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Spring 2022
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Dear Friends of Deutscher Kunstverlag, Dear Readers, Our jubilee year has passed, but it is still very much alive in two publications that we present to you in this preview: the catalogue for the exhibition of the winners of our art competition, and our publishing history in the form of a bibliophilic journey through time with one hundred books over one hundred years. You also find exciting catalogues, for instance, on “Water in Art Nouveau” and on Nolde’s painting style, artist monographs on Leo von König and Joseph Mader, among others, and a large number of publications on prints, drawing, and photography. I would particularly like to call your attention to the history of hand drawings in the twentieth century based on the holdings of the Museum Pfalzgalerie in Kaiserslautern. Wishing you many a stimulating insight while browsing through our program! Katja Richter Editorial Director
OUR PARTNERS Akademie der Künste, Berlin Alte Pinakothek Munich Arnulf Rainer Museum, Baden Bayerische Staatsgemäldesammlungen, Munich Bayerisches Landesamt für Denkmalpflege, Munich Bayerisches Nationalmuseum, Munich Bundesamt für Bauwesen und Raumordnung (BBR) Dehio Vereinigung e.V., Wiesbaden Deutsches Dokumentationszentrum für Kunstgeschichte – Bildarchiv Foto Marburg Doerner Institut, Bayerische Staatsgemäldesammlungen, Munich GRASSI Museum für Angewandte Kunst, Leipzig Grisebach GmbH, Berlin Hans Purrmann Archiv, Munich Hans Purrmann Stiftung, Munich Forschungsstelle Informelle Kunst Hochschule München Institut für Architekturtheorie und Baugeschichte, Leopold-Franzens-Universität Innsbruck Institut für Kunstgeschichte, Bauforschung und Denkmalpflege, Technische Universität, Vienna Klassik Stiftung Weimar Kunsthalle Mannheim Kunsthistorisches Institut der Universität Bonn Max-Planck-Institut – Kunsthistorisches Institut in Florenz, Florence Kunstmuseum Basel Kunstmuseum Bonn Kunstmuseum Kloster Unser Lieben Frauen Magdeburg Kunstmuseum Stuttgart Kunstsammlungen Chemnitz Kunstsammlungen und Museen Augsburg Landesstelle für die nichtstaatlichen Museen in Bayern, Munich Leibniz-Institut für Geschichte und Kultur des östlichen Europa (GWZO), Leipzig Liebermann-Villa Wannsee, Berlin Liebieghaus Skulpturensammlung, Frankfurt am Main Institut für Kunstgeschichte – Ludwig-Maximilians-Universität, Munich LVR-LandesMuseum Bonn LWL-Museum für Kunst und Kultur, Münster Martin von Wagner Museum der Universität Würzburg Mozartfest Würzburg Münchner Stadtmuseum Museum für Gegenwartskunst Siegen Museum Pfalzgalerie Kaiserslautern Museum Villa Stuck, Munich Museum Wiesbaden Noldes Maltechnik – Forschungsverbund Rosa-Luxemburg-Stiftung Berlin Staatliche Graphische Sammlung, Munich Staatliche Kunsthalle Karlsruhe Staatliche Kunstsammlungen Dresden Staatliche Museen zu Berlin – Stiftung Preußischer Kulturbesitz Staatliche Schlösser, Gärten und Kunstsammlungen Mecklenburg-Vorpommern, Staatliches Museum Schwerin Staatsgalerie Stuttgart Stadtmuseum Berlin Städel Museum, Frankfurt am Main Stiftung Museum Kunstpalast, Düsseldorf Stiftung Preußische Schlösser und Gärten Berlin-Brandenburg, Potsdam Stiftung Ada und Emil Nolde, Seebüll Tiroler Landesmuseum, Innsbruck Vereinigung der Landesdenkmalpfleger, Wiesbaden Zentralinstitut für Kunstgeschichte, Munich
CONTENTS ART Wasser im Jugendstil 7 Emil Noldes Malweise 9 Der Maler Leo von König 1871 – 1944 10 Sachlichkeiten, Sichtbarkeiten 11 Informelle Kunst 13 The Multicultural Modernism of Winold Reiss 14 Sven Hoppler 14 Glanzvolle Glückwünsche 15 VENEDIG. La Serenissima 17 Passepartoutnotizen 18 Zart, brillant, lebendig 19 Vom Zauber der Handbewegung 21 Emil Orlik 23 Max Liebermann Schwarz-Weiß 24 Berliner Schlachtenkupfer 25 Schraffuren 26 Zoltán Kemény 26 200 Jahre Frauenbad 27 Kunst und Buch 28 100 Jahre – 100 Bücher 29 Auschwitz. Bild und Hinterbild 30 Lu Guang 31 India Tecton 32 Ich bin ein Plastiker 33 Kontinuität und Innovation 33 Wielandgut Oßmannstedt 34 Nietzsche-Archiv 34 Herzogin Anna Amalia Bibliothek 35 Star oder Loser? 36 Der Raub der kleinen Dinge 37 Nadeln 37 BACKLIST Selected titles 39
100
Jahre
Dive into
the story here Anniversary
publication—
the history of a
publishing house
reduced to the
most essential:
the book
2021. 212 pages
105 color illustrations
19.0 × 12.0 cm
HC € 15.00 [D]
ISBN 978-3-422-98816-3
See also page 29
Now online!
The website on the history of Deutscher Kunstverlag
geschichte.deutscherkunstverlag.de
Lecture Series on the
All lectures
now on our
Occasion of the Anniversary
YouTube Channel!
Together for Art. On the role of art book
publishers in the past, present and future.
With Christoph Martin Vogtherr, Georg Skalecki,
Anne Thurmann-Jajes, Frank Fehrenbach, Karin Leonhard,
Christian Gries, Andrea von Hülsen-Esch, Wolfgang Augustyn
Competition for students of the
University of the Arts in Berlin
2021. 78 pages
50 color illustrations
29.7 × 21.0 cm
SC € 12.00 [D]
ISBN 978-3-422-98803-3
See also page 28
Artistic positions for the art prize of the Deutscher Kunstverlag
on the occasion of its 100 year anniversary
Artists: Meo Wulf, Max-Friedemann Altenburg, D’Andrade,
Elisa Jule Braun, Elke Burkert, Wen-Ling Chung,
Nika Grigorian, Domenik Alexander Krischke,
vendedores de humo, Anna Slobodnik
6
DEUTSCHER KUNSTVERLAG
Peter Forster (Ed.)
Wasser im Jugendstil
Heilsbringer und Todesschlund
Pages 448
Ills. 550 color mainly
Format 30.0 × 24.0 cm
HC 978-3-422-98845-3 Ger ca. € 54.00
$ 62.99
£ 49.00
GERMAN
MAY 2022
DEUTSCHER KUNSTVERLAG
2022: The official “Year of Water”
Water: THE topic of Art Nouveau
7
Water: metaphor for a healing element a place of longing is presented by tive for instance with a view to litera-
or symbol of a destructive primal means of 250 works: Japonesque-like ture, music, or historical contexts.
force? In the works of Art Nouveau, works, the dazzling ceramics of a
rushing waves, fish, jellyfish, and mus- Émile Gallé, and somber mythological Texts by Ingeborg Becker,
sels or creatures from mythological paintings like that of the German artist Véronique Dumas, Hubertus Kohle,
stories give rise to a space for the Fidus visualize the idea of a total work Thomas Moser, Adrian Renner, Frank
imagination that fulfills people’s de- of art with incredible diversity. Light Thielmann, Christina Uslular-Thiele
sires and dreams on the one hand and is thus shed on the topic of "water in et al.
makes one shudder as a mysterious Art Nouveau" from an international,
parallel world on the other. Water as regional, and interdisciplinary perspec-
Exhibition
Museum Wiesbaden
May 13th to October 23rd, 2022
8
DEUTSCHER KUNSTVERLAGStiftung Seebüll Ada und Emil Nolde,
Doerner Institut Bayerische
Staatsgemäldesammlungen, Munich,
Hamburger Kunsthalle (Eds.)
Emil Noldes Malweise
„Eine Farbe verlangt die andere“
Pages 240
Ills. 250 color
Format 30.0 × 24.0 cm
HC 978-3-422-98719-7 Ger € 38.00
$ 43.99
£ 34.50
DEUTSCHER KUNSTVERLAG
GERMAN
MARCH 2022
First comprehensive and interdisciplinary
research on the painting technique of the
Expressionist Emil Nolde
Hitherto unique analysis of Nolde’s archival
and studio estate from the perspective of art
technology
Interdisciplinary team of authors from the
institutions involved in the project
9
The painting technique and artist’s microscopic, imaging, and materi- on 44 works from all the phases of
materials of the renowned Expres- al-analysis examinations of his paint- his long career.
sionist Emil Nolde (1867–1956) have ings. Known as a master of coloring,
been examined for the first time by the choice of canvas, primer, and Nolde Stiftung Seebüll; Doerner
an interdisciplinary team of restorers, paint, as well as diverse application Institut, BStGS, Munich; Hamburger
art historians, and scientists. The techniques are essential to the effect Kunsthalle; University of Hamburg,
research included an evaluation of of his pictures. The impressive spec- HfBK Dresden
Nolde’s studio estate and his text trum of Nolde’s working methods
sources from the perspective of and his struggle to arrive at artistic
art technology, as well as detailed solutions are explained clearly based
Exhibitions
Hamburger Kunsthalle
October 16th to March 18th, 2022;
Pinakothek der Moderne, München
March, 2022 to February, 2023;
Nolde Stiftung Seebüll
From summer 2022Ingrid von der Dollen
Der Maler Leo von König
1871–1944
Ein Zeitbild im Spiegel seiner Porträts
Pages 192
Ills. 42 b/w, 102 color
Format 24.5 × 20.0 cm
SC 978-3-422-98770-8 Ger € 34.00
$ 39.99
£ 31.00
GERMAN
FEBRUARY 2022
DEUTSCHER KUNSTVERLAG
Leo von König as a portraitist, “Berliner
Secession,” art in the interplay between
society and politics
Portraits, painting, and proximity to power
Gaps in the research on Leo von König’s
oeuvre
10
The great portraitist Leo von König always cultivated a close exchange beyond any conventions and commu-
(1871–1944) was surrounded by a with his social surroundings; indeed nicate a panorama of this harrowing
circle of personalities who were also his attentiveness was a driving force epoch.
connected with one another as rep- for the portrait painting that estab-
resentatives of their era. A perusal lished his fame. When persecution and Ingrid von der Dollen,
of their correspondence, journals, war negatively impacted his ability to art historian and renowned expert
memoirs, and autobiographies thus obtain commissions, he turned in par- in painting from circa 1900 to the
produces a dense network of informa- ticular to his companions, for instance mid-20th century
tion and insights that form a mosaic Ernst Barlach or Reinhold Schneider.
of those decisive years. The painter The portraits painted at this time goMaximilian Mader (Ed.), Felix Billeter,
Angelika Grepmair-Müller
Sachlichkeiten,
Sichtbarkeiten
Joseph Mader (1905–1983) –
ein Maler der verlorenen Generation
Pages 200
Ills. 150 color
Format 24.0 × 17.0 cm
HC 978-3-422-98637-4 Ger € 24.90
$ 28.99
£ 22.50
DEUTSCHER KUNSTVERLAG
GERMAN
MARCH 2022
Rediscovery of a forgotten artist of the
20th century
Published on the occasion of an exhibition at
the Museum Penzberg in the spring of 2022
11
The painter and graphic artist Joseph in the art market prior to the “Third this generation’s evaluations of art
Mader (1905–1983), who was shaped Reich.” Mader continued his artistic and society.
by his encounter with the works of career amidst the political discussions
Max Beckmann around 1928, was just surrounding the art of the postwar Felix Billeter,
beginning his career in 1933 and was era as a figurative painter. He juxta- art historian;
thus confronted with the question posed a love of “what is visible,” the Angelika Grepmair-Müller,
of adapting or distancing himself. mysterious harmony of creation, with art historian, both Munich
His isolation made him into an artist Beckmann’s hard-hitting view of the
of the “lost generation,” who never “objectivity” of the world. Mader’s life
had the chance to position himself and work are an appeal to reassessDEUTSCHER KUNSTVERLAG 12
Anne-Kathrin Hinz, Christoph Zuschlag
(Eds.)
Informelle Kunst
Begriffe, Kontexte, Rezeptionen
Informelle Kunst 1
Pages 144
Ills. 13 b/w, 15 color
Format 24.0 × 17.0 cm
SC 978-3-422-98861-3 Ger € 39.00
$ 44.99
£ 34.00
GERMAN
DEUTSCHER KUNSTVERLAG
JUNE 2022
Informel, art in Germany in the 1950s
New series of publications, current research,
source texts in translation
13
Informel was the central artistic inno- al and transdisciplinary perspective. Volume 3 Zeugnis – Zweifel – Zeichen.
vation in the art of the 1950s and still Current research contributions—in the Zeitgeschichte in der abstrakten Male-
remains influential today. The Research form of both collections of essays and rei in Deutschland nach 1945
Center for Art Informel, which is dedi- monographs—will thus primarily be
cated to intensifying the rather sparse published, along with important for- Anne-Kathrin Hinz,
research in this area in recent years, eign-language source texts on Art In- research assistant at the university of
has been part of the Department of formel redacted in German translation. Bonn;
Art History of the University of Bonn Christoph Zuschlag,
since 2019. A series of publications Volume 1 Informelle Kunst: Begriffe, head of the Forschungsstelle zur
by the research center starting in Kontexte, Rezeptionen Informellen Kunst, university of Bonn
2022 documents its projects and will Volume 2 Michel Tapié: Un art autre.
provide an innovative contribution to Eine andere Kunst. Faksimile und
research on Art Informel from a glob- deutsche ErstübersetzungRediscovery of the artist and designer Winold Reiss
Essential study material for scholars and anyone
interested in Modern Art in a European-American
context
Over 250 illustrations of portraits, murals, graphic
design and interiors by the artist
DEUTSCHER KUNSTVERLAG
Frank Mehring (Ed.) In a first, this anthology presents “low” art, introducing a bold use of
The Multicultural essays by art historians and cultur-
al scientists from both sides of the
color to the American art scene and
to interior design. In his portraits Reiss
Modernism of Winold Atlantic to rediscover, analyze and captured the multi-ethnic diversity of
Reiss (1886–1953) contextualize the rich and largely
unknown art of Winold Reiss, opening
the US. His specific blend of cultural
otherness, primitivism, and depictions
(Trans)National Approaches to His Work
up a new, previously untapped archive of ethnicity challenged the conven-
Pages 320 of multicultural Modernism. The Ger- tions of the time.
Ills. 320 color man-American artist, who was born in
Format 28.0 × 21.0 cm Karlsruhe in 1886 and arrived in New Frank Mehring,
HC 978-3-422-98052-5 En € 48.00 York in 1913, defies instant categori- Professor of American Studies,
$ 55.99 zation. With his dual background in Radboud University, Nijmegen, The
£ 41.50 fine arts and applied arts he set out Netherlands
to bridge the gulf between “high” and
ENGLISH
NOVEMBER 2021
14
First comprehensive publication on the work
of the Swiss painter Sven Hoppler
Contemporary Realism
Traditional iconographies, reconsidered
Paul Gathof (Ed.) The painter Sven Hoppler, who was including the triptych Unbemerkte
Sven Hoppler born in Basel in 1995, has chosen a
strikingly precise form of presentation.
Berufung, which is presented in detail
as a foldout page. Text contributions
Pages 70 In his glaze paintings, he takes up by the art historians Mark Gisbourne
Ills. 32 color picture types and gestures from the and Beat Wyss provide insights into
Format 28.0 × 21.5 cm history of art with the aid of contem- Hoppler’s work thus far.
SC 978-3-422-98824-8 Ger € 18.00
porary motifs. The paintings take up
$ 20.99 traditional iconographies, but surprise Sven Hoppler,
£ 16.50 on second viewing with alienations or 2016–2020 Studies of Fine Arts at the
ironic refractions. In his works, Hoppler Alanus University of Arts and Social
GERMAN
NOVEMBER 2021
occupies himself with questions relat- Sciences, Alfter near Bonn;
ing to the social, religious, (pop)cul- 2017/18 DAAD scholarship for particu-
tural, and political. This first catalogue larly committed international students;
on Hoppler’s oeuvre presents works 2018/19 Germany scholarship
created in the last few years, alsoFrank Matthias Kammel, Bayerisches
Nationalmuseum (Ed.)
Glanzvolle Glückwünsche
Geburtstagsgaben für Prinzregent Luitpold
Pages 272
Ills. 284 color
Format 29.0 × 23.0 cm
SC 978-3-422-98766-1 Ger € 33.00
$ 37.99
£ 28.50
GERMAN
NOVEMBER 2021
DEUTSCHER KUNSTVERLAG
First in-depth examination of the genre
of official birthday presents
Connection between findings connected with
art technology and the interpretation of the
history of art and culture
Exhibition
15
Bayerisches Nationalmuseum, Munich
September 23rd, 2021 to March 27th, 2022
Institutions, associations, and com- leather to watercolor painting. Their birthday of a prince shortly before the
pany boards presented magnificent stylistic spectrum ranges from variants end of the monarchy in Germany.
birthday presents to Prince Regent of historicism to Art Nouveau. These
Luitpold of Bavaria (1821–1912), one of treasures, which are part of the hold- Frank Matthias Kammel,
the most well-known representatives ings of the Bayerisches Nationalmu- Bayerisches Nationalmuseum,
of the House of Wittelsbach, on the seum, shed light on the vital cultural Munich, with contributions by
occasion of his round birthdays in 1891, development during the span of time Sibylle Appuhn-Radtke, Annette
1901, and 1911. As highquality hand- around 1900, also known as the “Prinz- Schommers, Katharina Weigand et al.
crafted works, they combine artistic regentenzeit,” or Regency period, and
techniques from goldsmithing to cut the magnificent celebrations of theDEUTSCHER KUNSTVERLAG 16
Kurt Zeitler, Staatliche Graphische
Sammlung München (Ed.)
VENEDIG. La Serenissima
Zeichnung und Druckgraphik
aus vier Jahrhunderten
Pages 352
Ills. 258 color
Format 30.0 × 24.0 cm
HC 978-3-422-98697-8 Ger € 58.00
$ 66.99
£ 52.50
GERMAN
DEUTSCHER KUNSTVERLAG
FEBRUARY 2022
Works of Venetian drawing and graphic
prints – exclusive, exquisite, and in a new
light
Exhibition
17
Staatliche Graphische Sammlung Munich
February 3rd to May 8th, 2022
Venice is largely regarded as the city artists, drawings lead from Bellini to atmosphere and living conditions
of painting. Closely intertwinen with Lorenzo Lotto, Tintoretto, and particular to this incomparable city in
this, significant masterpieces in the Veronese, and to Guardi and mezzo al mare.
art of drawing and graphic prints were Fontebasso. Titian drew enthralling
created from the 15th century up to compositions for woodcuts and cop- Kurt Zeitler,
the end of La Serenissima, in 1797. The perplate engravings, and Tiepolo’s Staatliche Graphische Sammlung
catalogue accompanying the exhibi- oeuvre culminates in enigmatic etch- Munich, with contributions by Maria
tion of the same name is dedicated ings of gripping profundity. Etched Aresin and Ilka Mestemacher
exclusively to such works. In the labo- works by Marieschi and Canaletto
ratory of ideas of trailblazing Venetian shape our poetic notions of thePeter Assmann (Ed.),
Passepartoutnotizen
Unbekannte italienische Zeichnungen
aus eigenem Bestand
Pages 352
Ills. 160 color
Format 28.0 × 32.0 cm
SC 978-3-422-98802-6 Ger € 42.00
$ 48.99
£ 38.00
GERMAN
PUBLISHED
DEUTSCHER KUNSTVERLAG
First presentation of hitherto unknown
artworks by Italian artists of the sixteenth to
eighteenth century from the collection of the
state museums in Tyrol
Exclusive insights into the practice of the
forming of expert opinion
18
The treasure trove of art that is pre- experts jotted down their proposed thus offers fresh insights into the prac-
sented in this volume for the first attributions. For the still unexplored tice of the forming of expert opinion.
time lay dormant and unknown in holdings in Innsbruck, such a scholarly
the depot of the state museums of discourse, which was often conducted Compiled by Ralf Bormann,
Tyrol for nearly 200 years. More well- on passe-partouts over decades, was Texts by Ralf Bormann, Heiko Damm
known collections of graphic prints initiated quasi in time lapse. This pub-
generally store such works mounted lication brings together annotations Exhibition
in passe-partouts, on which there jotted down by experts on the passe- Tiroler Landesmuseen, Innsbruck
are occasionally brief, at times cryp- partouts of the drawings, which are November 1st, 2021 to January 9th,
tic-seeming annotations, in which art presented here for the first time. This 2022Elisabeth Hipp, Alte Pinakothek (Ed.)
Zart, brillant, lebendig
Pastelle des 18. Jahrhunderts in den Bayerischen
Staatsgemäldesammlungen
Pages 136
Ills. 56 b/w, 125 color
Format 21.0 × 15.0 cm
SC 978-3-422-98900-9 Ger € 14.90
$ 17.99
£ 13.00
GERMAN
MAY 2022
DEUTSCHER KUNSTVERLAG
A new look at the complete holdings of
pastel works from the 18th century at the
Bayerische Staatsgemäldesammlungen
Published on the occasion of a special
exhibition presented at the Alte Pinakothek
in spring 2022
19
Pastels from the 18th century are fascinating—due to either their
closeness to nature and immediacy or the virtuosity of their exe-
cution, but always because of their opulent and fragile quality. The
richly illustrated collection guidebook provides information in a
compact form about all the works of this genre created between
1700 and 1800 in the Bayerische Staatsgemäldesammlungen. They
include more than one dozen masterpieces by Joseph Vivien, Mau-
rice Quentin de La Tour, Rosalba Carriera, and Jean-Étienne Liotard,
as well as anonymous works. Introductory essays shed light on
aspects connected with art history, the history of the collection, and
art technology.
With contributions by Bernd Ebert, Ulrike Fischer,
Elisabeth Hipp, Herbert W. Rott, Xavier Salmon and
Andreas SchumacherDEUTSCHER KUNSTVERLAG 20
Sören Fischer (Hrsg.)
Vom Zauber der
Handbewegung –
Eine Geschichte der
Zeichnung im 20. und
21. Jahrhundert
Bestandskataloge der Graphischen Sammlung XVI.
Pages 304
Ills. 200 color
Format 29.5 × 24.0 cm
DEUTSCHER KUNSTVERLAG
HC 978-3-422-98854-5 Ger ca. € 38.00
$ 43.99
£ 33.00
GERMAN
MARCH 2022
First-class works of German art show
drawing’s spectrum of manifestations:
from the sketch, sculpture drawing and
overdrawing to the folded drawing up to the
artist book.
21
The catalogue impressively presents Karl Bohrmann, Bettina Blohm, and Texts by Alexander Bastek, Stephan
how young and timeless the art of Malte Spohr, as well as to more recent Dahme, Karoline Feulner, Sören
drawing still is today. The book brings acquisitions by Max Uhlig, Hanns Schi- Fischer, Christine Follmann, Daniela
together roughly 140 drawings from mansky, Doris Kaiser, Barbara Hindahl, Koch, Benjamin Rux
the holdings of the Graphische Sam- and Thomas Müller. Based on these
mlung (Collection of Prints and Draw- works from the history of German art
ings) of the Museum Pfalzgalerie Kai- in particular, all the significant trends Exhibition
serslautern, presented by renowned of the past 150 years are delineated on Museum Pfalzgalerie Kaiserslautern,
authors. The arc extends from Gustav the highest level and, beyond the exhi- Graphische Sammlung
Klimt, Max Slevogt, Hans Purrmann, bition, a fundamental work on drawing March 11th to May 8th, 2022
and Käthe Kollwitz to Rudolf Levy, is presented.
Emy Roeder, and Pablo Picasso toDEUTSCHER KUNSTVERLAG 22
Peter Voss-Andreae (Ed.)
Emil Orlik
Das druckgraphische Werk
Pages 1200
Ills. 1280 b/w, 665 color
Format 31.0 × 25.0 cm
HC 978-3-422-98841-5 Ger ca. € 198.00
$ 227.99
£ 180.00
GERMAN
MAY 2022
DEUTSCHER KUNSTVERLAG
Four volumes in a slipcase
The first catalogue raisonné of Emil Orlik’s
extensive graphic oeuvre (ca. 2,300 works)
Bibliophile edition—four volumes, embossed
linen cover, in a covered slipcase
23
Emil Orlik (1870–1932) was a paint- Berlin, where he created designs for ed in detail for the first time and is
er, graphic artist, photographer, stage sets and costumes for Max presented in this catalogue raisonné.
medallion maker, and craftsman: an Reinhardt. His portraits of personali-
all-round talent. A decisive factor in ties from art, theater, music, literature, Texts by Birgit Ahrens,
his artistic development was a trip film, cabaret, and politics are a kalei- Peter Voss-Andreae
to Japan in 1900/01, during which he doscope of the intellectual, cultural,
learned the art of woodcarving from and economic life of the Weimar
Japanese masters. He was a member Republic. Orlik’s extensive graphic
of the Secession in Vienna, and was oeuvre—woodcuts, etchings, and
appointed in 1904 as a professor in lithographs—has now been document-Lucy Wasensteiner (Ed.)
Max Liebermann
Schwarz-Weiß
Die Druckgrafik
Pages 144
Ills. 100 color
Format 28.5 × 23.0 cm
SC 978-3-422-98682-4 Ger ca. € 28.00
$ 32.99
£ 25.50
GERMAN
MARCH 2022
DEUTSCHER KUNSTVERLAG
First introductory publication on
Liebermann’s graphic prints
Exhibition
24
Liebermann-Villa am Wannsee, Berlin
March 6th to June 6th, 2022
Max Liebermann (1847–1935)—a seum and private collections around Impressionism. The focus is thus on
co-founder of the Berlin Secession and the world. This catalogue provides an the history of the collecting and exhib-
President of the Akademie der Künste introduction to Liebermann’s graphic iting of his print graphic works as well
for many years—was one of the most prints based on selected works from as the research on these works.
important artists of his generation. the collection of the Max Liebermann
In addition to his impressive painting Society Berlin. It also presents com- Texts by Sigrid Achenbach, Alice
oeuvre, Liebermann’s graphic prints mon printmaking techniques and Cazzola, Denise Handte, Viktoria
also assume an important role: over provides a detailed examination of the Bernadette Krieger, Andreas
600 motifs as etchings, lithographs, development of the graphic prints by Schalhorn, Lucy Wasensteiner
and woodcuts are found today in mu- the most significant representative ofHenriette Lavaulx-Vrécourt,
Niklas Leverenz (Eds.)
Berliner
Schlachtenkupfer /
Berlin Battle Engravings
34 Druckplatten der Kaiser von China /
34 Copperplates for the Emperors of China
Pages 248
Ills. 175 color
Format 27.0 × 21.0 cm
SC 978-3-422-98768-5 En/Ger € 42.00
DEUTSCHER KUNSTVERLAG
$ 48.99
£ 38.00
ENGLISH/GERMAN
PUBLISHED
First publication of the entire collection
of the thirty-seven copper plates still in
existence, including picture material from
the eighteenth and nineteenth century
Detailed description of the motifs on the
battle paintings of the plates exhibited in the
Humboldt Forum
25
The publication presents the entire history of the plates’provenance and the military campaigns and politics of
collection of printing plates depict- describes the history of copperplate the Chinese emperor, the transnational
ing battles of the Chinese emperor engraving in China. The process in interrelation of culture and craft, and
that are still in existence. They show which the printing plates were created ultimately the craft of copperplate
scenes of Chinese military campaigns and the motifs found in the pictures of engraving itself.
between 1755 and 1828. Of the origi- battles are also explained. The magnif-
nally eighty-eight printing plates, only icent copper plates, which are part of Texts by Nick Pearce, Henriette
thirty-seven are still known today, the exhibition in the Wang Shu Room Lavaulx-Vrécourt, Niklas Leverenz,
thirty-four of them in the Ethnological of the Humboldt Forum, bear witness Alexey Pastukhov
Museum in Berlin. The book tells the to the history of missionaries in China,Informel and surrealism
Pen and ink drawings
Rediscovery of an artist
DEUTSCHER KUNSTVERLAG
Tobias Funk (Ed.) Hans Funk (1928–2002) made a name development of his brilliant drawing
Hans Funk Feder for himself as a draftsman starting
in the 1960s and 1970s. From his
art in eighty images. His drawing oeu-
vre is also described in detail in three
Zeichnung beginnings in Art Informel, in his art-historical essays.
large-format pen-and-ink drawings he
Pages 120
developed an extensive and indepen- Texts by Felix Billeter, Angelika
Ills. 100 color
Format 26.0 × 21.0 cm dent oeuvre that oscillates between Grepmair-Müller, and Andreas Strobel
renouncing and preserving form, be-
SC 978-3-422-98759-3 Ger € 24.00 tween spontaneity and reflection. The
$ 27.99
artist lived and worked in Lüneberg in
£ 22.00
Lower Saxony, thus far away from big
GERMAN cities and their art market protago-
FEBRUARY 2022 nists. The volume now being published
by his son Tobias Funk presents the
26
Art in public space
Current discussion and research
New positions
Philipp Oswalt (Ed.) The artist Zoltán Kemeny’s space various options for how the presenta-
Zoltán Kemény sculpture of 1963 in the glass foyer
of the Städtische Bühnen (Municipal
tion of the recently landmarked work
can go hand in hand with a conceptual
Das Raumkunstwerk für die Städtischen Stages) in Frankfurt am Main shapes revision of the Städtische Bühnen.
Bühnen in Frankfurt am Main the face of the building. The over
Pages 150 100-meter-long artwork, which is vis- Philipp Oswalt,
Ills. 105 ible from afar, sets a contrast to the Professor of Architecture Theory,
Format 17.0 × 24.0 cm architecture of the building with its University of Kassel
organic dynamics and accentuated
HC 978-3-422-98825-5 Ger € 24.00
$ 27.99 handcrafted quality. Based on new
£ 22.00 research, the book presents the artist,
artwork, and genesis and reception
GERMAN of the work, which is beloved by the
MAY 2022
residents of Frankfurt, in texts and
images. New student designs showArnulf Rainer Museum (Ed.)
200 Jahre Frauenbad
Baukultur und Kunstbetrieb in der Kurstadt Baden
bei Wien / 200 Years of the Frauenbad: Building
Culture and the Art Industry in the Spa Town of
Baden near Vienna
Pages 250
numerous Ills.
Format 29.0 × 24.0 cm
SC 978-3-422-98806-4 En/Ger € 39.00
$ 44.99
£ 35.50
DEUTSCHER KUNSTVERLAG
ENGLISH/GERMAN
PUBLISHED
Current research positions on Architecture
of Classicism in Austria
Spa architecture and World Heritage Site
Important topic of the conversion and new
use of architectural monuments
27
The “Frauen- und Carolinenbad” bath- 2009. The Frauenbad is one of the Texts by Matthias Boeckl, Christine
ing facility was opened in Baden near most important Classical buildings in Humpl-Mazegger, Markus Kristan,
Vienna in 1821. Two hundred years Austria. Its designer, the Frenchman Petra Leban, Katharina Schoeller,
after this event, which was significant Charles de Moreau (1758–1840), was Ulrike Scholda
from the perspective of both culture one of the leading architects of this
and economic and architectural his- epoch in Austria. The book communi-
tory, this book documents the history cates the results of new research on
of the planning and construction of the architecture of this key European
the building, which has been dedicat- period between the Enlightenment,
ed to the painter Arnulf Rainer since revolution, and reaction.Deutscher Kunstverlag (Ed.),
Kunst und Buch
1921–2021–2121
Pages 78, with foldouts
Ills. 50 color
Format 29.7 × 21.0 cm
SC 978-3-422-98803-3 Ger € 12.00
$ 13.99
£ 11.00
GERMAN
PUBLISHED
DEUTSCHER KUNSTVERLAG
“The future of books does not look good.”
Really – or just very different?
Artistic positions for the art prize of the
Deutscher Kunstverlag on the occasion of its
100 year anniversary
Exhibition
28 Kommunale Galerie Berlin
July to August 2021
In conjunction with the 100 year anni- tures of the exhibition. The presenta- Artists:
versary of the Deutscher Kunstverlag, tion is supplemented by a foreword by Meo Wulf, Max-Friedemann, Alten-
students at the Berlin University of the director of the publishing house, burg, D‘ Andrade, Elisa Jule Braun,
the Arts took part in a competition. Katja Richter, welcoming remarks by Elke Burkert, Wen-Ling Chung,
The aim was to examine the future of the jury member Jörg Heiser, and an Nika Grigorian, Domenik Alexander
books as a print medium. The fascinat- essay by Ilka Backmeister-Collacott Krischke, vendedores de humo, Anna
ing works selected—including video that emphasizes the importance of the Slobodnik
works, installations, and book-objects print medium in the age of technology
—were presented in an exhibition at in a declaration of love to the printed Texts by Ilka Backmeister-Collacott,
municipal galleries. The catalogue book. Jörg Heiser, Katja Richter
documents the results, presents the
artists and their works, and shows pic-Deutscher Kunstverlag (Ed.),
100 Jahre – 100 Bücher
Eine bibliophile Zeitreise mit dem
Deutschen Kunstverlag
Pages 212
Ills. 105 color
Format 19.0 × 12.0 cm
HC 978-3-422-98816-3 Ger € 15.00
$ 17.99
£ 13.50
GERMAN
PUBLISHED
DEUTSCHER KUNSTVERLAG
A unique look at books through 100 years of
Deutscher Kunstverlag
The history of a publishing house broken
down into the most essential: the book
29
In 2021, Deutscher Kunstverlag cele- tions and standard works have been
brates its 100th anniversary. The pub- published. One hundred outstanding
lishing house was established in 1921 books were selected for presentation
at the behest of the Prussian State. in this volume—instead of a classic
With its photographs of artistically commemorative publication, the pub-
significant buildings, the archive of its lishing house has produced a stimu-
Staatliche Bildstelle provided the basis lating bibliophile journey of discovery
for marketing photos in the form of through the century.
books, pictures, and postcards. Over
the course of a century, innumerable Texts by Pablo Schneider,
high-quality, significant, beautifully Katja Richter, Anja Weisenseel,
illustrated, but also whimsical publica- Kathleen Herfurth, Luzie DiekmannFrédéric Mougenot
Auschwitz. Bild und
Hinterbild – Fotografien
Pages 88
Ills. 90 color
Format 24.0 × 17.0 cm
SC 978-3-422-98721-0 Ger € 28.00
$ 32.99
£ 25.50
GERMAN
FEBRUARY 2022
DEUTSCHER KUNSTVERLAG
Culture of remembrance
Contemporary photography
Art and political science
30
The 75th anniversary of the liberation of Auschwitz
was commemorated in 2020. While the final sur-
vivors are now rapidly disappearing, mass tourism
phenomena can be perceived in Auschwitz at the
same time. In light of these changes, it is important
to discuss the concept of remembrance and also
to ask: What do the crowds of visitors see? In 2017
and 2018, Frédéric Mougenot photographed the
two extermination camps and locations in the so-
called “Interessengebiet” (area of interest), which
was largely forgotten after 1945. What is thus shown
in the photographs is an invisible boundary that
separates the culture of remembrance from gradual
disappearance.
Frédéric Mougenot,
freelance photographer, Zurich, Switzerland
Texts by Sarah Hübscher, Barbara Welzel,
Habbo KnochSandra Badelt, Robert Pledge (Eds.)
Lu Guang
Black Gold and China
Pages 160
Ills. 120 color
Format 21.3 × 32.0 cm
SC 978-3-422-98881-1 Ger € 40.00
$ 46.99
£ 35.50
GERMAN
DECEMBER 2021
DEUTSCHER KUNSTVERLAG
Lu Guang: the photographic conscience
of China
Exhibition Socioeconomic and ecological issues in
Deutsches Bergbau-Museum Bochum
December 10th, 2021 to April 17th, industrial China, documented in powerful
2022 photographic works
31
The Chinese photographer Lu Guang impressively document the collateral ny presents roughly 100 works with
occupies himself with the socioeco- damage that China’s emergence as an which Lu Guang makes us aware that:
nomic and ecological issues connect- economic superpower and produc- “There is only one earth, which we
ed with China’s “industrial revolution,” er for the international demand has share.”
which call to mind the problems of caused. Lu Guang also captures the
Western nations in the nineteenth and social life worlds of people who live Texts by Sandra Badelt with Stefan
twentieth century. His photographs on the poverty line in these industrial Brüggerhoff, Hu Donglin, Lu Guang,
reflect the consequences of intensive landscapes in powerful pictures. The Robert Pledge
coalmining and the environmental catalogue accompanying his first
destruction that accompanies it. They monographic exhibition in Germa-Kunststiftung K52 (Ed.),
Nicolaus Schmidt
India Tecton
Gebautes Indien / Architectural Expressions in
India
Pages 256
Ills. 176 color
Format 24.0 × 30.0 cm
HC 978-3-422-98762-3 En/Ger ca. € 42.00
$ 48.99
£ 38.00
ENGLISH/GERMAN
DEUTSCHER KUNSTVERLAG
APRIL 2022
Exhibitions
India International Centre, Neu-Delhi
October 28th to November 12th, 2022;
Galerie der Kunststiftung K52, Berlin Ancient and modern Indian architecture and
February 16th to March 11th, 2023 culture concentrated in photographs
32
India is a country with an ancient and epochs. The photographs also reflect Texts by Nicolaus Schmidt,
extremely multilayered culture. The colonial domination and international Rahaab Allana, Simone Bader
diversity of cultures and religions is cultural relationships, as well as the ex-
manifested in a topography of archi- treme social contrasts. What arise are
tecture and sculptures that is difficult standalone artworks that simultaneous-
to survey. The photographer Nicolaus ly highlight the architectural character-
Schmidt presents this diversity in high- istics of buildings and artifacts from an-
ly focused photographs. The book re- tiquity to the modern era. India Tecton
veals references and kinships between is a novel, visually powerful approach
artifacts from various religions and to architecture and art in India.Goethe and sculpture — a lifelong theme in art history,
poetry, and aesthetics
DEUTSCHER KUNSTVERLAG
Christa Lichtenstern Johann Wolfgang von Goethe should guage and sculpture,” rhythm, meta-
„Ich bin ein Plastiker“ be taken seriously when he calls him-
self a “sculptor.” He created models
morphosis, the power of education,
and “organic whole” mean for him? It
Goethes ungeschriebene Skulpturästhetik himself. As a designer of monuments, is shown that these keywords also in-
Pages 224 advisor to Schadow and Tieck, and terested modern sculptors like Andreu
Ills. 120 color mainly friend of Christian Daniel Rauch, as Alfaro, Joseph Beuys, Eduardo Chilli-
Format 26.0 × 21.0 cm a poet with his own sculptural ideas, da, Ewald Mataré, or Henry Moore.
and as a morphologist with a dynamic
HC 978-3-422-98786-9 Ger ca. € 38.00
$ 43.99 concept of form, the formation of self Christa Lichtenstern,
£ 34.50 and responsibility for the world are his art historian, archaeologist, Germanist,
themes. This study deals for the first various professorships in Germany and
GERMAN
time with Goethe’s engagement with the U.S.
MARCH 2022
sculpture and also reveals his unwrit-
ten sculptural aesthetics. What do
“sensual laws of art,” the unity of “lan-
33
Zeitgeist and continuity in art
The roots of modernism
Interplay between art and philosophy, the natural
sciences and an expanded way of seeing
Heinz Spielmann The art of the last 150 years has research, but depart from it through
Kontinuität und hitherto been regarded primarily as
a result of revolutionary changes in
taking into account how the normative
is relativized by the individual.
Innovation seeing. Modernity has therefore been
Bausteine für eine Ikonologie der Moderne interrogated insufficiently with re- Heinz Spielmann,
spect to its contents. This publication headed the modern department at
Pages 224 shows that older and extremely old the Hamburg Museum für Kunst und
Ills. 200 color mainly
Format 26.0 × 21.0 cm resources—topics like regulation of Gewerbe. Director of the Landesmu-
form—take on new importance in art seen Schleswig-Holstein. Taught at
HC 978-3-422-98842-2 Ger ca. € 29.00 by living from and in the interplay the University of Münster. Founding
$ 33.99 between art and philosophy, the nat- director of the Bucerius Kunst Forum
£ 26.50
ural sciences and an expanded way of in Hamburg
GERMAN seeing. Western art is put in relation
SPRING 2022 to world cultures. The examinations
follow in the tradition of iconologicalThe life of a poet in the country
Provides insights into one of the most important
phases in German literature
DEUTSCHER KUNSTVERLAG
Published on the occasion of the redesign of the
Wieland-Museum Oßmannstedt
Klassik Stiftung Weimar (Ed.) In the spring of 1797, the writer Chris- Gottfried Seume, and many others.
Wielandgut toph Martin Wieland (1733—1813)
purchased the Oßmannstedt estate,
The volume tells the history of the
house and park of the Wieland Estate
Oßmannstedt which he managed and lived on with Oßmannstedt and accompanies the
his large family until April 1803. It exhibition at the Wieland-Museum,
Pages 112
was here that he wrote his last great which provides an introduction to
Ills. 90 color
Format 23.0 × 15.0 cm novel Aristipp und einige seiner Zeit- the life and work of Christoph Martin
genossen. Wieland received numerous Wieland and shows his significance for
SC 978-3-422-98919-1 Ger € 14.90 visitors here, including Goethe, John German literature.
$ 17.99
Gottfried Herder and his wife, and
£ 13.00
Duchess Anna Amalia, who came Texts by Fanny Esterházy
ENGLISH from nearby Weimar, his early love,
AUGUST 2022 Sophie von La Roche, with her grand-
daughter Sophie Brentano, the writers
Jean Paul, Heinrich von Kleist, Johann
34 In focus — the new series of the Klassik Stiftung Weimar
The Nietzsche cult has a home: the Nietzsche Archive
A MUST-HAVE for Nietzsche fans and
lovers of Art Nouveau
Weimar beyond the classics: discover new places
Klassik Stiftung Weimar (Ed.) Villa Silberblick where a mentally de- turing many colored illustrations, the
Nietzsche-Archiv ranged Friedrich Nietzsche spent the
final years of his life, was originally a
book relates the turbulent history of
a memorial that reflects the ambiva-
Pages 112 middle-class home. Nietzsche’s sister lence of modernism.
Ills. 70 color Elisabeth Förster-Nietzsche not only
Format 23.0 × 15.0 cm looked after her ill brother but also Texts by Helmut Heit, Juliane Hupka,
SC 978-3-422-98716-6 En € 14.90
exploited the cult-like admiration the Corinna Schubert, Sabine Walter
978-3-422-98715-9 Ger $ 17.99 philosopher enjoyed for her own ends
£ 13.00 and installed the Nietzsche Archive
in the building. Initially very popular
ENGLISH
FEBRUARY 2023
amongst Europe’s avant-garde later
Elisabeth Förster-Nietzsche allowed
the archive to be instrumentalized by
the National Socialists before it be-
came a taboo topic in the GDR. Fea-Klassik Stiftung Weimar (Ed.)
Herzogin Anna Amalia
Bibliothek
Pages 160
Ills. 130 color
Format 23.0 × 15.0 cm
SC 978-3-422-98718-0 En € 14.90
978-3-422-98717-3 Ger $ 17.99
£ 13.50
GERMAN
APRIL 2022
DEUTSCHER KUNSTVERLAG
The historical building of the Herzogin Anna
Amalia Bibliothek can be experienced anew
starting in the spring of 2022
Redesigned exhibition spaces and a
redesigned foyer in conjunction with the
project “Cranach 2022”
35
The book tells the story of the archiving stacks, one arrives at the study center Texts by Arno Barnert, Annett Carius-
and research library from its beginnings with the central book cube, which was Kiehne, Andreas Christoph, Alexandra
in the sixteenth century to the present opened in 2005. Thematic contributions Hack, Rüdiger Haufe, Stefan Höppner,
and takes readers along on a tour of its present the diverse collections: they Christian Märkl, Reinhard Laube,
rooms of collections and knowledge: in look at manuscripts from the time be- Katja Lorenz, Christoph Schmälzle,
the historical library building, the path fore book printing as well as pamphlets Veronika Spinner, Claudia Streim,
leads from the Renaissance Hall with the of the Reformation period, the world’s Ulrike Trenkmann, Erdmann v.
exhibition Cranach’s Torrent of Images, biggest collection of Faust, or the so- Wilamowitz-Moellendorff, Jürgen
to the Rococo Hall from 1766, and on called Ash Books, which have been Weber
to the book tower. Via the underground restored since the fire in 2004.Karin Guggeis
Star oder Loser?
Zum Making-of von Objektkarrieren in einem
ethnologischen Museum
Bayerische Studien zur Museumsgeschichte 5
Pages 248
Ills. 58 color
Format 26.0 × 19.5 cm
SC 978-3-422-98821-7 Ger € 49.90
$ 57.99
£ 45.50
GERMAN
DEUTSCHER KUNSTVERLAG
JULY 2022
Stars or losers – what determines the
“careers” of museum objects?
A research project on the cultural biography
of ethnological objects from Africa and
Oceania
On dynamics related to the perception,
interpretation, and appreciation of museum
objects
36
Stars are not born — they are made. in the museum” largely overlooked in dynamics related to their perception,
This applies not only to sports or the storage. How this comes about and interpretation, and appreciation.
entertainment industry, but also to what factors are decisive in whether
museum objects. For which the art an object becomes a star or a loser is Karin Guggeis,
world offers multifaceted examples. the focus of this research work. Based Ethnologist, Munich
But this also pertains to items collect- on well-known and unknown objects
ed in ethnological museums: some of from Africa and Oceania in the collec-
them have a career, achieve a certain tion of the Museum Fünf Kontinente
fame, or even become international in Munich, it addresses the question
icons, while others spend their “life of their “making-of,” as well as theResults of a research project on everyday items
that were stolen from their Jewish owners during the
National Socialist period
An aid for museums in dealing with objects previously
in Jewish ownership
A new perspective on provenance resear
DEUTSCHER KUNSTVERLAG
Landesstelle für die nichtstaatlichen Restitutions of high-priced artworks are now often offered to them by
Museen in Bayern (Ed.), Carolin have given the public the impression descendants of the individuals who
Lange that items stolen from Jewish citizens subsequently acquired them? Are the
Der Raub der during the National Socialist era were
almost exclusively works of art and
stories that have been handed down in
the family true? Can they be verified?
kleinen Dinge objects of great value. The opposite Should museums accept such histori-
Belastetes Erbe aus Privatbesitz is the case: Most of the possessions cally charged objects at all?
seized were things used in everyday
Museums-Bausteine 22 life, including furniture, or simple Carolin Lange,
Pages 80
Ills. 10 color
household goods. They ended up not former director of the project on
Format 24.0 × 17.0 cm only in public authorities or museums, provenance research, Landesstelle für
but also in private households. How die nichtstaatlichen Museen in Bayern,
SC 978-3-422-98765-4 Ger € 19.90 should museums deal with objects Munich; former board member of Ar-
$ 22.99
£ 18.00
that were – allegedl – once in the pos- beitskreis Provenienzforschung; Lange
session of Jewish individuals and that & Schmutz Provenienzrecherchen
GERMAN
FEBRUARY 2022
37
Now in its third, updated edition
Landesstelle für die nichtstaatlichen As a central task of museums, creat- ples. The thesaurus presents the as-
Museen in Bayern (Ed.), ing an inventory depends on reliable tonishing diversity of types and forms.
Ronald Heynowski reference works and a consistent It is addressed to laypeople as well
Nadeln terminology. This volume is dedicat-
ed to a group of objects that have
as scholars and offers various depths
of access for creating an inventory of
Erkennen – Bestimmen – Beschreiben hitherto not been placed in a concise them.
3rd edition
typological schema: needles and pins,
Bestimmungsbuch Archäologie 3 from the Upper Paleolithic to the High Ronald Heynowski,
Pages 184 Middle Ages. Sewing needles and pins Landesamt für Archäologie Sachsen,
Ills. numerous are indispensable to the production of Dresden
Format 24.0 × 17.0 cm
clothing, and needles serve as jewelry,
SC 978-3-422-98738-8 Ger € 19.90 body ornamentation, or as metalwork-
$ 22.99 ing tools. They can be made of bone
£ 18.00 or metal, and their designs range from
GERMAN simple to elaborated decorated exam-
PUBLISHEDTotal Art Nouveau!
Wasser im Jugendstil Radikal schön – Jugendstil und
2022. 448 pages Symbolismus. Die Sammlung
550 color illustrations Ferdinand Wolfgang Neess
30.0 × 24.0 cm 2019. 608 pages
HC approx. € 54.00 [D] / 800 color illustrations
US$ 62.99 / £ 49.00 30.0 × 24.0 cm
ISBN 978-3-422-98845-3 HC € 49.95 [D] / US$ 57.99 /
£ 45.50
Bröhan 100. Highlights of the ISBN 978-3-422-98049-5
Collection
2021. 264 pages Ruf des Progressiven. Jugend-
130 color illustrations stil und Symbolismus im Museum
24.0 × 17.0 cm Wiesbaden
The art movement, which celebrates its flowering around
HC € 30.00 [D] / US$ 39.99 / 2019. 336 pages
1890–1910, is a nature-based style that fascinates with its £ 31.00 225 color illustrations
beauty to this day. Water is the element of Art Nouveau, the ISBN 978-3-422-98710-4 30.0 × 24.0 cm
HC € 29.90 [D] / US$ 34.99 /
place of longing is depicted in over 250 works in Wasser im Neues aus dem 19. Jahrhundert. £ 27.00
Jugendstil. In Bröhan 100. Highlights of the Collection, the Von Kühen, edlen Damen und ISBN 978-3-422-98137-9
Berlin State Museum‹s collection of Art Nouveau, Art Deco verzauberten Landschaften
Oder von der Liebe zur Kunst
and Functionalism is on display. Neues aus dem 19. Jahr-
2021. 192 pages
hundert, Ruf des Progressiven and Radikal schön – Jugend- 185 color illustrations
stil und Symbolismus are volumes dealing with the holdings 29.0 × 25.0 cm
HC € 40.00 [D] / US$ 46.99 /
of the Wiesbaden Museum. They offer a cross-section of all £ 36.50
genres between Art Nouveau and Symbolism. ISBN 978-3-422-98668-8Manet und Astruc Der Rimini-Altar Cultural Affairs
Künstlerfreunde Meisterwerk in Alabaster. Material – Kunst ohne Grenzen /
Dorothee Hansen (Ed.) Restaurierung – Kunstgeschichte Art Without Borders
Stefan Roller, Harald Theiss (Eds.) Silvia Gaetti (Ed.)
2021. 320 pages. 30.0 × 24.0 cm
360 color ills. 2021. 312 pages. 30.0 × 24.0 cm 2021. 176 pages. 24.0 × 19.0 cm
315 color ills. 150 color ills.
HC 978-3-422-98760-9 Ger
€ 54.00 / $ 62.99 / £ 49.00 HC 978-3-422-98672-5 Ger HC 978-3-422-98653-4 De/En
978-3-422-98679-4 En/Ger € 29.00 / $ 33.99 / £ 25.00
€ 49.90 / $ 57.99/ £ 45.50
Flora ad infinitum Im Fokus Im Fokus
Blühende Perlenkunst in Venedig und Park an der Ilm Park Belvedere
der Welt / Fiori di perline a Venezia Klassik Stiftung Weimar (Ed.) Klassik Stiftung Weimar (Ed.)
DEUTSCHER KUNSTVERLAG
e nel mondo
2021. 144 pages. 23.0 × 15.0 cm 2021. 144 pages. 23.0 × 15.0 cm
Georg Ragnar Levi, Edvard Koinberg
160 color ills. 160 color ills.
2021. 216 pages. 22.5 × 24.5 cm
SC 978-3-422-98699-2 Ger SC 978-3-422-98703-6 Ger
186 color ills.
€ 14.90 / $ 17.99 / £13.50 € 14.90 / $ 17.99 / £ 13.50
HC 978-3-422-98546-9 Ger/It
€ 42.00 / $ 48.99 / £ 38.00
Grand Tour XXL Die Sammlung Solly 1821–2021 Bröhan 100
Der Reisekünstler Emel‘jan Korneev Vom Bilder-„Chaos“ zur Highlights der Sammlung
Münchner Stadtmuseum, Nico Kirch- Gemäldegalerie Tobias Hoffmann, Anna Grosskopf
berger (Eds.), Anna Ananieva, Viktoria Robert Skwirblies, Roberto Contini, (Eds.)
Cordts, Susanne Glasl, Peter Prange Neville Rowley, Stephan Kemperdick,
2021. 264 pages. 24.0 × 17.0 cm
Katja Kleinert, Sarah Salomon (Eds.)
2021. 224 pages. 28.0 × 24.0 cm 130 color ills.
130 color ills. 2021. 136 pages. 28.0 × 22.0 cm
HC 978-3-422-98709-8 Ger
65 color ills.
HC 978-3-422-98667-1 Ger 978-3-422-98710-4 En
€ 29,90 / $ 34.99 / £ 27.00 SC 978-3-422-98663-3 Ger € 34.00 / $ 39.99 / £ 31.00
978-3-422-98664-0 En
€ 36.00 / $ 41.99 / £ 32.50
39
Theater im Museum für Fotografie Neues aus dem 19. Jahrhundert Der Schmerz des Vaters?
Ein Rückblick auf die 1920er Jahre Von Kühen, edlen Damen und Die trinitarische Pietà zwischen
Kunstbibliothek – Staatliche Museen zu verzauberten Landschaften Gotik und Barock
Berlin (Ed.), Justine Tutmann Oder von der Liebe zur Kunst Dagmar Preising, Michael Rief,
Peter Forster (Ed) Christine Vogt (Eds.)
2021. 112 pages. 24.0 × 17.0 cm
100 color ills. 2021. 192 pages. 29.0 × 25.0 cm 2021. 224 pages. 28.0 × 22.0 cm
185 color ills. 60 color ills.
SC. 978-3-422-98696-1 Ger
€ 19.00 / $ 21.99 / £ 17.50 HC. 978-3-422-98668-8 Ger HC. 978-3-422-98712-8 Ger
€ 40.00 / $ 46.99 / £ 36.50 € 44.00 / $ 50.99 / £ 40.00
Kurt W. Streubel Red Glow Performance on Display
Spielarten des Abstrakten in der DDR Yugoslav Partisan Photography, Zur Geschichte lebendiger Kunst im
Andrea Karle, Verena Krieger (Eds.), 1941–1945 Museum
Anne-Kathrin Hinz, Michaela Mai Davor Konjikušić Lisa Beißwanger
2021. 152 pages. 29.0 × 21.0 cm 2021. 423 pages. 26.0 × 19.5 cm 2021. 512 pages. 24.0 × 17.0 cm
90 color ills. 570 b/w ills., 8 color ills. 30 b/w ills., 114 color ills., 6 tables,
1 b/w map
HC. 978-3-422-98723-4 Ger HC. 978-3-422-98640-4 En
€ 35.00 / $ 40.99 / £ 32.00 € 48.00 / $ 55.99 / £ 41.50 SC. 978-3-422-98448-6 Ger
€ 79,95 / $ 91.99 / £ 72.50
E-Book 978-3-422-98648-0 En
Open Access E-Book 978-3-422-98698-5 Ger
€ 79,95 / $ 91.99 / £ 72.50
Künstlerpaare der Moderne Künstler und Kritiker Kunstforschung, Fotografie und
Hans Purrmann und Mathilde Vollmo- Hans Purrmann und Karl Scheffler in Kunsthandel um 1900
eller-Purrmann im Diskurs Briefen 1920–1951 Gustav Ludwigs Korrespondenzen
Felix Billeter, Maria Leitmeyer (Eds.) Felix Billeter, Julie Kennedy, Anke mit Wilhelm Bode, Aby Warburg und
Matelowski (Eds.) anderen
2021. 176 pages. 21.0 × 13.5 cm
Martin Gaier
50 color ills. 2021. 224 pages. 21.0 × 13.5 cm
50 color ills. 2021. 224 pages. 28.0 × 21.0 cm
SC. 978-3-422-98650-3 Ger
1 b/w ill., 52 color ills.
€ 18.00 / $ 20.99 / £ 16.50 SC. 978-3-422-98428-8 Ger
€ 18.00 / $ 20.99 / £ 16.50 HC. 978-3-422-98634-3 Ger
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