Spring 2021 - Deutscher Kunstverlag

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Spring 2021 - Deutscher Kunstverlag
Spring 2021
Spring 2021 - Deutscher Kunstverlag
Dear friends of the Deutscher Kunstverlag,
Dear readers,

Did you know that the Deutscher Kunstver-
lag celebrates its 100th anniversary in 2021?
Since 1921, we have been publishing books
that take our readers into the diverse
world of art and architecture. Join us in
our anniversary year to the reopened New
National Gallery in Berlin, the Mozart
Festival in Würzburg, or the collection of
German paintings in Frankfurt’s Städel
Museum. Learn more about art in
architecture, international modernism in
the GDR, or partisan photography in former
Yugoslavia.
We would also like to invite you to celebrate
our anniversary together with us. You can
find out everything about the planned
lectures, competitions and other anniversary
events on our new website.
Dr. Pipa Neumann     Dr. Katja Richter
Editorial Director   Senior Acquisitions Editor Arts
Spring 2021 - Deutscher Kunstverlag
100
                              Years

Everything you need to know
about the 2021 anniversary!
Spring 2021 - Deutscher Kunstverlag
Digital

             Discover our videos and ours Podcast
             on current art exhibitions!
             We speak to curators about their current art exhibitions
             once a month. We want to know what drives them,
             what approaches and opinions they have and why you
             should see the exhibition. (e.g. Gemäldegalerie Berlin,
             Kunsthalle Mannheim, LWL-Musuem für Kunst und
             Kultur, Münster) The exhibition catalogs all published
             by Deutscher Kunstverlag.

Ü
    Kunst
Ü
    Museum
Ü
    Konversation
PODCAST

          Podcast                       Video
Spring 2021 - Deutscher Kunstverlag
OUR PARTNERS

Bayerische Staatsgemäldesammlungen, Pinakotheken, Munich

Bayerisches Landesamt für Denkmalpflege, Munich

Bayerisches Nationalmuseum, Munich

Berlinische Galerie, Berlin

Bundesamt für Bauwesen und Raumordnung (BBR)

Dehio Vereinigung e.V., Wiesbaden

Deutsches Dokumentationszentrum für Kunstgeschichte – Bildarchiv Foto Marburg

Grisebach GmbH, Berlin

Hans Purrmann Stiftung, Munich

Institut für Architekturtheorie und Baugeschichte, Leopold-Franzens-Universität Innsbruck

Institut für Kunstgeschichte, Bauforschung und Denkmalpflege, Technische Universität, Vienna

Klassik Stiftung Weimar

Kulturhistorisches Museum Magdeburg

Kunsthalle Mannheim

Kunsthistorisches Institut der Universität Bonn

Max-Planck-Institut – Kunsthistorisches Institut in Florenz, Florence

Kunstmuseum Basel
Kunstmuseum Bonn

Kunstmuseum Kloster Unser Lieben Frauen Magdeburg

Kunstmuseum Stuttgart

Kunstsammlungen Chemnitz

Kunstsammlungen der Veste Coburg

Kunstsammlungen und Museen Augsburg

Landesstelle für die nichtstaatlichen Museen in Bayern, Munich

Leibniz-Institut für Geschichte und Kultur des östlichen Europa (GWZO), Leipzig

Lindenau-Museum Altenburg

Institut für Kunstgeschichte – Ludwig-Maximilians-Universität, Munich

LVR-LandesMuseum Bonn

LWL-Museum für Kunst und Kultur, Münster

Martin von Wagner Museum der Universität Würzburg

Mozartfest Würzburg

Museum für Gegenwartskunst Siegen

Museum Pfalzgalerie Kaiserslautern

Museum Villa Stuck, Munich

Museum Wiesbaden

Rosa-Luxemburg-Stiftung Berlin
Staatliche Akademie der Bildenden Künste Stuttgart

Staatliche Graphische Sammlung, Munich

Staatliche Kunsthalle Karlsruhe

Staatliche Kunstsammlungen Dresden

Staatliche Museen zu Berlin – Stiftung Preußischer Kulturbesitz

Staatliche Schlösser, Gärten und Kunstsammlungen Mecklenburg-Vorpommern, Staatliches Museum Schwerin

Staatsgalerie Stuttgart

Stadtmuseum Berlin

Städel Museum, Frankfurt am Main

Stiftung Museum Kunstpalast, Düsseldorf

Stiftung Preußische Schlösser und Gärten Berlin-Brandenburg, Potsdam

Stiftung Ada und Emil Nolde, Seebüll

tim – Staatliches Textil- und Industriemuseum Augsburg

Tiroler Landesmuseum, Innsbruck

Vereinigung der Landesdenkmalpfleger, Wiesbaden

Zentralinstitut für Kunstgeschichte, Munich
Spring 2021 - Deutscher Kunstverlag
CONTENTS

ART

Neue Nationalgalerie            7

IMAGINE MOZART | MOZART BILDER                  9

Deutsche Gemälde im Städel Museum 1550–1725              11

»Der Arbeit die Schönheit geben«          13

Alexej von Jawlensky            15

James Ensor        17

Kunst am Bau in der DDR              18

70 Years of Art in Architecture in Germany          19

Neue Pinakothek. Katalog der Skulpturen – Volume I            21

Neue Pinakothek. Katalog der Skulpturen – Volume II           21

How Art Works           22

Exquisit    23

Wie die Bilder ins Museum kamen           24

Lehrmedien der Kunstgeschichte            24

Werner Schmalenbach und die Stiftung Kunstsammlung Nordrhein-Westfalen   25

The Multiple Modernity              27

Valentin Serov        27

Verschwiegene Kunst             28

Rotes Licht      29

Detlef Waschkau            30

Zeichenroman          31

Gegenbilder        33

Oltre il colore       34

Vorhangfall und poetische Ekstase          34

Schön behaglich warm                35

Halsringe     35

BACKLIST

Selected titles       37
Spring 2021 - Deutscher Kunstverlag
DEUTSCHER KUNSTVERLAG

    6

                        The Neue Nationalgalerie in the year of the opening 1968

                        Neue
                        Nationalgalerie
Spring 2021 - Deutscher Kunstverlag
For the Nationalgalerie, Staatliche
                                                                                    Museen zu Berlin, Joachim Jäger,
                                                                                    Constanze von Marlin (Eds.)
                                                                                    Neue Nationalgalerie
                                                                                    Pages       320
                                                                                    Ills.       250
                                                                                    Format      28.8 × 24.0 cm

                                                                                    HC          978-3-422-98652-7 EN    € 48.00
                                                                                                978-3-422-98651-0 DE    $ 55.99
                                                                                                                        £ 43.50

                                                                                    ENGLISH AND GERMAN EDITION
                                                                                    JULY 2021

                                                                                                                                          DEUTSCHER KUNSTVERLAG
                                                                                    THE cult book on the architecture of the
                                                                                    Neue Nationalgalerie

                                                                                    Internationally renowned authors shed light
                                                                                    on their view of the museum

                                                                                    The photographer Simon Menges presents
                                                                                    the noble result of the restoration by
Column Neue Nationalgalerie
                                                                                    David Chipperfield Architects

            Will be published on the occasion of the
            reopening of the Neue Nationalgalerie in Berlin
                                                                                                                                               7

            The Neue Nationalgalerie, which was        with new glory in 2021. With numer-        Essays by Barry Bergdoll, ­­
            erected in 1965–68, is the only build-     ous specialist texts and large-format      David Chipperfield, Beatriz Colomina,
            ing by the architect Ludwig Mies van       photographs, the book focuses on the       Fritz Neumeyer, Wolf Tegethoff,
            der Rohe in Germany from after the         architecture of the museum in three        ­Claire Zimmerman and others
            Second World War. With its steel roof      thematic groups: the historical build-
    En

            over the glass-walled exhibition hall      ing, the fundamental restoration, and
            and its reduced design vocabulary, it is   the renovated building. Detailed and
            regarded as an icon of modernism and       large-format photographs heighten
            as the legacy of a visionary master        awareness of the unique architecture,
            builder. Following the restoration by      which Mies van der Rohe designed
            the firm David Chipperfield Architects,    down to the smallest detail.
     Ger

            the Neue Nationalgalerie is reopening

                                          Hall Neue Nationalgalerie
Spring 2021 - Deutscher Kunstverlag
DEUTSCHER KUNSTVERLAG

    8

                        Max Slevogt, The Champagne Song, 1902, oil on canvas, 215 × 160 cm, Staatsgalerie Stuttgart, Inv.-Nr. 1123
Spring 2021 - Deutscher Kunstverlag
Mozart Festival Würzburg (Ed.)
                                                                                          IMAGINE MOZART
                                                                                          MOZART BILDER
                                                                                          Pages      264
                                                                                          Ills.      150 color
                                                                                          Format     21.0 × 28.0 cm

                                                                                          HC         978-3-422-98641-1           € 29.00
                                                                                                                                 $ 33.99
                                                                                                                                 £ 26.50

                                                                                          GERMAN
                                                                                          MAY 2021

                                                                                                                                           DEUTSCHER KUNSTVERLAG
Jacques-Émile Blanche, Mozart’s Cherubino, 1903/04,
oil on canvas, 156.7 × 117.9 cm, Reims, Musée des Beaux-Arts,
Inv.-Nr. 907.19.22

             Exhibition
             Martin von Wagner Museum, Gemäldegalerie, Würzburg
             May 15th, to July 11th 2021
                                                                                                                                                9

             100 years of the Mozart Festival –
             100 years of the Deutscher Kunstverlag

             Thematic diversity of the reception of Mozart:
             from portraits to stage sets

             Works by Raoul Dufy, Valie Export,
             Alfred Hrdlicka, Paul Klee, Oskar Kokoschka
             und Gerhard Richter et al.

                                                                                          Paul Klee, Singer of the Comic Opera,
                                                                                          1925, lithograph, with watercolor additions on
                                                                                          paper, 60.7 × 46.0 cm, Museum Ulm, Inv.-Nr.
                                                                                          1954.2153

Mozart’s music and he as an individual        poser in the long term, from stage          Contributions by Damian
continue to fascinate visual artists          sets for The Magic Flute to abstract        Dombrowski, Carolin Goll, Andrea
today. On the occasion of the 100-year        painting.                                   Gottdang, Christoph Großpietsch,
anniversary of the Mozart Festival            The exhibition focuses on the ­creative     Ulrich Konrad, Werner Telesko,
in Würzburg, an exhibition at the             energies that Mozart’s work has             Denise Wendel-Poray
Martin von Wagner Museum takes a              ­released and the change in the pres-
look at this long history of his impact.       entation of popular opera scenes and
In addition to original documents and          figures since the early 19th century, to
objects relating to Mozart, circa sixty        reflecting on principles of composition
artworks – by Chagall, Klee, and               in the 20th century and the present.
Slevogt among other artists – span an
arc of portraits and monuments that
have defined the image of the com-
BIRKHÄUSER

10

             Adam Elsheimer, Die Verherrlichung des Kreuzes (central panel of the altar of the Cross), c. 1603-05, oil on copper, 48.6 × 36.2 × 0.1 cm,
             Frankfurt am Main, Städel Museum, Inv. no. 2024
Almut Pollmer-Schmidt
                                                                                Deutsche Gemälde
                                                                                im Städel Museum
                                                                                1550–1725
                                                                                Pages      768 (two volumes)
                                                                                Ills.      600 color
                                                                                Format     30.0 × 21.5 cm

                                                                                HC         978-3-422-98516-2        € 69.00
                                                                                                                    $ 79.99
                                                                                                                    £ 62.50

                                                                                GERMAN

                                                                                                                                   DEUTSCHER KUNSTVERLAG
                                                                                MAY 2021

                                                                               Connection between painting technology and
                                                                               the history of art and culture

                                                                               Interdisciplinary examination of core
                                                                               holdings of the Städel Museum with
                                                                               established analytical techniques and the
                                                                               most recent method of macroscopic x-ray
                                                                               fluorescence scans

                                                                                                                                   11

The collection catalogue is dedicated           f­ ascinating insights into the history      Franz ­Lippold, Johann Ulrich Mayr,
to a hitherto barely explored part of            of the collection, exhibitions, and         ­Felix Meyer, Johann Heinrich Roos,
the holdings of the Städel Museum.               research, and opens up a panorama            ­Johann Melchior Roos, Philipp
All the works have been examined in              of multi-layered art production in            Peter Roos, Theodor Roos, Johann
detail from the perspective of both              early modern Germany.                         ­Rottenhammer, Johann Friedrich
art history and painting technology                                                             Trescher, Philipp Uffenbach
based on the most recent scientific             Artists:
methods. The incorporation of the re-           Hans Bock d. Ä., David Le Clerc,             With painting-technological
spective cultural-historical background         Lucas Cranach d. J., Adam E­ lsheimer,       analyses by Christiane Weber and
gives rise to new insights regarding            Johann Franciscus Ermels, Georg              contributions by Fabian Wolf
the creation, attribution, identifica-          Flegel, Geldorp Gortzius, Johann
tion, or interpretation of the individual       Valentin Grambs, Samuel Hofmann,
paintings. The overview provides                ­Paulus J
                                                        ­ uvenel, Johann König,

Georg Flegel, Stillleben mit Hechtkopf,         Infra-red image                              X-ray fluorescence scan (MA-XRF)
c. 1600-10, oil on oak, 31.0 × 40.2 × 0.5 cm,
Frankfurt am Main, Städel Museum,
Inv. no. 1816
DEUTSCHER KUNSTVERLAG

                        Giambattista Tiepolo, Rinaldo in Armida’s Magic Garden, approx. 1750–53, oil on canvas, 39 × 62 cm, Berlin, Gemäldegalerie SMPK, inv. no. 459 D

12

                        Giambattista Tiepolo, Mucius Scaevola Before Porsenna, approx. 1750–53 (restorted by Atelier Pracher, Würzburg, in 2020), oil on canvas,
                        103.2 × 121.7 cm, Würzburg, Martin von Wagner Museum der Universität Würzburg, inv. F 82
Damian Dombrowski, Martin von Wagner
                                                                     Museum der Universität Würzburg,
                                                                     in collaboration with Aylin Uluçam (Eds.)
                                                                     »Der Arbeit die
                                                                     Schönheit geben«
                                                                     Tiepolo und seine Werkstatt in Würzburg

                                                                     Pages     312
                                                                     Ills.     290 color
                                                                     Format    28.0 × 21.0 cm

                                                                     SC        978-3-422-98598-8          € 39.90
                                                                                                          $ 45.99
                                                                                                          £ 36.50

                                                                                                                              DEUTSCHER KUNSTVERLAG
                                                                     GERMAN
                                                                     ALREADY PUBLISHED

                                                                     A homage from Würzburg to the creator of
                                                                     the Residence frescoes

                                                                     Drawings and paintings from the holdings
                                                                     of the Martin von Wagner Museum and
                                                                     international loans

                                                                     Tiepolo’s workshop in Würzburg—awakened
                                                                     to new life

Exhibition
Martin von Wagner Museum, Gemäldegalerie, Würzburg
October 31st, 2020 to January 31st, 2021                                                                                      13

Giambattista Tiepolo (1696–1770)         in Würzburg: sketched notes by his      Essays by Damian Dombrowski,
created his world-renowned frescoes      son, Giandomenico, and traced cop-      Verena Friedrich, Claudia Lichte,
in the Würzburg Residence between        ies by his most important employee,     Alexander Linke, Aylin Uluçam
1750 and 1753. On the occasion of the    Georg Anton Urlaub.                     and Ulrike Weikart
250th anniversary of his death, the      The works presented come primarily
Martin von Wagner Museum, which is       from the holdings of the university
housed in the Residence, is presenting   museum, and are supplemented by
drawings, etchings, and paintings by     international loans.
Tiepolo, including numerous works
from his immediate sphere of activity

                                                                                 on the left:
                                                                                 Giandomenico Tiepolo, Personification of
                                                                                 Painting, 1752, red chalk on greenish-blue
                                                                                 paper, 30.2 × 41.3 cm, Würzburg,
                                                                                 Martin von Wagner Museum der Universität
                                                                                 ­Würzburg, inv. Hz 7910v

                                                                                 on the right:
                                                                                 Georg Anton Urlaub (after Giambattista or
                                                                                 Giandomenico Tiepolo), Head of a Young
                                                                                 Man Looking Upwards to the Left, 1752/53,
                                                                                 red chalk, heightened with white, on light
                                                                                 blue paper, 32.6 × 19.9 cm, Würzburg,
                                                                                 Martin von Wagner Museum der Universität
                                                                                 Würzburg, inv. Hz 9893r (from the album of
                                                                                 drawings WS 132, fol. 26)
KUNSTVERLAG
      BIRKHÄUSER
DEUTSCHER

14

                        Französin, 1912, oil on paper on cardboard, 59.3 × 49.7 cm, Kunstsammlungen Chemnitz – Museum Gunzenhauser,
                        property of the Gunzenhauser Foundation
Volker Adolphs (Ed.)
                                                                              Alexej von Jawlensky
                                                                              Gesicht – Landschaft – Stillleben

                                                                              Pages     144
                                                                              Ills.     120 color
                                                                              Format    31.0 × 24.0 cm

                                                                              HC        978-3-422-98526-1         € 34.00
                                                                                                                  $ 39.99
                                                                                                                  £ 31.00

                                                                              GERMAN
                                                                              ALREADY PUBLISHED

                                                                                                                                          DEUTSCHER KUNSTVERLAG
                                                                              Fascinating and intensive in color: the
                                                                              most important artistic topics of Alexej
                                                                              Jawlensky—a painter with an unmistakable,
                                                                              expressive style—discussed in depth and
                                                                              presented with a wealth of images

Exhibition
Kunstmuseum Bonn
November 5th, 2020 to February 21st, 2021                                                                                                 15

As a central artist of early modernism,    tinues to give important inspirations          Essays by Volker Adolphs,
Alexej von Jawlensky (born in Torshok,     to painting until today with respect to        Stephan Berg, Anna Niehoff,
Russia, in 1864, died in Wiesbaden         color, the serial, and the spiritual. ­The     Roman Zieglgänsberger
in 1941) considerably expanded the         exhibition and catalogue present an
possibilities of painting. Based on        exemplary selection of some seventy
an expressive, colorful appropriation      paintings and drawings and trace the
of the world, by reducing form and         development of the three big topics
intensifying color, he made his pic-       of “face, landscape, and still life” to
tures an expression of an immaterial       which Jawlensky dedicated himself in
and spiritual truth. Despite the great     his work.
individuality of his path, his work con-

                             Murnau – Das Tal, ca. 1910, oil on cardboard,                 Stillleben mit schwarzer Vase, 1909, oil on
                             33.0 × 42.7 cm, private collection, Düsseldorf                cardboard, 52.6 × 39.5 cm, Museum Wiesbaden,
                                                                                           permanent loan of the Verein zur Förderung
                                                                                           der bildenden Kunst in Wiesbaden e. V.
DEUTSCHER KUNSTVERLAG

16

                        Skeleton Painter, inv.no. 3112
Inge Herold, Johan Holten (Eds.)
                                                                                           James Ensor
                                                                                           Pages     208
                                                                                           Ills.     260 color
                                                                                           Format    27.0 × 22.5 cm

                                                                                           HC        978-3-422-98635-0        € 32.00
                                                                                                                              $ 36.99
                                                                                                                              £ 29.00

                                                                                           ENGLISH/GERMAN
                                                                                           MARCH 2021

                                                                                                                                                 DEUTSCHER KUNSTVERLAG
La Mort et les Masques / Der Tod und die Masken, 1897, oil on canvas,
78.5 × 100 cm

                                                                                           Overview of the artist’s oeuvre as a whole

                                                                                           Focus on the mask motif as an object and
                                                                                           symbol that plays with identity and staging

                                                                                           Informative texts about the oeuvre, a new
                                                                                           look at its reception in Germany

             Exhibition
             Kunsthalle Mannheim
             5th of March to4th of July 2021                                                                                                     17

             The Belgian painter and graphic artist        focuses on the fate of one picture,         set of motifs of “self-portrait—mask—
             James Ensor (1860–1949) has a special         Masks and Death of 1897, which was          death—still life,” and show how closely
             place in the history of the art of the        once part of the collection, was seized     interwoven these topics are in Ensor’s
             twentieth century. Categorized as a           by the National Socialists in 1937          oeuvre.
             “painter of masks,” he styled himself         and is found today at the Musee des
             as an individualist and outsider, but         Beaux-Arts in Liège. Grouped around         Essays by Inge Herold, Mathias Listl,
             was also a harbinger and generator            this work and the picture Still Life        Sabine Taevernier, Herwig Todts,
             of impulses for future generations.           with Rooster, which was acquired as         Xavier Tricot
             The publication accompanying the              a replacement in the 1950s, are nu-
             exhibition at the Kunsthalle Mannheim         merous other works dealing with the

Le coq mort / Der tote Hahn, 1894                             The Intrigue, inv.no. 1856
oil on canvas, 80 × 100 cm, Kunsthalle Mannheim
Bundesministerium des Innern,
                                                                                                                                         für Bau und Heimat (BMI),
                                                                                                                                         Bundesamt für Bauwesen und
                                                                                                                                         Raumordnung (BBR) (Eds.)
                                                                                                                                         Kunst am Bau in der DDR
                                                                                                                                         Gesellschaftlicher Auftrag – Politische Funktion –
                                                                                                                                         Stadtgestalterische Aufgabe

                                                                                                                                         Pages    132
                                                                                                                                         Ills.    100 color
                                                                                                                                         Format   29.7 × 23.0 cm

                                                                                                                                         HC       978-3-422-98606-0                                                        € 32.00
                                                                                                                                                                                                                           $ 36.99
DEUTSCHER KUNSTVERLAG

                                                                                                                                                                                                                           £ 29.00

                                                                                                                                         GERMAN
                                                                                                                                         ALREADY PUBLISHED

                                                                                                                                         Published on the occasion of the anniversary
                                                                                                                                         “seventy years of building-related art in
                                                                                                                                         Germany”—thirty years after reunification

                                                                                                                                         Documents the first scholarly symposium
                                                                                                                                         on building-related art in the German
                                                                                                                                         Democratic Republic at the Akademie der
                                                                                                                                         Künste in Berlin on January 24, 2020

18

                        Building-related art commissioned by         people identify numerous artworks                                                     Concept by Ute Chibidziura,
                        the state brings politics, society, archi-   with their home. The publication doc-                                                 Constanze von Marlin
                        tecture, and urban design together in        uments the symposium “Building-re-
                        a unique way. In the GDR, it was initial-    lated Art in the GDR” on the occasion                                                 Essays by Anne Katrin Bohle,
                        ly given the function of propagating         of the anniversary “70 years of build-                                                Wulf Herzogenrath, Petra Wesseler,
                        political contents and idealized images      ing-related art in Germany” in 2020.                                                  Thomas Flierl, Roman Hillmann,
                        of society. Artists increasingly eman-       Renowned experts examine build-                                                       Paul Kaiser, Silke Wagler,
                        cipated themselves from government           ing-related art in the GDR from the                                                   Ulrike Wendland, Ute Chibidziura
                        guidelines and developed their own           perspective of aesthetics and contents
                        forms of expression in interplay with        and discuss this internationally unique
                        their surroundings. Until today, many        stock of artworks in detail.

                                                                                      in der frühen DDR manches monumentale                                                   Architekt öffnete den Denk- und Gestaltungs-       das erhaltene Portal des Berliner Schlosses
                                                                                      Marx-Engels- und Ernst-Thälmann-Denkmal                                                 raum, indem er sich als Künstler begriff und       als Haupteingang integriert werden, von dem
                                                                                      schon zu dieser Zeit entworfen wurde, hatte                                             betätigte. Dem lange geforderten Partei- und       Karl Liebknecht in der Novemberrevolution
                                                                                      sich doch bald eine Distanz der DDR-Künst-                                              Regierungshochhaus als Höhendominante              1918 die sozialistische Republik verkündet
                                                                                      ler*innen zur sowjetischen Monumentalkunst                                              sollten nicht wie bis dahin gedacht, Marx-En-      hatte. Auch der Neptun-Brunnen vom früheren
                                                                                      gezeigt. Exemplarisch seien dafür die beiden                                            gels-Personen-Denkmäler als Tempelwächter          Schlossplatz war hier berücksichtigt. Bekannt-
                                                                                      1953/1954 entstandenen Standbilder „Weg                                                 am Haupteingang zugeordnet werden, son-            lich wurde später alles anders realisiert, aber
                                                                                      mit den Trümmern“ von Fritz Cremer ge-                                                  dern ein technoides Denkmal sollte als Groß-       die Ursprungsintention ist noch erkennbar.
                                                                                      nannt, die seit 1958 vor dem Berliner Rathaus                                           skulptur die Funktion der Höhendominante           Der Fernsehturm, 1969, nicht mehr als Denk-
                                                                                      stehen (Abb. 8, 9).                                                                     übernehmen. Henselmann schlug am Ost-              mal, sondern als Sendeturm und Stadtzeichen
                                                                                                                                                                              rand des Marx-Engels-Platzes einen „Turm           sui generis hatte die Funktion der Höhendo-
                                                                                                                                                   Abb. 8, 9
                                                                                                                                                   Fritz Cremer, „Aufbau-     der Signale“ vor – einen aufsteigenden, rubin-     minante übernommen, wurde aber Richtung
                                                                                           ANKUNFT IM ALLTAG DER MODERNE:                          helfer I und II“ („Weg-    rot leuchtenden Sputnik über einer Original-       Bahnhof Alexanderplatz gerückt. Das Parteiin-
                                                                                           LEBENSWEISE UND GESTALTUNG                              mit den Trümmern“),
                                                                                                                                                   1953/1954, Rotes Rat-
                                                                                                                                                                              ausgabe des Kommunistischen Manifests im           stitut mit dem Schlossportal wurde 1964 zum
                                                                                                                                                   haus, Berlin               Sockel des vorgelagerten Gebäudes, das auch        Gebäude des 1960 neu geschaffenen Staats-
                                                                                      Mit den neuen Bauaufgaben und vor dem Hin-                                              als Tribüne dienen sollte. Revolutionäre Idee      rates. Das zentrale Gebäude und das Marx-
                                                                                      tergrund eines gewandelten Kunstverständnis-                                            und wissenschaftlich-technischer Fortschritt       Engels-Denkmal tauschten die Plätze, das
                                                                                      ses seit Mitte/Ende der 1950er Jahre gestaltete                                         sollten die traditionsfixierte Ideologie und die   eine wurde als horizontaler Funktionsbau, als
                                                                                      sich auch das Verhältnis von Architektur und                                            bürokratischen Machtstrukturen dominieren!         Palast der Republik, 1976, auf der Spreeinsel
                                                                                      Kunst in der DDR neu. Nach der Abkehr von                                               Die Administration dagegen sollte horizontal       errichtet, während das Denkmal erst 1986 als
                                                                                      der Baupolitik der nationalen Traditionen im                                            jenseits der Spree angeordnet werden, bei be-      mehrteiliges Ensemble als Pendant zum Fern-
                                                                                      Zuge der Industrialisierung des Bauwesens                                               herrschender Funktion des Parlaments- und          sehturm im großen Stadtinnenraum jenseits
                                                                                      seit 1955, des Übergangs vom Bau einzelner                                              Kongressgebäudes. (Die Bezüge zu Le Cor-           der Spree Aufstellung fand (Abb. 35).
                                                                                      sozialistischer Straßen und zentraler Plätze                                            busiers Entwurf für den Sowjetpalast in Mos-            Das Bildprogramm im noch Anfang der
                                                                                      in Ostberlin und einigen weiteren Städten                                               kau 1932 sind unverkennbar.) In die Fassade        1960er Jahre realisierten Staatsratsgebäude
                                                                                      zum Bau neuer sozialistischer Industriestädte                                           des am Marx-Engels-Platz geplanten Partei-         zeigt die Doppelgestalt jener Jahre: das naive,
                                                                                      (Eisenhüttenstadt, Hoyerswerda, Schwedt,                                                instituts, als der Hüterin der Tradition, sollte   durchaus an Lingner orientierte Bildprogramm
                                                                                      Halle-Neustadt) und schließlich mit der Mo-                                                                                                von Walter Womacka im Treppenhaus mit dem
                                                                                      dernisierung und sozialistischen Umgestaltung                                                                                              Motiv der (Heiligen) werktätigen Familie stand
                                                                                      der Zentren in den wichtigsten Bezirksstädten                                                                                              dem technoiden Bildzeichen Fritz Kühns im
                                                                                                                                                   Abb. 10
                                                                                      in den 1960er und 1970er Jahren entstand für                 Hermann Henselmann,                                                           Beratungsraum des Staatsrates gegenüber
                                                                                      die architekturbezogene Kunst in der DDR ein                 Wettbewerbsentwurf                                                            (Abb. 11, 47).
                                                                                                                                                   für das Zentrum Ostber-
                                                                                      weites Aufgabenfeld. Architektur, Städtebau                  lins, 1959
                                                                                                                                                                                                                                      Die Emanzipation der bildenden Kunst
                                                                                      und bildende Kunst traten als Berufsfelder und                                                                                             vom Bau zeigte sich auch in den theoretischen
                                                                                      arbeitsteilig-spannungsvoll auseinander und                                                                                                Debatten, dem Sprachgebrauch und den in-
                                                                                      forderten auf neue Weise Integration. Als Bei-                                                                                             stitutionellen Kopplungen von Architektur
                                                                                      spiel für die neue Elastizität in deren Verhält-                                                                                           und bildender Kunst als unterscheidbaren
                                                                                      nis kann die Idee Hermann Henselmanns für                    Abb. 11
                                                                                                                                                                                                                                 und dennoch notwendig zusammenwirken-
                                                                                      das Zentrum Ostberlins aus dem Jahre 1959                    Walter Womacka, „Aus                                                          den Arbeitsfeldern. So entwickelte sich der
                                                                                      gelten (Abb. 10). In diesem Entwurf wurde                    der Geschichte der deut-                                                      Sprachgebrauch immer mehr von der tradi-
                                                                                                                                                   schen Arbeiterbewegung“,
                                                                                      das Verhältnis von Architektur, Städtebau                    1964, Staatsratsgebäude,                                                      tionellen „angewandten“ oder „baugebun-
                                                                                      und bildender Kunst neu ausbalanciert. Der                   Berlin                                                                        denen“ Kunst bzw. von „Kunst am Bau“ zu

                                                                                      18      Kunst am Bau in der DDR                                                                                                                                                         19
Bundesministerium des Innern,
                                                                                          für Bau und Heimat (BMI),
                                                                                          Bundesamt für Bauwesen und
                                                                                          Raumordnung (BBR) (Eds.)
                                                                                          70 Years of Art in
                                                                                          Architecture in Germany
                                                                                          Pages        316
                                                                                          Ills.        200 color
                                                                                          Format       29.7 × 23.0 cm

                                                                                          HC           978-3-422-98623-7 EN      € 45.00
                                                                                                       978-3-422-98617-6 DE      $ 51.99
                                                                                                                                 £ 41.00

                                                                                                                                                  DEUTSCHER KUNSTVERLAG
                                                                                          ENGLISH AND GERMAN EDITION
                                                                                          DECEMBER 2020

                                                                                          Building-related art in the Federal Republic of
                                                                                          Germany, the German Democratic Republic,
                                                                                          and the unified Germany over seven decades

                                                                                          Numerous pictures from in part little known
                                                                                          or inaccessible works

                                                                                          Documentation of a traveling exhibition
                                                                                          presented at nine locations in Germany

             Exhibition
             Staatsbibliothek zu Berlin
             November 28th, 2020 to January 6th, 2021                                                                                             19

             In 1950, the obligatory participation of      and potentials of building-related art        national visiting card that adds value
             visual artists in state building meas-        for state authorities and institutions,       to architecture.
             ures at home and abroad was decreed           research institutes, military facilities,
             in the German Bundestag as well as            and German representation around              Edited by Ute Chibidziura,
             in the parliament of the GDR. Over a          the world. It discusses its specific          Constanze von Marlin
     En

             period of 70 years, numerous artworks         aspects, like the creation of the works,
             that reflect the politics, society, and       as well as their maintenance and pres-
             architecture as well as the tasks of          ervation, and elucidates how close
             institutions have been created. The           building-related art can be to day-to-
             book sheds light on the significance          day life—as inspiration, statement, and
     Ger

Rupprecht Geiger, untitled, 1953, Munich Central Station                   Katharina Grosse, untitled, 2015, German Bundestag/
                                                                           Marie-Elisabeth-Lüders-Haus II
Collection Catalogues by
the Deutscher Kunstverlag –
A Success Story!

                                                                   Achim Riether, Staatl. Graphische   Staatliche Kunstsammlungen
                                                                   Sammlung München (Eds.)             Dresden (Ed.)
                                                                   Einblattholzschnitte des            Gemäldegalerie Alte Meister
                                                                   15. Jahrhunderts                    in Dresden
                                                                   German                              Deutsch/English/Italian
                                                                   2019. 560 pages                     2017. 104 pages
                                                                   29 × 23 cm                          27 × 20 cm
                                                                   Hardcover                           Softcover
                                                                   € 58.00 [D]; $ 66.99; £ 52.50       € 9,80 [D]; $ 11.99; £ 9.00
                                                                   ISBN 978-3-422-97985-7              ISBN 978-3-422-07100-1

                                                                   Reuschel-Stiftung (Ed.)             Bernhard Maaz
                                                                   Barocke Skizzenkunst.               Pinakothek der Moderne
                                                                   Die Sammlung Reuschel               München – Sammlung Moderne
                                                                   German                              Kunst
                                                                   2018. 312 pages                     German/English
                                                                   28 × 22.5 cm                        2017. 344 pages
                                                                   Hardcover                           21 × 15 cm
Publishing collection and inventory catalogues is an estab-        € 34,90 [D]; $ 40.99; £ 31.50       Softcover with flaps
                                                                   ISBN 978-3-422-07431-6              € 16,90 [D]; $ 19.99; £ 15.50
lished tradition at the Deutscher Kunstverlag. Alongside the                                           ISBN 978-3-422-07405-7
current and visually stunning new publications in this booklet —   Andreas Schumacher, Annette
                                                                   Kranz und Annette Hojer (Eds.)      Christof Trepesch u.v.m. (Eds.)
including the catalogue of German paintings at the Städel          Florentiner Malerei.                Die Deutsche Barockgalerie
Museum, Frankfurt am Main; two volumes on the sculpture            Alte Pinakothek.                    im Schaezlerpalais
collection at the Neue Pinakothek, Munich; the publication         Die Gemälde des 14. bis 16.         Meisterwerke der Augsburger
                                                                   Jahrhunderts                        Sammlung
How Art Works, with masterpieces from the Gemäldegalerie
                                                                   German                              German
and the Bode-Museum, Berlin; as well as an “exquisite” collec-     2017. 744 pages                     2016. 416 pages
tion catalogue on 19th century art at the Museum Wiesbaden         28.5 × 23.5 cm                      30 × 24 cm
                                                                   Hardcover                           Linen with dust jacket
— many other publications on prestigious collections and re-       € 78,00 [D]; $ 89.99; £ 71.00       € 58.00 [D]; $ 66.99; £ 52.50
nowned institutions can be found in our program.                   ISBN 978-3-422-07413-2              ISBN 978-3-422-07337-1
Ideal sculpture and portrait sculpture from Antonio
                                                           Canova to Pietro Tenerani

                                       First and second volume of the

                                                                                                                               DEUTSCHER KUNSTVERLAG
                                       three-volume catalog on the collections
                                       of sculpture holdings from the nine-
                                       teenth century at the Neue Pinakothek

Bayerische Staatsgemälde-              In addition to his collection of con-      the collection have now been assessed
sammlungen (Ed.)                       temporary painting, Ludwig I, who          from a scholarly perspective for the

Die Sammlung                           established the Neue Pinakothek, also
                                       purchased sculptures by important
                                                                                  first time. The catalog on the collec-
                                                                                  tion of all the sculpture holdings of
Ludwigs I.                             sculptors like Antonio Canova and          the nineteenth century at the Neue
Neue Pinakothek.                       Bertel Thorvaldsen. They were supple-      Pinakothek presents the works in new
Katalog der Skulpturen                 mented with many busts by sculptors        color photographs and sheds light on
– Band I                               such as Christian Daniel Rauch and         the context of their creation.
                                       Friedrich Tieck, which were original-
Pages    320                           ly intended for the Walhalla or the        Herbert W. Rott,
Ills.    numerous colored              ­Ruhmeshalle (Pantheon). The king          Bayerische Staatsgemälde­
Format   26.5 × 19.0 cm
                                        also had Johann Halbig create por-        sammlungen
HC       978-3-422-98431-8   € 50.00    traits of numerous poets and painters
                             $ 57.99    from whom he had already acquired
                             £ 45.50    paintings. All of these sculptures from
GERMAN
NOVEMBER 2020

                                                                                                                               21

                                                           Monograph of works by the most important sculptor
                                                           in Germany at the beginning of the of the 20th century

Bayerische Staatsgemälde-              Adolf von Hildebrand is regarded as        estate. Besides completed works, the
sammlungen (Ed.)                       one of the most important sculptors in     estate also includes models for ideal

Adolf von Hildebrand                   Germany around 1900. He created his
                                       works between the era of the Prince
                                                                                  sculptures, reliefs, portraits, fountains,
                                                                                  monuments, and tombs. In the cata-
Neue Pinakothek.                       Regent in Munich and the enthusiasm        log, the works by Fabian Pius Huber
Katalog der Skulpturen                 for Italy of German Romans. He liber-      are documented in detail for the first
– Band II                              ated the sculpture of the nineteenth       time and put in relation to the artist’s
                                       century from superfluous decoration        oeuvre and his era.
Pages    224
Ills.    numerous colored              and thus became a pioneer of modern
Format   26.5 × 19.0 cm                sculpture in Germany. Works by the         Edited by Fabian Pius Huber,
                                       artist were already acquired for the       with contributions by Bernhard Maaz,
HC       978-3-422-98432-5   € 45.00
                                       collection at an early point in time and   Franziska Kolba and Joachim Kaak
                             $ 51.99
                             £ 41.00   were able to grow to become unique
                                       holdings of over 200 works as a result
GERMAN                                 of the acquisition of his workshop
NOVEMBER 2020
María López-Fanjul y Díez del Corral,
                                                                                                                 Christine Seidel (Eds.)
                                                                                                                 How Art Works
                                                                                                                 Pages      160
                                                                                                                 Ills.      145 color
                                                                                                                 Format     28.0 × 22.0 cm

                                                                                                                 SC         978-3-422-98303-8 EN      € 32.00
                                                                                                                            978-3-422-98297-0 GER     $ 36.99
                                                                                                                                                      £ 29.00

                                                                                                                 ENGLISH AND GERMAN EDITION
                                                                                                                 JULY 2021
DEUTSCHER KUNSTVERLAG

                                                                                                                 Masterpieces from the Gemäldegalerie and
                                                                                                                 the Bode Museum—ca. 50 highlights
                        Pedro Roldán, Mater Dolorosa, 1670/1675, Poplar wood, polychromed, glass,
                        33.0 × 28.5 × 18.3 cm, Ident.-Nr. 353, Skulpturensammlung und Museum für
                        ­B­yzantinische Kunst, Staatliche Museen zu Berlin
22

                                    Art develops its effect through con-         and presentation of masterpieces from
                                    templation. Even before we interpret         the Gemäldegalerie and Bode Museum
                                    it, we grasp it by means of inspired         focuses on beyond the boundaries
                                    seeing, by “feeling our way,” thus           of art forms. The sensual experience
                                    giving rise to an opinion. It precedes       of art via forms, surfaces, materiality,
                            En

                                    an interpretation of the content—and         movement, and their significance is
                                    the interplay of form and content            curated for readers based on some fif-
                                    becomes the experience of art. Unlike        ty selected works over various epochs
                                    classic guidebooks, this publication is      and clearly communicated in numer-
                                    dedicated to the aesthetic experience,       ous close-up photographs.
                                    which the comparative contemplation
                            Ger

                        Peter Paul Rubens, Das Kind mit        Frans Hals, „Malle Babbe“,           Gian Lorenzo Bernini, Group of fountains with tritons and dolphins
                        dem Vogel, oak wood, 50.9 × 41.0 cm,   1633–1635, canvas, 78.5 × 66.2 cm,   created for the Piazza Navona in Rome, burned and gold-plated clay,
                        Ident.-Nr. 763, Gemäldegalerie,        Ident.-Nr. 801C, Gemäldegalerie,     36.6 × 29 × 19.5 cm, Ident.-Nr. 1795, Skulpturensammlung und Museum
                        ­Staatliche Museen zu Berlin           Staatliche Museen zu Berlin          für Byzantinische Kunst, Staatliche Museen zu Berlin
Peter Forster (Ed.)
                                                                                       Exquisit
                                                                                       Kunst des 19. Jahrhunderts:
                                                                                       Schenkung Jan und Friederike Baechle

                                                                                       Pages     144
                                                                                       Ills.     140 color
                                                                                       Format    29.0 × 25.0 cm

                                                                                       HC        978-3-422-98626-8           € 40.00
                                                                                                                             $ 46.99
                                                                                                                             £ 36.50

                                                                                       GERMAN
                                                                                       DECEMBER 2020

                                                                                                                                                  DEUTSCHER KUNSTVERLAG
            Exhibition
            Museum Wiesbaden
            November 20th, 2020 to March 21st, 2021

                                                                                       Hans Thoma, Erinnerung an Orte, 1887, oil on wood,
                                                                                       24.5 × 36.0 cm, Museum Wiesbaden, donation Jan and
                                                                                       Friederike Baechle
                                                                                                                                                  23

            The Jan and Friederike Baechle Collection:
            a wonderful gift of twenty-seven works
            from the nineteenth century to the Museum
            Wiesbaden, including two important works by
            Ernst Wilhelm Nay

                                                                                       Rudolf Gudden, Frau in andalusischer Landschaft,
                                                                                       undated [ca 1905], oil on canvas, 47.7 × 49.5 cm, Museum
                                                                                       Wiesbaden, donation Jan and Friederike Baechle

Jan and Friederike Baechle describe          the Museum Wiesbaden represent an         Eugen Spiro, Hans Thoma, W­ ilhelm
their collection with the words “small       ideal addition to the existing holdings   Trübner, and Ernst Wilhelm Nay.
but excellent.” They thus describe the       and a further stroke of luck within the
core aspect of the collection that they      context of a planned ­“gallery of the     Essays by Manfred Großkinsky,
have carefully developed over dec-          19th century.” The opulently illustrated   Irene Haberland, Nikolas Werner
ades. The “long 19th century” with all      book juxtaposes the works from the         Jacobs, Franz Josef Hamm,
its various facets was central to their     Baechle donation to a selection of         Norbert Suhr, Peter Forster
interest as collectors. The list of the     works from the­­­museums collection,       and others
artists who produced the thirty works       including works by Eugen Bracht,
includes significant positions in the       Ferdinand Brütt, K ­ arl Hofer, Max
art of the 19th century, and as a gift to   ­Liebermann, ­Alfred N. ­Oppenheim,
Vivid presentation of the history of selected pictures
                                                                                         from the Wallraf-Richartz Museum in Cologne
DEUTSCHER KUNSTVERLAG

                        Rainer Pabst                                 Pictures often tell stories. But pictures   painting because it was not wanted

                        Wie die Bilder ins                           also have a story themselves when
                                                                     they have passed through many hands
                                                                                                                 as a gift; and a courageous museum
                                                                                                                 director made his acquisitions of art
                        Museum kamen                                 on their way into a museum.                 despite great resistance.
                        Biografien von Kunstwerken aus dem           The author, who supports his views          In this book for all museum visitors
                        Wallraf-Richartz-Museum in Köln              with the results of relevant provenance     and readers who would like to learn
                                                                     research, goes on a search for traces       more about the exhibits, the stories
                        Pages    216                                 of these descriptions of the lives          behind the pictures come to life.
                        Ills.    93 b/w, 6 color
                        Format   21.5 × 13.5 cm
                                                                     of artworks from the Wallraf-Richartz
                                                                     Museum in Cologne: the city of Co-          Rainer Pabst,
                        SC       978-3-422-98438-7         € 19.00   logne thus had to litigate against the      Work Group of the Wallraf-Richartz
                                                           $ 21.99   daughter of Hermann Göring for nine-        Museum and the Museum Ludwig in
                                                           £ 17.50
                                                                     teen years in connection with a paint-      Cologne
                        GERMAN                                       ing by Cranach; a high price had to
                        APRIL 2021                                   be paid for the acquisition of a­ nother

24

                                                                                         Detailed presentation of the discourses surrounding
                                                                                         the relevance of media for art history

                                                                                         From interdisciplinary perspectives of archeology,
                                                                                         art history, and media studies

                        Hubert Locher, Maria Männig (Eds.)           Researching and teaching art histo-         Essays by Matthias Bruhn, Philipp

                        Lehrmedien der                               ry is very closely intermeshed with
                                                                     the history of media. Digitization has
                                                                                                                 Goldbach, Erkki Huhtamo, Joseph
                                                                                                                 Imorde, Rossella Monaco, Hubert
                        Kunstgeschichte                              thus given rise to new perspectives.        Locher, Maria Männig, Susanne
                        Geschichte und Perspektiven                  Against this backdrop, the book takes       Müller-Bechtel, Robert S. Nelson et al.
                        kunsthistorischer Medienpraxis               a differentiated look at the range
                                                                     of media for teaching art history by
                        Transformationen des Visuellen 5             interrogating the premises and the
                        Pages    488
                        Ills.    95 b/w, 95 color
                                                                     boundaries media practice in con-
                        Format   24.0 × 17.0 cm                      nection with art history. Case studies
                                                                     are dedicated to the different media
                        SC       978-3-422-98508-7         € 49.90   and how they are used for producing
                        E-Book   978-3-422-98625-1         $ 57.99
                                                           £ 45.50
                                                                     knowledge within art history.

                        ENGLISH/GERMAN
                        JULY 2021
Martje Esser
                                                                      Werner Schmalenbach
                                                                      und die Stiftung
                                                                      Kunstsammlung
                                                                      Nordrhein-Westfalen
                                                                      Eine Staatsgalerie im Aufbau

                                                                      Pages       312
                                                                      Ills.       80 b/w, 20 color
                                                                      Format      24.0 × 17.0 cm

                                                                      HC          978-3-422-98567-4         € 42.00
                                                                                                            $ 48.99

                                                                                                                               DEUTSCHER KUNSTVERLAG
                                                                                                            £ 38.00

                                                                      GERMAN
                                                                      MARCH 2021

                                                                      A fascinating and informative reader for all
                                                                      individuals interested in art

                                                                      First examination of the establishment
                                                                      and development of the Kunstsammlung
                                                                      Nordrhein-Westfalen from the perspective
                                                                      of art history

                                                                      First biographical portrayal of Werner
                                                                      Schmalenbach

                                                                                                                               25

The Kunstsammlung Nordrhein-­            state, and becoming reintegrated in        his role as a trailblazer for modern art
Westfalen is regarded as one of the      the international alliance of nations.     in the young Federal Republic.
most important German collections        The author examines the development
of ­modern and contemporary art.         of the collection until it was finally     Martje Esser,
Since it was established in 1961, the    consolidated at the end of the 1960s.      art historian and curator Düsseldorf
history of its development is situated   She takes a look at the life and im-
in the middle of the economic mira-      pact of the founding director Werner
cle and thus in the interplay between    Schmalenbach—his childhood and
cultural renewal and restoration, rep-   early adulthood in Switzerland, his
resenting a new understanding of the     encounter with “degenerate art,” and

                                                                     Werner Schmalenbach and Will
                                                                     Grohmann in Jägerhof Castle,
                                                                     with paintings by Ernst Ludwig
                                                                     Kirchner, Emil Nolde and Jackson
                                                                     Pollock, Kunstsammlung Nord-
                                                                     rhein-Westfalen, 1965 (unknown
                                                                     photographer)
Purrmann
Vollmoeller
An Artistic Marriage
in Letters
                                            Out now!
                                            Felix Billeter and Maria Leitmeyer (Eds.)
                                            Stürmische Zeiten –
                                            Eine Künstlerehe in Briefen 1915–1943
                                            Hans Purrmann und
                                            Mathilde Vollmoeller-Purrmann
                                            German
                                            256 pages
                                            50 color illustrations
                                            21,0 × 13,5 cm
                                            Softcover € 18,00 [D]; $ 20.99; £ 16.50
                                            ISBN 978-3-422-98242-0

                                       NOW
                                      as a set

Available again!
Felix Billeter and Maria Leitmeyer (Eds.)
Sehnsucht nach dem Anderen –
Eine Künstlerehe in Briefen 1909–1914
Hans Purrmann und
Mathilde Vollmoeller-Purrmann
German
184 pages
50 color illustrations
21,0 × 13,5 cm
Softcover € 14,90 [D]; $ 17.99; £ 13.50
ISBN 978-3-422-89286-6

Set € 29,00 [D]; $ 33.99; £ 26.50
ISBN 978-3-422-98557-5
Up-to-date topic as a supplement to the anniversary
                                                              of the Bauhaus

                                                              New looks at the architecture of the interwar period

                                                                                                                               DEUTSCHER KUNSTVERLAG
Klaus Tragbar (Ed.)                        The architecture of the interwar ­        an external perspective, the conflicts

The Multiple Modernity                     period is still often described solely
                                           with terms such as classical mod­
                                                                                     between the representatives of radical
                                                                                     and moderate modernism, the writing
Innsbrucker Beiträge zur Baugeschichte 2   ernism, Neues Bauen, or the Interna-      of the history of architecture in the
Pages    432                               tional Style. But, for some time, there   20th century, and the role of national
Ills.    206 color                         have also been calls to expand the        and regional modernism in the devel-
Format   24.5 × 17.4 cm
                                           perspective and to consider modern-       opment of national identities after the
SC       978-3-422-98609-1       € 49.90   ism in a more differentiated way.         First World War.
                                 $ 57.99   The 100-year anniversary of the
                                 £ 45.50   ­Bauhaus provides an occasion to take     Klaus Tragbar,
                                            a critical look at the architecture of   university professor of architecture,
ENGLISH/GERMAN
JUNE 2021                                   modernism and to discuss the con-        architectural history, and historical
                                            cept of multiple modernisms. The         preservation, University of Innsbruck
                                            texts describe the Bauhaus between
                                            self-presentation and perception from

                                                                                                                               27

                                                              First German monograph on Serov to position
                                                              the artist within an overall European context

Tanja Malycheva                            The works of Valentin Serov (1865–        an, Kuznetsov, Mashkov, Larionov, and

Valentin Serov                             1911) mark the beginning of modern
                                           Russian painting. He presented them
                                                                                     Tatlin. The author goes on a journey
                                                                                     through Serov’s life as an artist in
Bildfindungsprozesse des russischen        at the Secessions in Munich, Berlin,      diverse cities, movements in painting,
Künstlers im gesamteuropäischen Kontext    and Vienna, and at the World Fair and     collections, aesthetic theories, and
Pages    436                               Salon d’Automne in Paris as well as       theater stages, and makes the artist’s
Ills.    83 b/w, 17 color                  at the Venice Biennial and the Inter-     processes for creating pictures come
Format   24.0 × 17.0 cm                    national Exhibition in Rome. He was       alive.
                                           involved in the progressive maga-
SC       978-3-422-98417-2       € 49.95
E-Book   978-3-422-98659-6       $ 57.99   zine Mir iskusstva and later enjoyed      Tanja Malycheva,
                                 £ 45.50   success as a stage designer for the       art historian, Bremen
                                           Ballets Russes, along with its founder,
GERMAN                                     ­Diaghilev.
ALREADY PUBLISHED
                                            At the art academy in Moscow, he
                                            taught Petrov-Vodkin, Sapunov, Sary-
Felice Fey
                                                                                                           Verschwiegene Kunst
                                                                                                           Internationale Moderne in der DDR

                                                                                                           Pages       368
                                                                                                           Ills.       60 b/w, 70 color
                                                                                                           Format      26.0 × 19.5 cm

                                                                                                           HC          978-3-422-98433-2           € 48.00
                                                                                                                                                   $ 55.99
                                                                                                                                                   £ 43.50

                                                                                                           GERMAN
                                                                                                           DECEMBER 2020
DEUTSCHER KUNSTVERLAG

                                                                                                           Historical consideration of the biography and
                                                                                                           work of independent, international visual
                                                                                                           artists in the GDR, including Carlfriedrich
                                                                                                           Claus, Gerhard Altenbourg, A. R. Penck,
                                                                                                           Robert Rehfeldt and Ruth Wolf-Rehfeldt

                                                                                                           The focus is on the artistic conflicts with the
                                                                                                           state power from the establishment of the
                                                                                                           GDR in 1949 until 1989

28

                                   In the German Democratic Republic         others in Berlin (West) in the 1950s.       to the task of party doctrine shortly
                                   (GDR), the art of the ruling party was    Some were recognized internationally,       before the fall of the Berlin Wall.
                                   seen as a weapon in the class struggle.   and many emigrated.
                                   The program of “socialist realism” was    In the ongoing debates surrounding          Felice Fey,
                                   institutionally anchored and adher-       art in the GDR, what is also reflected      Research Association on the SED
                                   ence to it monitored. But the art was     is the shifting relationship between        State, Freie Universität, Berlin
                                   older than the state, and there were      the state party and the international
                                   artists who insisted on the indepen­      West. It ranged from a demonizing of
                                   dence of their work. Some of them         modernity to a socialist interpretation
                                   had been trained prior to 1933, and       and reluctant broadening of the canon

                        Will be published in Spring 2021

                                           Anna-Carola Krausse
                                           Andere Horizonte.
                                           Ostdeutsche Nachkriegs-
                                           moderne im Schatten des
                                           Sozialistischen Realismus

                                           Pages     320
                                           Ills.     300 color
                                           Format    28.0 × 24.0 cm

                                           HC 978-3-422-07483-5
                                           				         € 34,00
                                           				 $ 40.99
                                           				 £ 31.50

                                           GERMAN
                                                                                               Ernst Schroeder, Dorfstraße, 1958, watercolor and Indian ink,
                                                                                               14.8 × 20.9 cm, private collection, Berlin
Davor Konjikušić
                                                                                        Rotes Licht
                                                                                        Jugoslawische Partisanenfotografie. Bilder einer
                                                                                        sozialen Bewegung, 1941–1945

                                                                                        Pages        384
                                                                                        Ills.        570 b/w, 8 color
                                                                                        Format       26.0 × 19.5 cm

                                                                                        HC           978-3-422-98510-0            € 42.00
                                                                                                                                  $ 48.99
                                                                                                                                  £ 38.00
                                                                                        E-Book       978-3-422-98639-8            Open Access

                                                                                        GERMAN

                                                                                                                                                        DEUTSCHER KUNSTVERLAG
                                                                                        FEBRUARY 2021

                                                                                        English edition planned

                                                                                        Croatia’s biggest daily newspaper assesses
                                                                                        the book as one of the 100 most important
                                                                                        publications of the year 2019

                                                                                        Over 400 in part unpublished photographs

                                                                                                                                                        29

            Davor Konjikušić provides an in-depth   With the help of the photographs,                  Davor Konjikušić,
            presentation and contextualization of   he traces the development of a move-               journalist and photographer,
            the photographs created by Yugoslav     ment that—seemingly doomed to                      Zagreb/Croatia, translated into
            partisans between 1941 and 1945.        certain failure—nevertheless survived              German by Zoran Velikić
            In doing so, the author is not only     the most destructive war in human
            interested in presenting the photo-     history.
            graphs from an aesthetic perspective,   This book provides new answers to
            but in the history of their use and     the question of the role of the medium
            function within one of the biggest      of photography and its significance
            ­anti-fascist movements in Europe       and use in social movements.
             during the Second World War.

Anonymous, Female partisan in Supetar, 1943         Anonymous, Radio telegrapher of the                Anonymous, In the camp of the First Com-
                                                    school of military intelligence, main staff of     pany of the first bataillon of the northern
                                                    Croatia, Lika, winter 1943, Croation History       Adriatic unit near Dobro (plateau ­Šentviška),
                                                    Museum, Zagreb/Croatia                             3 April 1943, National Museum of Contem-
                                                                                                       porary History, Ljubljana/Slovenia
Kommunale Galerie Berlin Kulturamt
                                                                                                              Charlottenburg-Wilmersdorf,
                                                                                                              Gesellschaft für Deutsch-
                                                                                                              Chinesischen kulturellen Austausch e.V.
                                                                                                              (GeKA e.V.) (Eds.)
                                                                                                              Detlef Waschkau
                                                                                                              ..New..北..Ber..大阪.. – The Cities in Me

                                                                                                              Pages      160
                                                                                                              Ills.      numerous colored
                                                                                                              Format     31.0 × 24.0 cm

                                                                                                              HC         978-3-422-98547-6         € 36.00
                                                                                                                                                   $ 41.99
DEUTSCHER KUNSTVERLAG

                                                                                                                                                   £ 32.50

                                                                                                              ENGLISH/GERMAN
                                                                                                              ALREADY PUBLISHED

                                                                                                              New York, Beijing, Berlin—urban worlds of
                                                                                                              pictures between figuration and abstraction

                                                                                                              The unusual technique of wood reliefs,
                                                                                                              in which a hybrid of painting and sculpture
                                                                                                              is created

                                    Exhibition
                                    Kommunale Galerie Berlin
30                                  November 2020 to January 2021

                                    The sensual and simultaneously con-        The artistic home of the Berlin-            the everyday confrontation of people
                                    ceptual visual creations of the Ber-       based artists is life in metropolises,      and city.
                                    lin-based painter and sculptor Detlef      the never-resting organism of big
                                    Waschkau generate space and inter-         cities, seas of buildings, urban            Essays by Hannelore Paflik-Huber,
                                    space between mediums and materi-          canyons, ­asphalt, and big city jungle.     Dorothée Bauerle-Willert
                                    als. He juggles with contradictions,       For Detlef Waschkau, the city is a
                                    the hardness of wood, the delicacy         grand stage. In the exhibition publi-
                                    of painting, figuration and abstraction,   cation, New York, Beijing, and Berlin
                                    harmony and dissonance, thereflectivi-     come ­together—dense street chaos,
                                    ty of light, and space and color.          everything colliding: a picture of

                        Urban Landscape, New York, 2020, 90 × 197 × 1 cm, Pigment on wood                                          Elbphilharmonie Hamburg, 2019,
                                                                                                                                   145 × 97,5 × 1 cm, Pigment on wood
Johannes Beyerle
                                                                     Zeichenroman
                                                                     Und in der Ferne Schnee

                                                                     Pages        192
                                                                     Ills.        95 color
                                                                     Format       27.5 × 21.0 cm

                                                                     HC           978-3-422-98430-1         € 39.95
                                                                                                            $ 45.99
                                                                                                            £ 36.50

                                                                     GERMAN
                                                                     APRIL 2021

                                                                                                                               DEUTSCHER KUNSTVERLAG
                                                                     A book project that spans the border between
                                                                     art and literature, drawing and writing

                                                                     The author skirts the border between visual
                                                                     arts and literature

                                                                                                                               31

Is there—comparable to perfect pitch     and writing. A series of pencil draw-      an alert eye, a pencil and a blank sheet
in hearing—such a thing as the perfect   ings forms the basis; sparse landscape     of paper.
gaze? Does there exist a sense of line   fragments, delicate portraits, and
and form that has been refined to the    roughly hewn figures are interwoven        Johannes Beyerle,
highest degree? Using only pencil        with handwritten notes. This inter-        lives in Kandern. Exhibitions in
and paper, Johannes Beyerle turns        penetration of drawing and writing         Hamburg, Bremen and abroad,
his gaze to a world of images, tracing   manifests a unique kind of artistic        Berlin, Nuremberg; Markgräfler Art
remembered, imagined and directly        forensics. The project has become          Prize
experienced scenes. Two forms of         a “novel of signs”: Beyerle reveals a
expression are intertwined: drawing      world in which nothing is required but
Failure is
What It’s All About
                                                                                      Out
                                                                                      now!
                                           Jörn Jacob Rohwer
                                           Steven D. Lavine.
                                           Failure is What It’s All About
                                           A Life Devoted to Leadership in the Arts
                                           English
                                           168 pages
                                           34 color illustrations
                                           22 × 16 cm
                                           Hardcover €33.95 [D]; $39.99; £31.00
                                           ISBN 978-3-422-98155-3

                                            “A very eminent book about a very eminent man.”
                                            Prof. Dr. Peter Weibel, ZKM Karlsruhe
                                            “A gorgeous portray”
                                            Jens Hinrichsen, Monopol

   Walt Disney’s vision for an art school located before the gates of
   Los Angeles became a reality: Opened 50 years ago, the California
   Institute of the Arts had long been in crisis, before Steven D.
   Lavine led it to financial prosperity and international acclaim.
   Today, CalArts is the cradle of many Academy Award and Pulitzer
   Prize winners, of Mellon and Guggenheim Fellows„– a hotspot of
   American creativity.
   In personal conversations with Jörn Jacob Rohwer, Lavine tells
   his life story for the first time, talking about cultural politics,
   philanthropy, the avant-garde and Los Angeles at the centre of his
   life. Spurred on by self-doubts and a desire to learn from failure,
   he proves to be a sensitive thinker, visionary and transatlantic
   mediator between the worlds of art, politics and education.
Jürgen Müller, Lea Hagedorn,
                                                                         Giuseppe Peterlini, Frank Schmidt (Eds.)
                                                                         Gegenbilder
                                                                         Bildparodistische Verfahren in der Frühen Neuzeit

                                                                         Pages         400
                                                                         Ills.         125 b/w, 25 color
                                                                         Format        24.0 × 17.0 cm

                                                                         SC            978-3-422-98239-0       € 59.00
                                                                                                               $ 67.99
                                                                                                               £ 53.50

                                                                         GERMAN
                                                                         FEBRUARY 2021

                                                                                                                                 DEUTSCHER KUNSTVERLAG
                                                                         Discussion of the concept of parody from the
                                                                         perspective of art history

                                                                         Agonality in the arts

                                                                                                                                 33

Starting in the Renaissance, artists       they have hitherto only rarely been a         Jürgen Müller, Lea Hagedorn,
were bound to a canon of exemplary         focus of research.                            Giuseppe Peterlini, Frank Schmidt,
motifs and forms, something that           This volume addresses this desidera-          Collaborative Research Centre 1285
again and again provoked counter-­         tum. The case studies make a contri-          “Invectivity. Constella­tions and Dy-
reactions. Methods parodying pictures      bution to understanding pre-modern            namics of disparagement”, Technische
could be used as an intrinsic artistic     picture parodies from the perspectives        Universität Dresden
critique of authorities and aesthetic      of art history, literary studies, and
norms and to articulate claims to          visual culture by shedding light on
­autonomy and status. Even though          their use in discourses on moderniza-
 such counter-images were very much        tion and in specific conflict situations.
 present in the early modern period,

                      on the left:
                      Urs Graf, Prostitute exposing
                      her leg, 1513[23], etching,
                      140 × 72 mm, Kunstmuseum
                      Basel, Kupferstichkabinett

                      on the right:
                      Marcantonio Raimondi
                      (after Raffael), The Triumph
                      of Galatea, 1515/16, engraving,
                      403 × 286 mm, Amsterdam,
                      Rijksmuseum, Rijksprenten-
                      kabinet
New assessment of the stories of Genesis in
                                                                                         the Chiostro Verde (Green Cloister) in the Santa
                                                                                         Maria Novella

                                                                                         Colors (respectively green) regarded as a holistic
                                                                                         experience in the early modern era
DEUTSCHER KUNSTVERLAG

                        Katharine Stahlbuhk                          The study’s main focus is a particular     The massive dissemination of this form

                        Oltre il colore                              group of virtually one-color wall paint-
                                                                     ings with sacred subjects from the
                                                                                                                of monochrome painting can more­
                                                                                                                over be situated with respect to
                        Die farbreduzierte Wandmalerei zwischen      14th and 15th century in Italy, whose      the history of faith and church pol-
                        Humilitas und Observanzreformen              reduction of color cannot be explained     itics thanks to the incorporation of
                        Italienische Forschungen des                 by the intention to evoke material.        picture cycles that have hitherto been
                        Kunsthistorischen Institutes in Florenz,     Besides early examples executed in         ­neglected or are unknown.
                        Max-Planck-Institut, 4. Folge, volume 13     shades of ochre, most wall paintings
                        Pages    416                                 of this genre are green. Based on          Katharine Stahlbuhk,
                        Ills.    190 b/w, 50 color                   precise case studies and an extensive      Bibliotheca Hertziana – Max Planck
                        Format   28.0 × 21.0 cm
                                                                     catalogue, the author sheds light for      Institute for Art History in Rome
                        HC       978-3-422-98194-2         € 78.00   the first time on the content-related
                                                           $ 89.99   depth of the phenomenon by provid-
                                                           £ 71.00   ing new insights into the semantics of
                        GERMAN                                       color and material.
                        APRIL 2021

34

                                                                                         Art-historical reinterpretation of Bernini’s Cappella
                                                                                         Albertoni in Rome

                                                                                         First incorporation of the rhetoric of the 17th century
                                                                                         and Baroque theater before the backdrop of the
                                                                                         Copernican revolution and the Counter Reformation

                        Gudrun Inboden                               The author interprets the drapery          The mystical therefore becomes

                        Vorhangfall und                              of Gianlorenzo Bernini’s Cappella
                                                                     ­Albertoni for the first time as a cur-
                                                                                                                ­poetic ecstasy. No biographical nar-
                                                                                                                 rative is hence provided; it is instead
                        poetische Ekstase                            tain—leitmotif in Bernini’s sculptural      about a declaration of belief in an art
                        Gian Lorenzo Berninis Cappella               oeuvre—and as an overt figure of            that l­iberates the creative powers of
                        Paluzzi-Albertoni                            speech before the backdrop of the           the intellect by means of aesthetic
                                                                     Counter Reformation and of Bruno            experience rather than by linking it to
                        Pages    176                                 and Galilei’s “open vault of the sky”.      perception.
                        Ills.    1 b/w, 11 color
                        Format   24.0 × 17.0 cm
                                                                     The curtain falls so as to be opened,
                                                                     as on the Baroque stage, and like the      Gudrun Inboden,
                        HC       978-3-422-98316-8         € 29.00   “metaphorical curtain” in theories of      art historian, Munich
                                                           $ 33.99   poetry of the 17th century, is linked
                                                           £ 26.50
                                                                     with the eventfully induced affect of
                        GERMAN                                       ecstasy. Metaphors reinterpret the
                        ALREADY PUBLISHED                            unambiguous as the ambiguous.
New insights into the life of Johann Wolfgang von
                                                              Goethe between staging and daily life

                                                              Stove design in the era of Goethe and the energy crisis
                                                              around 1800

                                                              With a detailed catalog of the historical "parlor stoves"
                                                              in the Residenzschloss and the writers’ houses of
                                                              Weimar

                                                                                                                              DEUTSCHER KUNSTVERLAG
Jan Mende                                 Goethe found the winter unbearable.        Gilly. But how did the stoves at that

Schön behaglich warm                      The “most horrible months” forced
                                          him into the “attic cave” of his writing
                                                                                     time look and how were they heat-
                                                                                     ed? This question is examined based
Weimarer Öfen der Goethezeit              room, while the magnificent rooms of       on the example of historical “parlor
Pages    128                              his house had to remain unheated.          stoves” in Weimar. The appended
Ills.    35 b/w                           He needed to economize: firewood           ­catalog provides a detailed list of
Format   24.0 × 17.0 cm                   was expensive since Germany expe-           stoves in Weimar for the first time.
                                          rienced its first energy crisis around
SC       978-3-422-97986-4      € 18.00
                                $ 20.99   1800. For this reason, he was inter-       Jan Mende,
                                £ 16.50   ested not only in modern economical        Stadtmuseum Berlin
                                          stoves from Berlin; he even designed
GERMAN
                                          two stoves for rooms himself, for
MARCH 2021
                                          which he was able to ignite the inter-
                                          est of the famous architect Friedrich

                                                                                                                              35

                                                              A new book in the bestselling series

                                                              A particularly magnificent genre among archeological
                                                              finds

                                                              Neck rings—status symbols of prehistoric times

Angelika Abegg-Wigg,                      Neck rings are among the most mag-         the inhabitants near the Baltic Sea
Ronald Heynowski                          nificent genres among archeological        even until into the tenth and eleventh

Halsringe                                 finds. They are made of bronze, ­silver,
                                          or gold, elaborately produced, and
                                                                                     century.
                                                                                     This book presents, describes, and
Erkennen. Bestimmen. Beschreiben.         richly ornamented. In prehistoric          portrays the typical individual forms.
Bestimmungsbuch Archäologie 7             times, they were worn by selected          It also provides information about the
Pages    176                              men, women, and children, represent-       dating and distribution of the forms
Ills.    155 b/w, 25 color                ed the status and dignity of the wear-     as well as additional details.
Format   24.0 × 17.0 cm                   er, and distinguished the individual
SC       978-3-422-98286-4      € 19.90   within his or her society.                 Angelika Abegg-Wigg,
                                $ 22.99   In Central Europe, there are neck rings    Archaeological Museum Schloss
                                £ 18.00   starting from the beginning of the         Gottorf Schleswig
                                          Bronze Age around 2200 BCE. They           Ronald Heynowski,
GERMAN
FEBRUARY 2021                             are found up to the Migration Period       Archaeological Heritage Office in
                                          around 500 CE, and in the case of          Saxony, Dresden
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