Birthday Mr. Beuys!
20:00, MQ Libelle, Kat G Leja Jurišić, Bara Kolenc,
Peter Kutin, Patrik Lechner,
Mathias Lenz
BRINA – A KINAESTHETICLeja Jurišić, Bara Kolenc, [ImPulsTanz Classic] MI, 11. AUGUST
Peter Kutin, Patrik Lechner, Frank Van Laecke, Alain
Mathias Lenz Platel, Steven Prengels - [8:tension]
BRINA – A KINAESTHETIC NTGent & les ballets C Tamara Alegre, Lydia
MONUMENT de la B Östberg Diakité, Nunu
17:30, mumok kino, Kat M Gardenia - 10 years later Flashdem, Marie Ursin,
Guy Cools in conversation 21:00, Volkstheater, Kat A Célia Lutangu
with Alain Platel FIEBRE
Book Launch: Performing DI, 10. AUGUST 19:30, mumok Hofstallung
Mourning, Laments Kat M
in Contemporary Art. Saskia Hölbling /
18:00, Volkstheater, Kat Z DANS.KIAS PLASTIC PARTY VIENNA
Through Touches Happy Birthday Mr. Beuys!
[8:tension] 19:00, WUK, Kat J 20:00, MQ Libelle, Kat G
Emmilou Rößling
FLUFF PLASTIC PARTY VIENNA Akram Khan Company
19:00, Schauspielhaus, Kat L Happy Birthday Mr. Beuys! Outwitting the Devil
20:00, MQ Libelle, Kat G 21:00, Volkstheater, Kat A
Saskia Hölbling /
DANS.KIAS Georg Blaschke / Christian DO, 12. AUGUST
Through Touches Kosmas Mayer / Christian
19:00, WUK, Kat J Schröder (AT) Sergiu Matis
Verwilderung – Ein Seestadt- Extinction Room (Hopeless.)
PRICE projekt 18:30, Ehemaliges Gustinus-
Melodies are so far 21:00, Seestadt Aspern (U2- Ambrosi-Museum, Kat K
my best friend Endstation Seestadt, Wangari-
21:00, Kasino am Maathai-Platz, 1220 Wien) Liquid Loft
Schwarzenbergplatz, Kat H Kat Z Still / Stranger Than Paradise
(live / on screen)
Platform-K / PRICE 19:30, MuTh, Kat C
Michiel Vandevelde / Melodies are so far
Philippe Thuriot my best friend [8:tension]
The Goldberg Variations 21:00, Kasino am Ruth Childs / Scarlett’s
21:00, Odeon, Kat D Schwarzenbergplatz, Kat H fantasia
21:00, Schauspielhaus, Kat L
MO, 9. AUGUST Platform-K /
Michiel Vandevelde / Michael Laub / Remote
Ruth Childs / Lucinda Philippe Thuriot Control Productions
Childs - Scarlett’s The Goldberg Variations ADAPTATIONS – a video
Pastime / Carnation / 21:00, Odeon, Kat D retrospective remix / talk
Museum Piece by Michael Laub
19:00, MuTh, Kat I [8:tension] 21:00, Odeon, Kat H
Emmilou Rößling
FLUFF
23:00, Schauspielhaus, Kat LFR, 13. AUGUST Akram Khan Company Mermaid & Seafruit
Outwitting the Devil Screens Are My New
Michael Laub in 21:00, Volkstheater, Kat A Clothes. Extended Album
conversation with Release Show
Michael Stolhofer Michael Laub / Remote 21:00, WUK, Kat J
Rewind Song Control Productions
Book launch ADAPTATIONS Raja Feather Kelly
19:30, Odeon, Kat Z a video retrospective remix / UGLY Part 3: BLUE
talk by Michael Laub 21:00, Kasino am
[8:tension] 21:00, Odeon, Kat H Schwarzenbergplatz, Kat H
Tamara Alegre, Lydia
Östberg Diakité, Nunu Liquid Loft
Flashdem, Marie Ursin, Still / Stranger Than Paradise
Célia Lutangu (live / on screen)
FIEBRE 21:00, MuTh, Kat C
19:30, mumok Hofstallung
Kat M
Akram Khan Company Georg Blaschke / Christian
Outwitting the Devil Kosmas Mayer / Christian
21:00, Volkstheater, Kat A Schröder (AT)
Verwilderung – Ein Seestadt-
Mermaid & Seafruit projekt
Screens Are My New Clothes. 21:30, Seestadt Aspern (U2-
Extended Album Release Show Endstation Seestadt, Wangari-
21:00, WUK, Kat J Maathai-Platz, 1220 Wien)
Kat Z
Raja Feather Kelly
UGLY Part 3: BLUE SO, 15. AUGUST
21:00, Kasino am
Schwarzenbergplatz, Kat H Sergiu Matis
Extinction Room (Hopeless.)
SA, 14. AUGUST 18:30, Ehemaliges
Gustinus-Ambrosi-Museum
Final Workshop Kat K
Showing
«expressions’21» Georg Blaschke / Christian
16:00, Arsenal, Kat Z Kosmas Mayer / Christian
Schröder (AT)
[8:tension] Verwilderung – Ein Seestadt-
Ruth Childs / Scarlett’s projekt
fantasia 19:30, Seestadt Aspern (U2-
19:00, Schauspielhaus, Kat L Endstation Seestadt, Wangari-
Maathai-Platz, 1220 Wien)
Sergiu Matis Kat Z
Extinction Room (Hopeless.)
19:00, Ehemaliges
Gustinus-Ambrosi-Museum
Kat KBEGLEITPROGRAMM
PARALLEL PROGRAM
AUSSTELLUNG Musikvideoprogramm Michael Laub in conversa-
International tion with Michael Stolhofer
Dieter Blum I Like Rewind Song
Erinnerungen an Ismael Ivo 22. Juli, 13:00 + 23. Juli, 13. August, 19:30, Odeon
Vernissage 16:00 + 24. Juli, 16:30 + 28. Kat Z
15. Juli, 19:00, Odeon Foyer Juli, 13:00 + 30. Juli, 16:30 +
WORKSHOPS
Geöffnet an allen Spieltagen 31. Juli, 16:00 + 12. August, & RESEARCH
im Odeon, 16:30 – 18:30 13:00 + 13. August, 16:30 +
14. August, 16:00, mumok [Workshop Opening Lecture]
SYMPOSIUM & TALK kino «impressions’21»
18. Juli, 16:00, Arsenal
Peter Jarolin im KURIER Musikvideoprogramm mit Kat Z
Gespräch mit Maguy Marin Fokus auf Enjoy im mumok
24. Juli, 19:00, Volkstheater Pop Art [Final Workshop Showing]
– Rote Bar 22. Juli, 14:30 + 23. Juli, «expressions’21»
14:30 + 24. Juli, 15:00 + 28. 14. August, 16:00, Arsenal
IDOCDE Symposium 2021 Juli, 14:30 + 30. Juli, 15:00 + Kat Z
per/mutation 31. Juli, 14:30 + 12. August,
practical and tactical applica- 14:30 + 13. August, 15:00 + SOÇIAL
tions in taking care of mortal 14. August, 14:30, mumok
dancing kino ImPulsTanz Festival Lounge
31. Juli, 9:00 – 20:00 + 1. Extended: A-Side
August, 9:00 – 20:00, Arsenal Studios Kabako / Virginie GNUČČI live, Dalia Ahmed,
Dupray, Faustin Linyekula DJ Phekt
FILM & VIDEOS Letters from the Continent 30. Juli, 22:00, Kursalon
22. Juli, 16:00 + 23. Juli, Wien
Trajal Harrell 13:00 + 24. Juli, 18:00 + 28.
Friend of a Friend Juli, 16:00 + 30. Juli, 18:00 + ImPulsTanz Festival Lounge
18. Juli, 21:00, mumok kino 31. Juli, 13:00 + 12. August, Extended: B-Side
16:00 + 13. August, 18:00 + FVLCRVM live, Kristian Davi-
14. August, 13:00, dek, Moska
mumok kino 13. August, 22:00, Kursalon
Österreichische Erstaufführung Wien
BUCHPRÄSENTATIONEN
Guy Cools in conversation
with Alain Platel
Performing Mourning, La-
ments in Contemporary Art.
8. August, 18:00, Volkstheater
Kat Z
24© Thomas Zamolo
25Frédéric Gies © Thomas Zamolo Medieninhaber und Herausgeber: ImPulsTanz – Vienna International Dance Festival; Museumstraße 5/21, 1070 Wien, Austria Änderungen Vorbehalten T +43.1.523 55 58/F +43.1.523 55 58-9; info@impulstanz.com/impulstanz.com Preis: 2,80 Redaktion Abendprogramme: Christine Standfest & Victor Schlothauer; Satz (Kern): David Hampel; Art Direction: CIN CIN, cincin.at – Stephan Göschl, Gerhard Jordan, Tobias Raschbacher & Jasmin Roth; Print: Druckerei Walla; Bild am Cover: Frédéric Gies / Weld Company © Thomas Zamolo Intendant: Karl Regensburger; Geschäftsführung: Gabriel Schmidinger; Künstlerische Beratung: Ismael Ivo (†), Rio Rutzinger, Christine Standfest, Michael Stolhofer, Andrée Valentin; Künstlerische Leitung [8:tension] Young Choreographers’ Series: Christine Standfest, Michael Stolhofer; Dram- aturgie & Programm mumok-Kooperation: Christine Standfest Special Projects: Michael Stolhofer; Soçial-Programm: Hanna Bauer; Musikvideopro- gramme: Christoph Etzlsdorfer (Vienna Shorts), Theresa Pointner; Künstlerische Leitung Workshops & Research: Rio Rutzinger, Marina (Fio) Losin; Presse & PR: Theresa Pointner, Marlene Rosenthal, Sonja Kuzmics; New Media: Maja Preckel; Online Redaktion: Maja Preckel, Marina (Fio) Losin Marketing: Theresa Pointner; Sponsoring: Andreas Barth, Hanna Bauer, Wolfgang Mayr – mayr & more; Förderungen & Kooperationen: Hanna Bauer; Finanzen: Gabriele Parapatits, Katharina Binder; Kaufmännische Beratung: Andreas Barth – Castellio Consulting GmbH; Festivalorganisation & Publikumsdienst: Gabriel Schmidinger, Alissa Horngacher, Timothy Gundacker, Johanna Sares & Team; Ticketing: Gabriel Schmidinger, Andreas Marinello, Laura Fischer & Patrizia V. Stiegler, Laura Angerer;; EU Project Life Long Burning & danceWEB Scholarship Programme: Hanna Bauer, Katharina Binder, Rio Rutzinger; Koordination danceWEB & ATLAS: Sara Lanner, Lina Lev; Technische Leitung Performances: Michael May- erhofer & Michael Steinkellner; Künstlerisches Betriebsbüro: Yasamin Nikseresht, Laura Fischer, Selin Baran, Zorah Zellinger; Produktionsleitung: Johannes Maile; Koordination der Künstler*innenwohnungen: Joseph Rudolf; Shake-the-Break-Programm: Marina (Fio) Losin, Corinne Eckenstein (Dschungel Wien); Leitung Workshop Office: Stefanie Tschom (Leitung), Carine Carvalho Barbosa (in Karenz); Technische Leitung Workshops: Hannes Zellinger; ImPulsBringer – Freunde des ImPulsTanz Festival: Josef Ostermayer (Präsident), Laura Fischer (Organisation); IT: Hannes Zellinger, Zimmel + Partner Website Creation & Supervision: Bernhard Nemec – nemec.cc; Art Direction, Kampagne & Design: CIN CIN, cincin.at – Stephan Göschl, Gerhard Jordan, Jasmin Roth Fotografie: yako.one / Karolina Miernik & Emilia Milewska; Video: Maximilian Pramatarov; Spielstättengestaltung: Maximilian Pramatarov, Maritta Halb & Olga Gawlowska; ImPulsTanz Maître de Plaisir: francophil
SIE LIEBEN IHR AUTO, WIR TUN ES AUCH.
OUT NOW!
ANNUAL SUBSCRIPTION
EUR 68 AUSTRIA/GERMANY, EUR 78 EUROPE
EUR 88 OUTSIDE EUROPE
Price includes shipping. Place an order on our website spikeartmagazine.com. Reductions for students!Sie können auch lesen
