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mc NO 15 2020 manuscript cultures Hamburg | Centre for the Study of Manuscript Cultures ISSN 1867–9617
PUBLISHING INFORMATIONPUBLISHING | MANUSCRIPT CULTURES | MANUSCRIPT INFORMATION PUBLISHING INFORMATION | MANUSCRIPT CULTURES PUBLISHING INFORMATION | MANUSCRIPT CULTURES Impressum Impressum PUBLISHING INFORMATION | MANUSCRIPT CULTURES Publishing Information Publishing PublishingInformation Information Ausstellungskatalog „Die Macht der Schrift: Die Manuskriptkultur Ausstellungskatalog der Toba-Batak „Die Macht der Schrift: aus Nord-Sumatra“ Die Manuskriptkultur | der Toba-Batak aus Nord-Sumatra“ | Natural Sciences, Technology and Informatics ‘The Power of Writing: The Manuscript in Manuscript Culture of the Analysis ‘The Power of Writing: TheToba Batak from Manuscript North Culture Sumatra’ of the Toba Batak from North Sumatra’ Edited by Oliver Hahn, Herausgegeben Volker von Jan van Märgner, der Ira Roberta Putten und Rabin, and Zollo H. Siegfried Stiehl Herausgegeben von Jan van der Putten und Roberta Zollo Homiletic HomileticCollections CollectionsininGreek Greekand andOriental OrientalManuscripts Manuscripts Proceedings Edited Edited by of the Jost by Jost third Gippert International and Gippertalsand Caroline Caroline Conference Macé Macé on Natural Sciences andder Technology in„Die Manuscript Der Katalog erscheint Der Katalog erscheintmanuscript Nr. 14 der Zeitschrift cultures als Nr. 14 der anlässlich Zeitschrift Ausstellung manuscript Macht cultures anlässlich derder Schrift: „Die Macht der Schrift: Ausstellung Analysis and the workshop Die Manuskriptkultur derDie OpenX for Toba-Batak Interdisciplinary aus Nord-Sumatra“ Computational | ‘Theaus Power Manuscript Research of Writing: |The that took Manuskriptkultur der Toba-Batak Nord-Sumatra“ ‘TheManuscript Culture of Power of Writing: theManuscript Culture of the The place at the University Proceedings Proceedings Toba Batak ofofthe from the of Sumatra’ Hamburg, Conference Conference North Centre for the ‘Hagiographico-HomileticStudy ‘Hagiographico-Homiletic im Museum am Rothenbaumof Manuscript Collections Collections – in Kulturenin Cultures, Greek, Greek, und Latin Latin Künste on 12–14 and and der June Oriental Oriental Welt 2018. Manuscripts Manuscripts (MARKK), –– Hamburg, Toba Batak from North Sumatra’ im Museum am Rothenbaum – Kulturen und Künste der Welt (MARKK), Hamburg, Histories vom ofofBooks 7. Mai Histories – 14. and Books andText Juni, vomTransmission 2020, Text 7.sowie Mai der Transmission in inaJuni, aComparative Austellung – 14. Perspective’ ‘Pameran Comparative 2020, sowie Naskah-Naskah Perspective’ der Batak’ | „Ausstellung Austellung ‘Pameran Naskah-NaskahvonBatak’ Batak-| „Ausstellung von Batak- Centre Centrefor forthe Manuskripten“theStudy Study ofofManuscript im Indonesischen Manuscript Cultures, Cultures, Universität Generalkonsulat Hamburg, Hamburg, Universität 7. – Hamburg,24.23–24 März 23–24 June 2017 2020. June 2017 Manuskripten“ im Indonesischen Generalkonsulat Hamburg, 7. – 24. März 2020. Wir danken dem MuseumWir am danken Rothenbaum – Kulturen dem Museum amund Künste der–Welt Rothenbaum (MARKK), Kulturen Hamburg, und Künste für (MARKK), der Welt die gelungene Hamburg, für die gelungene gemeinsame Organisationgemeinsame dieser Ausstellung. Organisation Layout Der Deutschen dieser Forschungsgemeinschaft Layout Ausstellung. Der Deutschen (DFG) danken wir für die (DFG) danken wir für die Forschungsgemeinschaft Editors Editors Astrid Kajsa Nylander Fragments of music manuscripts are some of the commones großzügige Unterstützunggroßzügige bei der Drucklegung des Katalogbandes. Unterstützung bei der Astrid Drucklegung Kajsa Nylander des Katalogbandes. bindings of later volumes, or unlabeled boxes tucked away in archives. Their surviving radically shaped our modern unde early European music. This volume looks at ‘disiecta memb Prof ProfDrDrMichael MichaelFriedrich Friedrich of a lost whole, but as principal objects of study, illuminating material, and cultural contexts, and requiring specific appro methodologies Universität Hamburg EditorsUniversität Hamburg Cover Cover Editorial Office THE SERIES: STUDIES IN MANUSCRIPT CULTURES The series Studies in Manuscript Cultures (SMC) publishes m Asien-Afrika-Institut Asien-Afrika-Institut The front collective volumes contributing to the study of written artefa front cover cover shows shows thethe three church church fathers fathers Cyril Cyril ofof Jerusalem, Jerusalem, Nicholas Nicholas ofof Myra study embraces disciplines such as art history, codicology, ep Editors Prof. Dr Michael Friedrich Editors Layout Dr IrinaTheWandrey threeLayout Myra material analysis, palaeography and philology. SMC encourages comparative approaches, without regional Edmund-Siemers-Allee 1/1/Flügel Ost temporal or other limitations on the objects studied; it contr Edmund-Siemers-Allee Flügel Ost historical and systematic survey of the role of written artefa Prof DrHamburg Universität Michael Friedrich and Astrid Prof Dr Michael Friedrich Universität John Kajsa and John Chrysostom in a 16th-century Nylander in a 16th-century Chrysostom Hamburg Astrid Kajsa fresco fresco of of the Church of the Archangels inin Nylander the Church of the Archangels and modern cultures, and in so doing provides a new founda discussions in cultural studies. D-20146 D-20146 Hamburg Hamburg Universität Hamburg Asien-Afrika-Institut Universität Hamburg CentreMatskhvarishi, for the Study Latali, Matskhvarishi, ofLatali, Svanetia (photography (photography by SvanetiaCultures Manuscript by Jost Jost Gippert). Gippert). All All three three fathers fathers bear bear Tel. Tel.No.: No.: +49 +49 (0)40 (0)4042838 42838 7127 7127 a board with text fragments from the Asien-Afrika-Institut Edmund-Siemers-Allee 1/ Flügel Ost Asien-Afrika-Institut Photography a board with Warburgstraße 26 text fragments from the Liturgy by John Chrysostom (CPG 4686) inin Photography Liturgy by John Chrysostom (CPG 4686) Fax Fax No.: No.: +49 +49 (0)40 (0)4042838 42838 4899 4899 Georgian; the Edmund-Siemers-Allee D-20146 Hamburg 1/ Flügel Ost Edmund-Siemers-Allee 1/ Flügel Karsten Ost D-20354 Georgian; Hamburg thetext Helmholz, passage passageheld textHamburg heldby by Cyril CyrilofofHelmholz, Karsten Jerusalem isis the JerusalemHamburg the beginning beginning ofof thethe sentence sentence michael.friedrich@uni-hamburg.de michael.friedrich@uni-hamburg.de რამეთუ სახიერი და კაცთ-მოყუარე ღმერთი ხარ D-20146 Hamburg D-20146 Hamburg რამეთუ Tel. No.: +49 (0)40 სახიერი 42838 და 9420 კაცთ-მოყუარე ღმერთი ხარ ‘For you are a benevolent and ‘For you are a benevolent and Tel.+49 Tel. No.: No.: (0)40 +49 (0)40 4283842838 7127 7127 Tel. No.: +49 (0)40 42838 7127 philanthropic Cover Fax No.: +49 (0)40God’ philanthropic God’, ,which 42838 4899also which alsoappears appears Cover ininlines lines6–7 6–7ofofFig. Fig.11on onp.p.22below below(from (from an an 11th- 11th- www.degruyter.com ISBN 978-3-11-071722-8 ISSN 2365-9696 Prof DrDrJörg ProfNo.: JörgQuenzer Quenzer century Fax Fax No.: +49 +49 (0)40 (0)40 4283842838 4899 4899 Fax No.: +49 (0)40 42838 4899 centuryscroll MARKK, scrollofofthe Inv.-Nr. irina.wandrey@uni-hamburg.de theIviron 942:08; Monastery IvironSchriftartefakt Monastery on MARKK,onMt Athos, Athos,ms. bestehend MtInv.-Nr. ausIvir. ms. 942:08;Ivir. georg. einer georg. 89). bearbeiteten 89). Schriftartefakt und ge- aus einer bearbeiteten und ge- bestehend Universität Universität Hamburg Hamburg michael.friedrich@uni-hamburg.demichael.friedrich@uni-hamburg.de michael.friedrich@uni-hamburg.de schnitzten halben Kokosnussschaleschnitzten und 17 Bambusstreifen, die mit Baumwollfäden halben Kokosnussschale an- und 17 Bambusstreifen, die mit Baumwollfäden an- Asien-Afrika-Institut Asien-Afrika-Institut Copy-editing gebunden wurden. Es diente als Divinationsinstrument, um die Zukunft vorherzusagen; Layout Copy-editing gebunden wurden. Es diente als Divinationsinstrument, um die Zukunft vorherzusagen; Edmund-Siemers-Allee Edmund-Siemers-Allee 1/1/Flügel FlügelOst Ost Dr Jörg Quenzer Carl KatalogCarter, Nr. Amper 22. | Translation MARKK, inv. no. Service 942:08; a written Prof Dr Jörg Prof Dr Jörg Quenzer Quenzer Prof Carl Miriam Gerdes Carter, Amper Translation Service Katalog Nr. 22. artefact | MARKK,composed of 17 bamboo inv. no. 942:08; a writtenslips artefact composed of 17 bamboo slips D-20146 D-20146Hamburg Hamburg www.ampertrans.de tied to a carved and reshaped coconut Universität Universität Hamburg Hamburg Universität Hamburg www.ampertrans.de tied to a carved and reshaped coconut shell by cottona threads. The artefact was used as a shell by cotton threads. The artefact was used as Tel. Tel.No.: No.: +49 +49 40 4042838 42838 - 7203 - 7203 Asien-Afrika-Institut Asien-Afrika-Institut Asien-Afrika-Institut Coverdivination Mitch MitchCohen, instrument Cohen, Berlin for predictingdivination Berlin the future;instrument cataloguefor no.predicting 22. the future; catalogue no. 22. Fax FaxNo.: No.:+49 +49404042838 Edmund-Siemers-Allee Edmund-Siemers-Allee 42838 -1/-6200 1/ Flügel Flügel Ost Ost 6200 Edmund-Siemers-Allee 1/ Flügel ImageOstof ICDAR2017 Tensmeyer’s distance matrix (axes 2 and joerg.quenzer@uni-hamburg.de joerg.quenzer@uni-hamburg.de D-20146 Hamburg D-20146 Hamburg Copy-editing Copy-editing D-20146 Hamburg (1 and 3)), see article by Dominique Stutzmann, Print Print Christopher Tel. No.: +49 (0)40 Tell. No.: +49 40 42838 - 720342838 7203 Tel. No.: +49 (0)40 42838 7203 Carl Tensmeyer Carter, and Amper Vincent Translation Christlein in Service thisCarl Carter, Amper Translation Service volume. Editorial EditorialOffice Office AZ AZDruck DruckundundDatentechnik DatentechnikGmbH, GmbH,Kempten Kempten Fax +49 Fax No.: No.: +49 40 42838 6200 6200 Fax No.: +49 (0)40 42838 6200 www.ampertrans.de (0)40-42838 Printed in Germany Printed in Germany www.ampertrans.de DrDrIrina IrinaWandrey Wandrey joerg.quenzer@uni-hamburg.de joerg.quenzer@uni-hamburg.de joerg.quenzer@uni-hamburg.de Translation and Copy-editing Universität UniversitätHamburg The book explores the world of Chinese manuscripts from n Hamburg century Dunhuang, an oasis city along the Silk Roads. It cen four groups of manuscripts and argues for the existence of a AmperPrint Translation Service, Carl Carter, Fürstenfeldbrück Print culture combining Chinese and Central Asian elements. The Editorial Office contribution to the study of cultural and linguistic interactio Sonderforschungsbereich Sonderforschungsbereich 950 950 Editorial Office Roads at the end of the first millennium CE. AZ Druck und Datentechnik GmbH,AZKempten Druck und Datentechnik GmbH, Kempten Dr‘Manuskriptkulturen Irina Wandrey ininAsien, ‘Manuskriptkulturen Asien,Afrika und undEuropa’ Dr Irina Afrika Wandrey Europa’ THE SERIES: STUDIES IN MANUSCRIPT CULTURES The series Studies in Manuscript Cultures (SMC) publishes m PrintPrinted in Germany Printed in Germany collective volumes contributing to the study of written artefa Universität Hamburg study embraces disciplines such as art history, codicology, ep Warburgstraße Warburgstraße 2626 Universität Hamburg material analysis, palaeography and philology. SMC encourages comparative approaches, without regional temporal or other limitations on the objects studied; it contr Centre forHamburg the Study of ManuscriptCentreCultures AZ Druck und Datentechnik GmbH, Kempten historical and systematic survey of the role of written artefa D-20354 D-20354 Hamburg for the Study of Manuscript Cultures and modern cultures, and in so doing provides a new founda discussions in cultural studies. Warburgstraße 26 42838 Printed in Germany Tel. Tel.No.: No.:+49 +49(0)40 (0)40 428389420 9420 Warburgstraße 26 D-20354 Fax FaxNo.: Hamburg No.:+49 +49(0)40 (0)4042838 428384899 4899 D-20354 Hamburg ISSN 1867–9617 ISSN 1867–9617 Tel. No.: +49 (0)40 42838 9420 Tel. No.: +49 (0)40 42838 9420 irina.wandrey@uni-hamburg.de irina.wandrey@uni-hamburg.de www.csmc.uni-hamburg.de ISSN 1867–9617 Fax No.: +49 (0)40 42838 4899 Fax No.: +49 (0)40 42838 4899 © 2020 ISSN ISSN1867–9617 1867–9617 © 2020 irina.wandrey@uni-hamburg.de irina.wandrey@uni-hamburg.de Centre © 2020 for the Study of Manuscript Cultures Centre for the Study of Manuscript Cultures www.degruyter.com ISBN 978-3-11-072349-6 ISSN 2365-9696 Universität Centre©©for 2019 2019 Hamburg Universität Hamburg the Study of Manuscript Cultures www.manuscript-cultures.uni-hamburg.de www.manuscript-cultures.uni-hamburg.de Warburgstraße SFB950 SFB 950 Universität 26 ‘Manuskriptkulturen ‘Manuskriptkulturen Hamburg Warburgstraße ininAsien, Asien, und26Europa’ Afrikaund Afrika Europa’ www.csmc.uni-hamburg.de D-20354 www.csmc.uni-hamburg.de Warburgstraße Hamburg Universität26Hamburg Universität Hamburg D-20354 Hamburg Warburgstraße Warburgstraße D-20354 Hamburg 26 26 D-20354Hamburg D-20354 Hamburg manuscript cultures manuscript cultures mc NO 14 manuscript cultures mc NO 15 manuscriptcultures manuscript cultures mc NOO 13
CONTENTS | MANUSCRIPT CULTURES 1 CONTENTS 3 | Editorial by Oliver Hahn, Volker Märgner, Ira Rabin, and H. Siegfried Stiehl ARTICLES 5 | On Avoiding Segmentation in Handwritten Keyword Spotting: Overview and Perspectives Marçal Rusiñol* 11 | Writer Identification and Script Classification: Two Tasks for a Common Understanding of Cultural Heritage Dominique Stutzmann, Christopher Tensmeyer, and Vincent Christlein* 25 | Z-Profile: Holistic Preprocessing Applied to Hebrew Manuscripts for HTR with Ocropy and Kraken Daniel Stökl Ben Ezra and Hayim Lapin* 37 | On Digital and Computational Approaches to Palaeography: Where Have we Been, Where Are we Going? Peter A. Stokes* 47 | Creating Workflows with a Human in the Loop for Document Image Analysis Marcel Gygli (Würsch), Mathias Seuret, Lukas Imstepf, Andreas Fischer, Rolf Ingold* 53 | Building an Evaluation Framework Researchers Will (Want to) Use Joseph Chazalon* 61 | Turning Black into White through Visual Programming: Peeking into the Black Box of Computational Manuscript Analysis Vinodh Rajan Sampath and H. Siegfried Stiehl* 73 | Legally Open: Copyright, Licensing, and Data Privacy Issues Vanessa Hannesschläger* 77 | A Comparison of Arabic Handwriting-Style Analysis Using Conventional and Computational Methods Hussein Mohammed, Volker Märgner, and Tilman Seidensticker 87 | Illuminating Techniques from the Sinai Desert Damianos Kasotakis, Michael Phelps, and Ken Boydston 91 | Image Quality in Cultural Heritage Tyler R. Peery, Roger L. Easton Jr., Rolando Raqueno, Michael Gartley, and David Messinger 105 | When Erased Iron Gall Characters Misbehave Keith T. Knox 115 | ‘Dürer’s Young Hare’ in Weimar – A Pilot Study Oliver Hahn, Uwe Golle, Carsten Wintermann, and Ira Rabin mc NO 15 manuscript cultures
2 CONTENTS | MANUSCRIPT CULTURES 123 | Material-Technical Details on Papyrus as Writing Support Myriam Krutzsch 133 | The Techniques and Materials Used in Making Lao and Tai Paper Manuscripts Agnieszka Helman-Ważny, Volker Grabowsky, Direk Injan and Khamvone Boulyaphonh 163 | Inks Used to Write the Divine Name in a Thirteenth-Century Ashkenazic Torah Scroll: Erfurt 7 (Staatsbibliothek zu Berlin, Or. fol. 1216) Nehemia Gordon, Olivier Bonnerot, and Ira Rabin 185 | Contributors manuscript cultures mc NO 15
CONTRIBUTORS | MANUSCRIPT CULTURES 185 Contributors Vincent Christlein Friedrich-Alexander-Universität Erlangen-Nürnberg Department of Computer Science Olivier Bonnerot Martensstraße 3 BAM Federal Institute for Material Research and Testing 91058 Erlangen, Germany Division 4.5 Unter den Eichen 44-46 eMail: vincent.christlein@fau.de 12203 Berlin, Germany Roger L. Easton Jr. Universität Hamburg Chester F. Carlson Center for Imaging Science Centre for the Study of Manuscript Cultures Rochester Institute of Technology Warburgstr. 26 54 Lomb Memorial Drive 20354 Hamburg, Germany Rochester, NY 14623-5604, USA eMail: olivier.bonnerot@bam.de eMail: rlepci@cis.rit.edu Khamvone Boulyaphonh Andreas Fischer Buddhist Archives of Luang Prabang University of Fribourg Sala Thammavihan, Vat Suvannakhili Department of Informatics 06000 Luang Prabang, Lao PDR PER 21 bu. B429 eMail: khamvone.boulyaphonh@gmail.com Boulevard de Pérolles 90 1700 Fribourg, Switzerland Ken Boydston eMail: andreas.fischer@unifr.ch MegaVision Inc. P.O. Box 60158 Michael Gartley Santa Barbara, CA 93160, USA Chester F. Carlson Center for Imaging Science eMail: ken@mega-vision.com Rochester Institute of Technology 54 Lomb Memorial Drive Rochester, NY 14623-5604, USA Joseph Chazalon EPITA Research and Development Laboratory (LRDE) eMail: mxgpci@rit.edu 14-16 rue Voltaire 94270 Le Kremlin-Bicêtre, France Uwe Golle Klassik Stiftung Weimar (KSW) eMail: joseph.chazalon@lrde.epita.fr 3.6 Abteilung Restaurierung, Direktion Museen Burgplatz 4 Vincent Christlein 99423 Weimar, Germany Friedrich-Alexander-Universität Erlangen-Nürnberg Department of Computer Science eMail: uwe.golle@klassik-stiftung.de Martensstraße 3 91058 Erlangen, Germany eMail: vincent.christlein@fau.de mc NO 15 manuscript cultures
186 CONTRIBUTORS | MANUSCRIPT CULTURES Marcel Gygli (Würsch) Vanessa Hannesschläger Fachhochschule Nordwestschweiz – Österreichische Akademie der Wissenschaften Hochschule für Technik ACDH-CH – Austrian Centre for Digital Humanities and Cultural Heritage Institut für Interaktive Technologien Sonnenfelsgasse 19 Bahnhofstrasse 6 1010 Wien, Austria 5210 Windisch, Switzerland eMail: vanessa.hannesschlaeger@oeaw.ac.at eMail: marcel.gygli@fhnw.ch Agnieszka Helman-Ważny Nehemia Gordon Universität Hamburg Bar-Ilan University Centre for the Study of Manuscript Cultures Bible Department Warburgstr. 26 Ramat Gan, 5290002, Israel 20354 Hamburg, Germany eMail: ngordon4@gmail.com eMail: agnieszka.helman-wazny@uni-hamburg.de Volker Grabowsky Lukas Imstepf Universität Hamburg University of Fribourg Fakultät für Geisteswissenschaften Department of Informatics Asien-Afrika-Institut PER 21 bu. B429 Edmund-Siemers-Allee 1, Flügel Ost Boulevard de Pérolles 90 20146 Hamburg, Germany 1700 Fribourg, Switzerlan Universität Hamburg eMail: Lukas.imstepf@unifr.ch Centre for the Study of Manuscript Cultures Warburgstr. 26 Rolf Ingold 20354 Hamburg, Germany University of Fribourg Department of Informatics eMail: volker.grabowsky@uni-hamburg.de PER 21 bu. B429 Boulevard de Pérolles 90 Oliver Hahn 1700 Fribourg, Switzerland Universität Hamburg Centre for the Study of Manuscript Cultures eMail: rolf.ingold@unifr.ch Warburgstr. 26 20354 Hamburg, Germany Direk Injan Chiang Mai Rajabhat University eMail: oliver.hahn@uni-hamburg.de Office of Arts and Culture BAM Federal Institute for Material Research and Testing 202 Chang Phueak Road, Tambon Chang Phueak Division 4.5 Mueang Chiang Mai District Unter den Eichen 44-46 Chiang Mai, 50300, Thailand 12203 Berlin, Germany eMail: direkcmru@gmail.com eMail: oliver.hahn@bam.de manuscript cultures mc NO 15
CONTRIBUTORS | MANUSCRIPT CULTURES 187 Damianos Kasotakis Hussein Mohammed Early Manuscripts Electronic Library (EMEL) Universität Hamburg 904 Silver Spur Road, #254 Centre for the Study of Manuscript Cultures Rolling Hills Estates, California 90274, USA Warburgstr. 26 20354 Hamburg, Germany eMail: damian07@gmail.com eMail: hussein.adnan.mohammed@uni-hamburg.de Keith T. Knox Tyler R. Peery Early Manuscripts Electronic Library Chester F. Carlson Center for Imaging Science Rochester Institute of Technology 2739 Puu Hoolai Street 54 Lomb Memorial Drive Kihei, Hawaii 96753, USA Rochester, NY 14623-5604, USA eMail: knox@cis.rit.edu eMail: tp5281@rit.edu Myriam Krutzsch Michael Phelps Egyptian Museum and Papyrus Collection SMB Early Manuscripts Electronic Library (EMEL) Geschwister-Scholl-Str. 6 904 Silver Spur Road, #254 10117 Berlin, Germany Rolling Hills Estates, CA 90274, USA eMail: aemp@smb.spk-berlin.de eMail: mphelps@emelibrary.org Volker Märgner Technische Universität Braunschweig Ira Rabin Institut für Nachrichtentechnik Universität Hamburg Schleinitzstraße 22 Centre for the Study of Manuscript Cultures 38106 Braunschweig, Germany Warburgstr. 26 20354 Hamburg, Germany Universität Hamburg Centre for the Study of Manuscript Cultures eMail: ira.rabin@uni-hamburg.de Warburgstr. 26 BAM Federal Institute for Material Research and Testing 20354 Hamburg, Germany Division 4.5 eMail: maergner@ifn.ing.tu-bs.de Unter den Eichen 44-46 12203 Berlin, Germany David Messinger eMail: ira.rabin@bam.de Chester F. Carlson Center for Imaging Science Rochester Institute of Technology Rolando Raqueno 54 Lomb Memorial Drive RDSC – Rochester Data Science Consortium Rochester, NY 14623-5604, USA 260 East Main Street, Suite 6108 eMail: dwmpci@rit.edu Rochester, NY 14604, USA eMail: rraqueno@cs.rochester.edu rdsc@rochester.edu mc NO 15 manuscript cultures
188 CONTRIBUTORS | MANUSCRIPT CULTURES Vinodh Rajan Sampath H. Siegfried Stiehl Universität Hamburg Universität Hamburg Department of Informatics Department of Informatics Vogt-Kölln-Str. 30 Vogt-Kölln-Str. 30 22527 Hamburg, Germany 22527 Hamburg, Germany eMail: vinodhrajan.sampath@uni-hamburg.de eMail: stiehl@informatik.uni-hamburg.de Marçal Rusiñol Peter A. Stokes Univ. Autònoma de Barcelona École Pratique des Hautes Études – Université PSL Computer Vision Center, Section des Sciences Historiques et Philologiques Dept. Ciències de la Computació, Edifici O 4-14 rue Ferrus 08193 Bellaterra (Barcelona), Spain 75014 Paris, France eMail: marcal@cvc.uab.es eMail: peter.stokes@ephe.psl.eu Tilman Seidensticker Daniel Stökl Ben Ezra Friedrich-Schiller-Universität Jena Ècole Pratique des Hautes Études (EPHE) Institut für Orientalistik, Indogermanistik, Ur- und Frühgeschichtliche Archäologie Section des Sciences Historiques et Philologiques Seminar für Orientalistik 4-14 rue Ferrus Zwätzengasse 4 75014 Paris, France 07743 Jena, Germany eMail: Daniel.Stoekl@ephe.psl.eu Universität Hamburg Centre for the Study of Manuscript Cultures Dominique Stutzmann Warburgstr. 26 Institut de Recherche et d’Histoire des Textes, CNRS 20354 Hamburg, Germany 14, cours des Humanités 93322 Aubervilliers Paris, France eMail: tilman.seidensticker@uni-jena.de eMail: Dominique.stutzmann@irht.cnrs.fr Mathias Seuret University of Fribourg Christopher Tensmeyer Departement of Informatics Brigham Young University DIVA Research Group Dept. of Computer Science Boulevard de Pérolles 90 Provo, UT 84602, USA 1700 Fribourg, Switzerland eMail: tensmeyer@byu.edu eMail: mathias@seuret.com Carsten Wintermann Klassik Stiftung Weimar (KSW) 3.6 Abteilung Restaurierung, Direktion Museen Burgplatz 4 99423 Weimar, Germany eMail: carsten.wintermann@klassik-stiftung.de manuscript cultures mc NO 15
Written Artefacts as Cultural Heritage Ed. by Michael Friedrich and Doreen Schröter Written Artefacts as Cultural Heritage was established in scholars working in the fields of manuscript cultures and 2020. The series is dedicated to the double role of written heritage studies. artefacts as representations and generators of humankind’s Every volume of Written Artefacts as Cultural Heritage cultural heritage. Its thematic scope embraces aspects of has been peer-reviewed and is openly accesible. There is an preservation, the identity-defining role of artefacts as well as online and a printed version.. ethical questions. If you wish to receive a copy or to present your research, The mix of practical guides, colloquium papers and please contact the editorial office: project reports is specifically intended for staff at libraries https://www.csmc.uni-hamburg.de/publications/cultural- and archives, curators at museums and art galleries, and heritage.html CENTRE FOR THE STUDY OF MANUSCRIPT CULTURES WRITTEN ARTEFACTS AS CULTURAL HERITAGE CENTRE FOR TH E STU DY OF MAN USCRI PT CU LTU RES U N IVERSITÄT HAMBU RG STEP BY STEP GUIDE TO MANUSCRIPT SURFACE CLEANING AND MAKING E-FLUTE PHASE BOXES FOR MANUSCRIPTS Bidur Bhattarai | Michaelle Biddle No 1
manuscript cultures (mc) Editors: Michael Friedrich and Jörg B. Quenzer Editorial office: Irina Wandrey CSMC’s academic journal was established as newsletter of on the objects studied; it contributes to a larger historical the research unit ‘Manuscript Cultures in Asia and Africa’ and systematic survey of the role of written artefacts in in 2008 and transformed into a scholarly journal with the ancient and modern cultures, and in so doing provides a new appearance of volume 4 in 2011. manuscript cultures foundation for ongoing discussions in cultural studies. publishes exhibition catalogues and articles contributing to Every volume of manuscript cultures has been peer- the study of written artefacts. This field of study embraces reviewed and is openly accessible: disciplines such as art history, codicology, epigraphy, history, https://www.csmc.uni-hamburg.de/publications/mc.html material analysis, palaeography and philology, informatics If you wish to receive a copy or to present your research in and multispectral imaging. our journal, please contact the editorial office: manuscript cultures encourages comparative approaches, irina.wandrey@uni-hamburg.de without regional, linguistic, temporal or other limitations manuscript cultures 14 manuscript cultures 13 mc NO 13 2019 mc NO 14 2020 manuscript cultures manuscript cultures Hamburg | Centre for the Study of Manuscript Cultures ISSN 1867–9617 Hamburg | Centre for the Study of Manuscript Cultures ISSN 1867–9617 cluster of excellence understanding written artefacts manuscript cultures 11 manuscript cultures 10 2018 mc No 11 2018 mc No 10 2017 mc No 10 2017 manuscript cultures manuscript cultures manuscript cultures Hamburg | Centre for the Study of Manuscript Cultures ISSN 1867–9617 manuscript cultures Hamburg | Centre for the Study of Manuscript Cultures ISSN 1867–9617 Natural Sciences and Technology in Manuscript Analysis ISSN 1867–9617 © SFB 950 a und Europa’ “Manuskriptkulturen in Asien, Afrika und Europa” Universität Hamburg www.manuscript-cultures.uni-hamburg.de Warburgstraße 26 www.manuscript-cultures.uni-hamburg.de D-20354 Hamburg No 11 No 10
manuscript cultures 9 manuscript cultures 8 2016mc N 8 2015 mc No 8 2015 o 2016 mc No 9 manuscript cultures manuscript cultures manuscript cultures manuscript cultures Hamburg | Centre for the Study of Manuscript Cultures ISSN 1867–9617 Hamburg | Centre for the Study of Manuscript Cultures ISSN 1867–9617 Wunder der erschaffenen Dinge: osmanische Manuskripte in Hamburger Sammlungen ISSN 1867–9617 © SFB 950 “Manuskriptkulturen in Asien, Afrika und Europa” Universität Hamburg www.manuscript-cultures.uni-hamburg.de Warburgstraße 26 www.manuscript-cultures.uni-hamburg.de D-20354 Hamburg No 9 No 8 manuscript cultures 7 manuscript cultures 6 mc No 7 2014 mc No 6 2014 manuscript cultures manuscript cultures Hamburg | Centre for the Study of Manuscript Cultures ISSN 1867–9617 Hamburg | Centre for the Study of Manuscript Cultures ISSN 1867–9617 CENTRE FOR THE STUDY OF MANUSCRIPT CULTURES manuscript cultures 5 manuscript cultures 4 mc No 5 2012/2013 Newsletter No 4 2011 manuscript cultures manuscript cultures manuscript cultures Hamburg | Centre for the Study of Manuscript Cultures ISSN 1867–9617 Hamburg | Centre for the Study of Manuscript Cultures (CSMC) IssN 1867–9617
RES Studies inStudies Manuscript Cultures Cultures in Manuscript (SMC) (SMC) Studies inEd.Manuscript Ed. by Michael Friedrich, Harunaga by MichaelIsaacson, Friedrich,and Cultures Jörg B. Quenzer Harunaga (SMC) Isaacson, and Jörg B. Quenzer From volume 4 onwards all volumes Fromare available volume as openallaccess 4 onwards books volumes areon the De as available Gruyter open website: Publisher: de Gruyter, Berlin access books on the De Gruyter website: Publisher: de Gruy Ed. by Michael Friedrich, Harunaga Isaacson, and Jörg B. Quenzer https://www.degruyter.com/view/serial/43546 https://www.degruyter.com/view/serial/43546 https://www.csmc.uni-hamburg.de/ https://www.csmc.uni-hamburg.de/ From volume 4 onwards all volumes are available as open access books on the De Gruyter website: Publisher: de Gruyter, Berlin https://www.degruyter.com/view/serial/43546 https://www.csmc.uni-hamburg.de/ 21 – Disiecta Membra 21 Musicae: – DisiectaStudies Membra in Musical Musicae:Fragmentology Studies in Musical , Fragmen New release New release 23 – Education edited by Giovanni Materialised: edited byReconstructing Varelli Giovanni Varelli Teaching and Learning Forthcoming Contexts through Manuscripts, edited by Stefanie Brinkmann, SMC SMC Although Giovanni 21 – Disiectafragments Ciotti,Membrafrom Stefano music Although Musicae: manuscripts Valente and Eva fragments Studies have from occupied inMaria music Musical a place ofhave Wilden manuscripts Fragmentology consid- occupied , a place of 21 erable importance since the very early days of modern musicology, a collec- 21 SMC 23 New release edited by Giovanni Varelli erable importance since the very early days of modern musicology, a Edited by DISIECTA tive, up-to-date, and comprehensive discussion of the various techniques ofand Edited by Giovanni Varelli DISIECTA MEMBRA MUSICAE Manuscripts have played tive, up-to-date, a crucial role and in thecomprehensive educational discussion practices of virtu-the various techniq DISIECTA DISIECTA Fragments of music manuscripts are some of the commonest finds inside bindings of later volumes, or unlabeled boxes tucked away in libraries and EDUCATION Stefano Valente and Eva Maria Wilden Edited EDUCATION archives. Their surviving radically shaped our modern understanding of approaches Although for fragments ally all cultures their study that from have was music approaches a historylacking. manuscripts forusing of On-linehave resources studyoccupied their them. waslearning As have a place lacking. also become ofteaching On-line and consid- resources have also Giovanni early European music. This volume looks at ‘disiecta membra’ not as relics MEMBRA MEMBRA MEMBRA MUSICAE of a lost whole, but as principal objects of study, illuminating societal, MATERIALISED material, and cultural contexts, and requiring specific approaches and by Stefanie methodologies SMC increasingly crucial for increasingly identification, daysstudy, andidentification, textual/musical recon- 21 erable tools, importance manuscripts since become the very primaryearly crucial witnesses of formodern the for musicology,study, reconstructing aand collec- and textual/musical stu- MUSICAE VarelliEdited MUSICAE MATERIALISED RECONSTRUCTING TEACHING AND LEARNING THE SERIES: STUDIES IN MANUSCRIPT CULTURES CONTEXTS THROUGH MANUSCRIPTS struction of fragmentary sources. Disiecta Membra Musicae. Studies in Mu- DISIECTA MEMBRA MUSICAE tive, dyingup-to-date, andresearch comprehensive struction discussion of fragmentary ofsources. the various techniques Disiecta Membra andMusicae. Studies Brinkmann, Giovanni Ciotti, didactic and activities and methodologies from elementary The series Studies in Manuscript Cultures (SMC) publishes monographs and DISIECTA collective volumes contributing to the study of written artefacts. This field of STUDIES IN MUSICAL FRAGMENTOLOGY study embraces disciplines such as art history, codicology, epigraphy, Edited history, by Stefanie Brinkmann, Giovanni Ciotti, STUDIES IN MUSICAL FRAGMENTOLOGY material analysis, palaeography and philology. Stefano Valente and Eva Maria Wilden by Giovanni Varelli SMC encourages comparative approaches, without regional, linguistic,Edited by Giovanni Varelli sical Fragmentology aims at reviewing lacking. the state of atthe art in thethe study ofofme- Edited by Giovanni Varelli approaches levels to thefor mosttheiradvanced. study was sical Fragmentology On-line aims resources have reviewing also become state the art in the study MEMBRA temporal or other limitations on the objects studied; it contributes to a larger historical and systematic survey of the role of written artefacts in ancient and modern cultures, and in so doing provides a new foundation for ongoing discussions in cultural studies. dieval music increasingly fragments crucial for The present volume investigates in theEurope, the identification, dieval music variety fragments the relation of study, between methodologies and in Europe, textual/musical manuscripts for the variety studying recon- of methodologies for s and educatio- MUSICAE the practices repertory and its transmission, musical Disiecta palaeography, itsMembra codicology, liturgy, STUDIES IN MUSICAL FRAGMENTOLOGY struction nal of fragmentary focusing on thesources. four repertory particular and research topics:Musicae. transmission, Studies musical educational in Mu- palaeography, settings: tea- codicology, historical and cultural contexts, etc. This collection of essays provides an op- Edited by Giovanni Varelli sical Fragmentology aims at reviewing historical and the cultural state of contexts,the chers, students and their manuscripts; organising knowledge: syllabi; exegetical art in etc. the This study of collection me- of essays provides STUDIES IN STUDIES IN MANUSCRIPT CULTURES portunity dieval music practices: to reflect fragments annotations; alsomodifying on broader in Europe, portunity toissues, the tradition: MANUSCRIPT CULTURES variety reflect such alsoof as the role of onmethodologies adaptations. broader fragments issues, for in last studying such as the role of fragment STUDIES IN www.degruyter.com MANUSCRIPT CULTURES century’s the repertorymusicology, and its how fragmentary transmission, century’s musical musicology,material shaped palaeography, how The volume offers a number of case studies stretching across geophysical our fragmentary conception codicology, material of the our conceptio liturgy, shaped ISBN 978-3-11-071722-8 written transmission historical and cultural ofcontexts, early writtenEuropean etc.toThis transmissionmusic, ofand collectionearlyhow new fragments ofEuropean essays aprovides music, are be- anran- and op- how new fragments ISSN 2365-9696 STUDIES IN boundaries from Western Europe South-East Asia, with time span MANUSCRIPT CULTURES ing discovered portunity to in reflect the alsodigital on ing age. broader Known discovered issues,in fragments such the ging from the second millennium BCE to the twentieth century CE. as digitalthe and role age. new of Known technology, fragments fragments in new lastand new technolo discoveries and traditional century’s musicology, how methodology fragmentary discoveries alternate and material traditional in shaped this collection our conception methodology of essays, alternate of the in this collection of whose topics written range from transmission of earlyplainchant whose topics to European ars nova music, range and and from how fifteenth- new fragments plainchant to sixteenth- to ars are be- nova and fifteenth- to six century ing polyphony. discovered in the digital age.polyphony. century Known fragments and new technology, new discoveries and traditional methodology alternate in this collection of essays, 22 – Dunhuang whose topics rangeManuscript from Culture: – Dunhuang 22plainchant End nova of to arsManuscript andthe First Millennium Culture: fifteenth- End of the to sixteenth- , First Millen New release New release by Imrepolyphony. century Galambos by Imre Galambos SMC SMC Dunhuang 22 Manuscript – Dunhuang Culture Manuscript explores Dunhuang the world Manuscript Culture: of Chinese EndCulture of manuscripts theexplores First the worldfrom Millenniumof Chinese , manuscrip ninth–tenth century Dunhuang, an oasis city along the network of pre-modern 22 ninth–tenth century Dunhuang, an oasis city along the network of pre- 22 NewImre release Galambos by Imre Galambos Imre Galambos routes known today collectively as thetoday Silk Roads. The manuscripts have been DUNHUANG MANUSCRIPT Imre Galambos routes known collectively as the Silk Roads. The manuscripts ha DUNHUANG MANUSCRIPT CULTURE Imre Galambos DUNHUANG DUNHUANG The book explores the world of Chinese manuscripts from ninth to tenth century Dunhuang, an oasis city along the Silk Roads. It centres around four groups of manuscripts and argues for the existence of a unique local MANUSCRIPT discoveredManuscript Dunhuang in 1900 in Culture adiscovered sealed-off side-chamber explores in the world 1900 ofofChinese a Buddhist in a sealed-off cave temple, manuscripts side-chamber from of a Buddhist cave culture combining Chinese and Central Asian elements. The book makes a MANUSCRIPT contribution to the study of cultural and linguistic interaction along the Silk Roads at the end of the first millennium CE. SMC CULTURE where they ninth–tenth had lain century undisturbed Dunhuang, anfor for oasis almost city nine along thehundred network years. of The dis- pre-modern 22 THE SERIES: STUDIES IN MANUSCRIPT CULTURES CULTURE where they had lain undisturbed for for almost nine hundred years. T ImreOFGalambos The series Studies in Manuscript Cultures (SMC) publishes monographs and coveryknown comprised todaytens of thousandsas theofSilk texts, written Theinmanuscripts over of twenty different END THE FIRST MILLENNIUM routes collectively Roads. have been in over twenty d DUNHUANG Imre Galambos covery comprised tens of thousands texts, written collective volumes contributing to the study of written artefacts. This field of END OF THE FIRST MILLENNIUM DUNHUANG study embraces disciplines such as art history, codicology, epigraphy, history, CULTUREMANUSCRIPT CULTURE material analysis, palaeography and philology. SMC encourages comparative approaches, without regional, linguistic, languages and discovered scripts, in 1900 in aincluding sealed-offChinese, languages side-chamber and Tibetan, scripts, of aOld including Uighur, Buddhist Chinese, Khotanese, cave temple,Old Uighur, Kho Tibetan, temporal or other limitations on the objects studied; it contributes to a larger MANUSCRIPT historical and systematic survey of the role of written artefacts in ancient and modern cultures, and in so doing provides a new foundation for ongoing discussions in cultural studies. CULTURE Sogdian where andhad they Sanskrit. This lain undisturbedstudyand Sogdian centres for for around almost Sanskrit. four nine This groups hundred study of manuscripts years. centres The dis- around four groups of manu from the covery mid-ninthtens comprised to the of latethe tenth thousands from centuries, of a period texts,towritten mid-ninth the whencenturies, lateintenth over the region twenty was when the regi different a period END OF THE FIRST MILLENNIUM an independent languages kingdom and scripts, anruled including by Chinese, local kingdom independent families. The Tibetan, ruled central OldbyUighur,argument local is The Khotanese, families. that central argumen STUDIES IN the manuscripts attest to themanuscripts uniquecentres cultural diversity ofgroups the region during thisof the region dur STUDIES IN MANUSCRIPT CULTURES MANUSCRIPT CULTURES Sogdian and Sanskrit. This the study around attest four to the unique of manuscripts cultural diversity www.degruyter.com period, exhibiting – alongside from the mid-ninth to the obvious late tenth period, Chinese centuries, exhibiting elements a period – alongside – the when the obvious heavy influence region Chinese was – the heavy in elements ISBN 978-3-11-072349-6 of independent an Central Asiankingdom cultures. As ofruled aby Central result, local Asianitfamilies. was much cultures. Asless The ‘Chinese’ central a result, argumentthan it was iscom- much thatless ‘Chinese’ tha ISSN 2365-9696 STUDIES IN MANUSCRIPT CULTURES monly the portrayedattest manuscripts in modern the scholarship. tomonly unique The book makes a contribution portrayed in modern scholarship. The bookthis cultural diversity of the region during to the makes a contributio study ofexhibiting period, cultural and linguistic – alongside ofinteraction study obvious Chinese cultural along and the Silk elements linguistic –Roads. the heavyalong interaction influence the Silk Roads. of Central Asian cultures. As a result, it was much less ‘Chinese’ than com- monly portrayed in modern scholarship. The book makes a contribution to the study of cultural and linguistic interaction along the Silk Roads. NO 14
CULTURES Studies inStudies Manuscript in Manuscript Cultures Cultures (SMC) (SMC Studies inEd.Manuscript Ed. by Michael Friedrich, Harunaga by MichaelIsaacson, Friedrich,and Cultures Cultures Jörg B. Quenzer Harunaga (SMC) (SMC) Isaacson, and Jörg B. Quenzer From volume 4 onwards all volumes are available as open access books on the De Gruyter website: From volume 4 onwards all volumes are available as open access books on the De Gruyter website: Publisher: de Gruyter, Berlin Publishe Ed. Ed. by Michael by Michael Friedrich, Friedrich, Harunaga Isaacson, Harunaga https://www.degruyter.com/view/serial/43546 Isaacson,and and Jörg Jörg B.B.Quenzer Quenzer https://www.degruyter.com/view/serial/43546 https://www.csmc.uni-hamburg.de/ https://www.csmc.uni-hamburg.de/ From volume 4 onwards all volumes areavailable From volume 4 onwards all volumes are availableasasopen openaccess accessbooks bookson onthe theDe DeGruyter Gruyterwebsite: website: Publisher:dedeGruyter, Publisher: Gruyter,Berlin Berlin https://www.degruyter.com/view/serial/43546 https://www.degruyter.com/view/serial/43546 https://www.csmc.uni-hamburg.de/ 21 – Disiecta Membra https://www.csmc.uni-hamburg.de/ 21 Musicae: – DisiectaStudies Membrain Musical Musicae:Fragmentology Studies in Musical , Fr New release New release edited by Giovanni Varelli edited by Giovanni Varelli 18 –– Canones: 18 Canones: The The Art Art of of Harmony. Harmony.The The Canon Canon Tables Tables ofof the the Four Four SMC SMC Gospels, Gospels, edited by Although edited byfrom fragments Alessandro Although Alessandro Bausi,Bruno Bruno music manuscripts fragments Bausi, from Reudenbach, haveReudenbach, occupied music and a place manuscripts and Hanna ofhave consid- Hanna occupied a p Wimmer 21 New release release erable importance since the very early days of modern musicology, a collec- 21 New Wimmer erable importance since the very early days of modern musico Edited by Giovanni Varelli DISIECTA MEMBRA MUSICAE tive, up-to-date, and comprehensive discussion of the various techniques and Edited by Giovanni Varelli DISIECTA MEMBRA MUSICAE tive, up-to-date, and comprehensive discussion of the various DISIECTA DISIECTA st finds inside Fragments of music manuscripts are some of the commonest finds inside n libraries and bindings of later volumes, or unlabeled boxes tucked away in libraries and The so-called ‘Canon Tables’ oflacking. thefor Christian Gospels arehave anabsolutely absolutely re- erstanding of archives. Their surviving radically shaped our modern understanding of approaches for their study The so-called ‘Canon Tables’ wasof the On-line Christian resources Gospels are an also becomere- bra’ not as relics approaches their study was lacking. On-line resources hav early European music. This volume looks at ‘disiecta membra’ not as relics MEMBRA MEMBRA g societal, of a lost whole, but as principal objects of study, illuminating societal, oaches and material, and cultural contexts, and requiring specific approaches and markable feature of the early, late antique, and medieval Christian manuscript methodologies increasingly markable crucial feature forearly, of the the identification, late antique, increasingly study, and crucial andidentification, medieval for the textual/musical recon- Christian manuscript study, and textual/ THE SERIES: STUDIES IN MANUSCRIPT CULTURES MUSICAE MUSICAE cultures ofofEast structionof cultures East and West, fragmentary and West, the invention invention sources. the Disiecta ofMembra of which which isisMusicae. commonly commonly attributed Studies attributed toto in Mu- struction of fragmentary sources. Disiecta Membra Musicae. monographs and The series Studies in Manuscript Cultures (SMC) publishes monographs and acts. This field of collective volumes contributing to the study of written artefacts. This field of pigraphy, history, STUDIES IN MUSICAL FRAGMENTOLOGY study embraces disciplines such as art history, codicology, epigraphy, history, STUDIES IN MUSICAL FRAGMENTOLOGY material analysis, palaeography and philology. SMC encourages comparative approaches, without regional, linguistic,Edited by Giovanni Varelli Eusebius and dated dated to sical Fragmentology toaims first decades ofthe the fourth century AD. Intended toofhost l, linguistic, at reviewing the state of atthe art in Intended the study of me- Edited by Giovanni Varelli Eusebius and first decades sical of Fragmentology fourth aims century AD. reviewing the to state hostthe art in th ributes to a larger temporal or other limitations on the objects studied; it contributes to a larger acts in ancient historical and systematic survey of the role of written artefacts in ancient ation for ongoing and modern cultures, and in so doing provides a new foundation for ongoing a technical device for structuring, organizing, and navigating the Four Gos- discussions in cultural studies. dieval music fragments a technical device for structuring,in Europe, dieval music the variety organizing, fragmentsand of methodologies navigating in Europe, the the for studying FourofGos- variety methodologi pels pels united in the repertory united inand aa single single codex its transmission, codex –– and, and, the repertory in musical inand doing so,building buildingcodicology, itspalaeography, doing so, transmission, uponand upon musical and bringing liturgy, bringing palaeography, codi to completion historical and previous cultural to completion previous endeavours endeavours contexts, etc. historical and – This – thethe Canon collection Tables Canoncontexts, cultural of Tables were were essays apparently provides apparently etc. This an collection from op- fromof essays p the beginning aahighly highly complex combination oftext, text, numbers andimages, images, thatrole of fr STUDIES IN STUDIES IN MANUSCRIPT CULTURES MANUSCRIPT CULTURES portunity the beginningto reflect alsocomplex on broader portunity toissues, reflectsuch combination of also as onthe role of numbers broader fragments and issues, such as inthat last the www.degruyter.com became century’s became anmusicology, an integral and integral andhow fixed fixed partmusicology, fragmentary part century’s of all of allmaterial the manuscripts the manuscripts how shaped ourcontaining conception containing fragmentary theof the material Four Fourthe our co shaped Gospels asSacred SacredScripture Scripture of the Christians and can benew seenfragments asmusic, exemplary for new fra ISBN 978-3-11-071722-8 written transmission Gospels as of early writtenEuropean of the Christians transmission music,and of and how can early be seen European as exemplary are be- and for how ISSN 2365-9696 the ing formation, discovered development in the the formation, development digital and age. spreading Known and spreading ing discovered of fragments in the a specific of digital a specific and Christian new manuscript technology, age.Christian new manuscriptand new te Known fragments culture culture across discoveries across andEast East andWest traditional and West AD300 AD discoveries 300 methodology and and and 800. inmethodology alternate 800. traditional this collection of essays, alternate in this collec This whose book topics offers range an from This book offers an updated updated overview plainchant whose topicsoverview to ars onnova rangeonfrom the topic and the topic of ‘Canon fifteenth- plainchant to Tables’ sixteenth- to arsTables’ of ‘Canon nova and inin fifteenth aacentury comparative perspective polyphony. comparative perspective and with and century with aa precise polyphony. precise look lookatattheirtheircontext contextofoforigin, origin, their visual appearance, their meaning, function and their visual appearance, their meaning, function and their usage in different their usage in different times, Dunhuang domains, and 22 – domains, times, andManuscript cultures. 22 – Dunhuang cultures. Culture: Manuscript End of the Culture: First Millennium End of the , First New release New release by Imre Galambos by Imre Galambos 20 –––Fakes 20 20 Fakes and andand Fakes Forgeries Forgeries of Written of Written Forgeries of Written Artefacts ArtefactsArtefacts from Ancientfrom Ancient from Ancient SMC Dunhuang MesopotamiaManuscript to Culture Modern explores Dunhuang China, the edited world Manuscript by of Chinese Culture Cécile manuscripts explores Michel Mesopotamia to Modern China, edited by Cécile Michel and Michael the andworld from of Chinese ma Michael Mesopotamia to Modern China, edited by Cécile Michel and Michael SMC ninth–tenth century Dunhuang, an oasis city along the network of pre-modern 22 ninth–tenth century Dunhuang, an oasis city along the network 22 New release Friedrich Friedrich Imre Galambos Imre Galambos Friedrich routes known today collectively as thetoday Silk Roads. The manuscripts have been DUNHUANG MANUSCRIPT CULTURE Imre Galambos routes known collectively as the Silk Roads. The manusc DUNHUANG MANUSCRIPT CULTURE Imre Galambos DUNHUANG DUNHUANG ninth to tenth The book explores the world of Chinese manuscripts from ninth to tenth ntres around century Dunhuang, an oasis city along the Silk Roads. It centres around a unique local four groups of manuscripts and argues for the existence of a unique local discovered Fakes in 1900 are and forgeries forgeries in areaobjects sealed-off objects discovered side-chamber of fascination. fascination. in of volume This 1900 in aThis avolume Buddhist sealed-off cave atemple, contains side-chamber aseries series of a Buddhis e book makes a MANUSCRIPT Fakes and of contains culture combining Chinese and Central Asian elements. The book makes a MANUSCRIPT on along the Silk contribution to the study of cultural and linguistic interaction along the Silk Roads at the end of the first millennium CE. monographs and THE SERIES: STUDIES IN MANUSCRIPT CULTURES The series Studies in Manuscript Cultures (SMC) publishes monographs and CULTURE where of CULTURE of theyarticles thirteen thirteen had lain articles undisturbed devoted devoted tofakes where to forand fakes they forforgeries and had almost lain nine forgeries hundred ofwritten written undisturbed of years. artefacts forartefacts for The from almost from dis- thehundred nine the covery comprised tensininof thousands oftotexts, tenswritten in over twenty texts,different END OF THE FIRST MILLENNIUM beginnings of writing writing Mesopotamia covery comprised to modern China. of China. thousands Theof studies empha-in over tw written acts. This field of END OF THE FIRST MILLENNIUM beginnings of Mesopotamia modern The studies empha- collective volumes contributing to the study of written artefacts. This field of pigraphy, history, study embraces disciplines such as art history, codicology, epigraphy, history, material analysis, palaeography and philology. l, linguistic, SMC encourages comparative approaches, without regional, linguistic, languages anddistinctions scripts, including Chinese, Tibetan, Old Uighur, Chinese,Khotanese, ributes to a larger sise the subtle subtle distinctions conveyed languages and byscripts, anestablished established including vocabulary relating Tibetan,totoOld Uigh temporal or other limitations on the objects studied; it contributes to a larger sise the conveyed by an vocabulary relating acts in ancient historical and systematic survey of the role of written artefacts in ancient ation for ongoing and modern cultures, and in so doing provides a new foundation for ongoing discussions in cultural studies. Sogdian the and reproduction Sanskrit. of This ancient study centres artefacts and around This production four the reproduction of ancient artefacts and production of artefacts claimingfour Sogdian and Sanskrit. groups study of of centres artefacts manuscripts around claiming toto groups from be be the mid-ninth ancient: ancient: to the from copies, from copies, fromlatethe replicas replicas tenth andcenturies, mid-ninth and imitations imitations atoto to the period late fakes fakes when tenth and the region andcenturies, forgeries. forgeries. was when aFakes period Fakes an are independent often a kingdom response to aanruled demand by independentlocal from families. kingdom the public The ruled or are often a response to a demand from the public or scholarly milieu, or even central by scholarly argument local families. milieu, oris that central a The even STUDIES IN the manuscripts attest tothethe unique cultural diversity of the region during this STUDIES IN MANUSCRIPT CULTURES MANUSCRIPT CULTURES both. both. The motives The motives behind behind manuscripts their their production production attest to the may may unique be economic, be economic, cultural diversity political, political, reli-of the reg reli- www.degruyter.com period, gious or gious exhibiting or personal – alongside personal –– aspiring period, aspiring to obvious exhibiting to fame fame or Chinese – or simply elements alongside simplyplaying – playingaajoke. the obvious heavy Chinese joke.Fakes influence Fakesmay elements maybe be – the h ISBN 978-3-11-072349-6 of Central revealed revealed byAsian by cultures. combining combining theAs of the a result, Central study study Asian of of it was their their muchAs cultures. contents, contents, less ‘Chinese’ a result, codicological, codicological, than it was much com-less ‘Chin epigraphic epigraphic ISSN 2365-9696 monly and portrayed and palaeographic in modern palaeographicanalyses, monly analyses,and scholarship. portrayed andscientific The in book modern scientificinvestigations. makes a contribution scholarship. investigations.However, The to the certainmakes However,certain book fa- a con fa- study mous of cultural mous unsolved and unsolved cases linguistic cases still study still continue continueinteraction of cultural to to defy defy along the andtechnology technology Silk Roads. linguistic interaction today, today,no along matterthe nomatter how how Silk Road advanced advanced itit is. is. Nowadays, Nowadays, oneone can canfind findfakes fakesininmuseums museumsand andprivate privatecollec- collec- tions tions alike; alike; they they abound abound on on the the antique antiquemarket, market,mixed mixedwith withreal realartefacts artefactsthat that mc NO 14 have have often often been been looted. looted. The The scientific scientific community’s community’s attitude attitude totosuch suchobjects objects calls calls for for ethical ethical reflection. reflection.
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